Songs like You Still Believe In Me by M. Ward
Based on a tempo of (+/- 10%) and a similar genre
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Megafaun
Kaufman's Ballad
90 bpm • D Maj • 03:56 • -10db
23% Popularity • 46% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Nathan Salsburg
Impossible Air
90 bpm • G# Maj • 04:48 • -14db
36% Popularity • 56% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
36% Popularity • 56% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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Phil Cook
Frazee, MN
90 bpm • A Maj • 02:45 • -13.99db
17% Popularity • 51% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
17% Popularity • 51% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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T. Dekker
Just Crushed
90 bpm • D Maj • 01:15 • -15.06db
14% Popularity • 59% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
14% Popularity • 59% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Kaki King
All the Landslides Birds Have Seen Since...
90 bpm • D min • 02:42 • -19.47db
15% Popularity • 9% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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M. Ward
You Still Believe In Me
90 bpm • D Maj • 02:26 • -13.97db
4% Popularity • 51% Danceability • 37% Energy • 6% Liveness
69% Instrumentalness • 35% Positiveness
4% Popularity • 51% Danceability • 37% Energy • 6% Liveness
69% Instrumentalness • 35% Positiveness
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J. Tillman
First Born
90 bpm • A min • 03:29 • -12.11db
14% Popularity • 60% Danceability • 19% Energy • 35% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 60% Danceability • 19% Energy • 35% Liveness
1% Instrumentalness • 9% Positiveness
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Bill Callahan
Rococo Zephyr
90 bpm • G# Maj • 05:42 • -12.78db
36% Popularity • 67% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
36% Popularity • 67% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
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Kurt Vile
Take My Advice
91 bpm • F# min • 03:15 • -15.06db
12% Popularity • 51% Danceability • 57% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 51% Danceability • 57% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
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Horse Feathers
This Is What
89 bpm • C# min • 03:09 • -12.04db
30% Popularity • 43% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 41% Positiveness
30% Popularity • 43% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 41% Positiveness
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John Fahey
Jesus Is A Dying Bedmaker
89 bpm • G Maj • 04:19 • -15.77db
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
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Great Lake Swimmers
Still
89 bpm • G Maj • 02:51 • -7.99db
41% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Joan Shelley
Stay On My Shore
91 bpm • E Maj • 02:58 • -11.11db
25% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Fionn Regan
Snowy Atlas Mountains
91 bpm • B min • 04:11 • -13.89db
22% Popularity • 41% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 41% Positiveness
22% Popularity • 41% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 41% Positiveness
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Phil Cook
Ballad of a Hungry Mother
88 bpm • B min • 04:22 • -13.66db
8% Popularity • 46% Danceability • 33% Energy • 19% Liveness
74% Instrumentalness • 48% Positiveness
8% Popularity • 46% Danceability • 33% Energy • 19% Liveness
74% Instrumentalness • 48% Positiveness
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Phosphorescent
Pride
88 bpm • C Maj • 06:09 • -11.1db
15% Popularity • 10% Danceability • 54% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
15% Popularity • 10% Danceability • 54% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
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M. Ward
Eyes on the Prize
92 bpm • D Maj • 02:37 • -15.8db
40% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Clem Snide
Like Lightning Flashes
88 bpm • D Maj • 04:18 • -9db
14% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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William Tyler
The World Set Free
92 bpm • C Maj • 10:12 • -15db
9% Popularity • 42% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
9% Popularity • 42% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
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John Fahey
Sunflower River Blues - Re-Recorded Vers...
92 bpm • F Maj • 03:20 • -20.67db
44% Popularity • 32% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
44% Popularity • 32% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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The Low Anthem
Ticket Taker
88 bpm • F Maj • 03:08 • -12.6db
13% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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M. Ward
The Crooked Spine
88 bpm • D Maj • 01:38 • -17.96db
18% Popularity • 41% Danceability • 25% Energy • 8% Liveness
22% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 25% Energy • 8% Liveness
22% Instrumentalness • 28% Positiveness
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Steve Gunn
Old Strange
88 bpm • C Maj • 07:00 • -12.87db
11% Popularity • 38% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 61% Positiveness
11% Popularity • 38% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 61% Positiveness
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Mutual Benefit
Golden Wake
93 bpm • F# Maj • 03:16 • -13.05db
21% Popularity • 22% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
21% Popularity • 22% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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Jenny Lewis
Happy
92 bpm • E Maj • 04:16 • -11.41db
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Monsters Of Folk
Sandman, The Brakeman And Me
87 bpm • C Maj • 03:23 • -10.99db
21% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Tillman
Finish Those Cigarettes & Go To Bed
87 bpm • D Maj • 02:44 • -18.33db
10% Popularity • 29% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
10% Popularity • 29% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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M. Ward
Epistemology
87 bpm • D Maj • 03:49 • -7db
3% Popularity • 39% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 39% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Horse Feathers
Rude To Rile
87 bpm • C Maj • 03:29 • -12.73db
28% Popularity • 25% Danceability • 29% Energy • 22% Liveness
27% Instrumentalness • 72% Positiveness
28% Popularity • 25% Danceability • 29% Energy • 22% Liveness
27% Instrumentalness • 72% Positiveness
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Califone
Michigan Girls
93 bpm • B Maj • 04:00 • -11.15db
23% Popularity • 72% Danceability • 37% Energy • 16% Liveness
47% Instrumentalness • 21% Positiveness
23% Popularity • 72% Danceability • 37% Energy • 16% Liveness
47% Instrumentalness • 21% Positiveness
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The Barr Brothers
Hideous Glorious Part 2
87 bpm • G Maj • 01:47 • -14db
47% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
47% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
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Crooked Fingers
Islero
93 bpm • D min • 03:29 • -11.9db
10% Popularity • 53% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 26% Positiveness
10% Popularity • 53% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 26% Positiveness
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Clem Snide
Bread
93 bpm • D Maj • 04:54 • -20.25db
2% Popularity • 56% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 26% Positiveness
2% Popularity • 56% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 26% Positiveness
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M. Ward
Today's Undertaking
93 bpm • D Maj • 02:26 • -10.54db
22% Popularity • 29% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 29% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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The Bees
Silver Line
94 bpm • C Maj • 03:39 • -12db
11% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ugly Casanova
Hotcha Girls
94 bpm • C Maj • 01:34 • -12.68db
30% Popularity • 41% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 21% Positiveness
30% Popularity • 41% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 21% Positiveness
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Fionn Regan
Bunker or Basement
86 bpm • C Maj • 06:26 • -8.08db
16% Popularity • 26% Danceability • 46% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
16% Popularity • 26% Danceability • 46% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Antony
I Was Young When I Left Home
86 bpm • G Maj • 04:55 • -15.48db
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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M. Ward
Pure Joy
87 bpm • C# Maj • 02:57 • -13.24db
3% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Mountain Man
Dog Song
94 bpm • G Maj • 03:11 • -14.49db
1% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Horse Feathers
Finch On Saturday
86 bpm • G Maj • 02:37 • -15.72db
25% Popularity • 38% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 38% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Fruit Bats
Shivering Fawn
94 bpm • D Maj • 03:50 • -8.97db
17% Popularity • 56% Danceability • 35% Energy • 12% Liveness
25% Instrumentalness • 7% Positiveness
17% Popularity • 56% Danceability • 35% Energy • 12% Liveness
25% Instrumentalness • 7% Positiveness
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Ugly Casanova
Corcovado
94 bpm • D Maj • 03:13 • -6.12db
18% Popularity • 50% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
18% Popularity • 50% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
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Great Lake Swimmers
Your Rocky Spine
94 bpm • G min • 03:36 • -15db
31% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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M. Ward
Deep Dark Well
94 bpm • D Maj • 02:27 • -11.73db
1% Popularity • 42% Danceability • 41% Energy • 35% Liveness
2% Instrumentalness • 15% Positiveness
1% Popularity • 42% Danceability • 41% Energy • 35% Liveness
2% Instrumentalness • 15% Positiveness
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Jonny Greenwood
Amethyst
94 bpm • F Maj • 02:03 • -11.41db
22% Popularity • 38% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
22% Popularity • 38% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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William Tyler
Kingdom of Jones
94 bpm • C Maj • 03:32 • -12.78db
37% Popularity • 32% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 21% Positiveness
37% Popularity • 32% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 21% Positiveness
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Breathe Owl Breathe
Across the Loch
86 bpm • F# Maj • 02:20 • -9db
21% Popularity • 40% Danceability • 61% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
21% Popularity • 40% Danceability • 61% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
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Laura Gibson
Hands In Pockets
95 bpm • B Maj • 03:09 • -10db
23% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn William Clarke
Bellwoods Park
95 bpm • F Maj • 03:35 • -15.09db
23% Popularity • 22% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 49% Positiveness
23% Popularity • 22% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 49% Positiveness
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M. Ward
Duet for Guitars #2
86 bpm • D Maj • 02:05 • -14.69db
31% Popularity • 46% Danceability • 39% Energy • 35% Liveness
82% Instrumentalness • 8% Positiveness
31% Popularity • 46% Danceability • 39% Energy • 35% Liveness
82% Instrumentalness • 8% Positiveness
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Monsters Of Folk
Goodway
95 bpm • D Maj • 02:01 • -7.92db
16% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Sea Wolf
Cedarsmoke
85 bpm • D min • 03:34 • -17.3db
31% Popularity • 17% Danceability • 37% Energy • 31% Liveness
94% Instrumentalness • 37% Positiveness
31% Popularity • 17% Danceability • 37% Energy • 31% Liveness
94% Instrumentalness • 37% Positiveness
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Hayden
Dynamite Walls
95 bpm • A Maj • 06:43 • -12db
24% Popularity • 58% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
24% Popularity • 58% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Califone
Movie Music Kills A Kiss
95 bpm • C Maj • 04:22 • -12.08db
13% Popularity • 32% Danceability • 33% Energy • 15% Liveness
9% Instrumentalness • 22% Positiveness
13% Popularity • 32% Danceability • 33% Energy • 15% Liveness
9% Instrumentalness • 22% Positiveness
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Bill Frisell
Thankful
95 bpm • G Maj • 05:09 • -14.25db
24% Popularity • 40% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 40% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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M. Ward
Duet For Guitars #3
95 bpm • G Maj • 01:52 • -12.71db
6% Popularity • 55% Danceability • 38% Energy • 8% Liveness
76% Instrumentalness • 19% Positiveness
6% Popularity • 55% Danceability • 38% Energy • 8% Liveness
76% Instrumentalness • 19% Positiveness
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Tyler Ramsey
Birdwings
96 bpm • D Maj • 01:43 • -13.11db
11% Popularity • 48% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 48% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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The Pines
Grace Hill
96 bpm • C Maj • 02:19 • -17.46db
17% Popularity • 53% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 53% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Mountain Man
Honeybee
96 bpm • C Maj • 01:40 • -15.35db
21% Popularity • 38% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 38% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Phosphorescent
Sun's Arising (A Koan, An Exit)
85 bpm • C Maj • 03:18 • -12.72db
23% Popularity • 19% Danceability • 29% Energy • 5% Liveness
7% Instrumentalness • 6% Positiveness
23% Popularity • 19% Danceability • 29% Energy • 5% Liveness
7% Instrumentalness • 6% Positiveness
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Coconut Records
IGP Down Low
96 bpm • D Maj • 01:22 • -14.79db
19% Popularity • 48% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
19% Popularity • 48% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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M. Ward
Psalm
95 bpm • D Maj • 03:52 • -16.85db
17% Popularity • 45% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
17% Popularity • 45% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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John Fahey
Sunflower River Blues
96 bpm • C Maj • 02:35 • -13.84db
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
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Great Lake Swimmers
Concrete Heart
96 bpm • E Maj • 03:31 • -17.01db
34% Popularity • 28% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
34% Popularity • 28% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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The Barr Brothers
Oscilla
96 bpm • D Maj • 01:52 • -19.26db
32% Popularity • 12% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Villagers
{Awayland}
96 bpm • C# min • 02:35 • -17.16db
20% Popularity • 24% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
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The Shins
Weird Divide
84 bpm • E Maj • 01:58 • -13.05db
45% Popularity • 65% Danceability • 27% Energy • 7% Liveness
6% Instrumentalness • 32% Positiveness
45% Popularity • 65% Danceability • 27% Energy • 7% Liveness
6% Instrumentalness • 32% Positiveness
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M. Ward
Hold Time
85 bpm • D# Maj • 03:05 • -10.9db
2% Popularity • 9% Danceability • 38% Energy • 13% Liveness
49% Instrumentalness • 14% Positiveness
2% Popularity • 9% Danceability • 38% Energy • 13% Liveness
49% Instrumentalness • 14% Positiveness
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Calexico
Haul
84 bpm • D Maj • 01:21 • -9.58db
12% Popularity • 64% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Great Lake Swimmers
The Chorus In The Underground
96 bpm • A min • 03:21 • -8.87db
37% Popularity • 61% Danceability • 58% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
37% Popularity • 61% Danceability • 58% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Jake Xerxes Fussell
16–20
84 bpm • C Maj • 04:09 • -15.88db
24% Popularity • 30% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 30% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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The Cave Singers
Gifts and the Raft
97 bpm • G# Maj • 02:34 • -7.79db
19% Popularity • 30% Danceability • 80% Energy • 15% Liveness
21% Instrumentalness • 22% Positiveness
19% Popularity • 30% Danceability • 80% Energy • 15% Liveness
21% Instrumentalness • 22% Positiveness
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Tyler Ramsey
Raven Shadow
84 bpm • F Maj • 00:53 • -8.98db
13% Popularity • 37% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
13% Popularity • 37% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
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M. Ward
A Voice At The End Of The Line
84 bpm • F Maj • 02:14 • -10.74db
2% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Kurt Vile
I Wanted Everything
97 bpm • C Maj • 03:13 • -14.48db
17% Popularity • 28% Danceability • 31% Energy • 34% Liveness
68% Instrumentalness • 51% Positiveness
17% Popularity • 28% Danceability • 31% Energy • 34% Liveness
68% Instrumentalness • 51% Positiveness
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Blonde Redhead
Barragán
97 bpm • G# Maj • 02:13 • -21.96db
31% Popularity • 40% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
31% Popularity • 40% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
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Ugly Casanova
Maybe We're Lost
97 bpm • C Maj • 02:09 • -13.69db
23% Popularity • 61% Danceability • 14% Energy • 24% Liveness
27% Instrumentalness • 10% Positiveness
23% Popularity • 61% Danceability • 14% Energy • 24% Liveness
27% Instrumentalness • 10% Positiveness
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Califone
Bottles and Bones (Shades and Sympathy)
97 bpm • E Maj • 05:32 • -11.34db
22% Popularity • 48% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Jim White
Phone Booth In Heaven
98 bpm • C# Maj • 07:09 • -13.13db
5% Popularity • 27% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 27% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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M. Ward
Duet for Guitars #1
97 bpm • D min • 02:17 • -12.1db
8% Popularity • 65% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
8% Popularity • 65% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Bedouine
Reprise
98 bpm • A Maj • 01:15 • -17.62db
34% Popularity • 25% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
34% Popularity • 25% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
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Fruit Bats
Every Day That We Wake Up Is A Beautiful...
83 bpm • D min • 02:26 • -15.74db
12% Popularity • 18% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Whitney
Light Upon the Lake
98 bpm • C# Maj • 03:09 • -14.03db
39% Popularity • 49% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 14% Positiveness
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Kurt Vile
Blackberry Song
98 bpm • C# Maj • 03:26 • -11.65db
50% Popularity • 54% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 22% Positiveness
50% Popularity • 54% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 22% Positiveness
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William Tyler
Highway Anxiety
83 bpm • E Maj • 09:06 • -15db
35% Popularity • 23% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
35% Popularity • 23% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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M. Ward
Wild Goose
98 bpm • F# Maj • 02:35 • -13.51db
3% Popularity • 35% Danceability • 33% Energy • 11% Liveness
67% Instrumentalness • 22% Positiveness
3% Popularity • 35% Danceability • 33% Energy • 11% Liveness
67% Instrumentalness • 22% Positiveness
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Coconut Records
The Hills of Tucson
98 bpm • D Maj • 01:44 • -13.7db
22% Popularity • 54% Danceability • 36% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
22% Popularity • 54% Danceability • 36% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
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Mutual Benefit
Getting Gone
98 bpm • C Maj • 04:03 • -12db
10% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
10% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mason Jennings
Never Knew Your Name
82 bpm • C Maj • 03:38 • -7.22db
14% Popularity • 52% Danceability • 61% Energy • 16% Liveness
26% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 61% Energy • 16% Liveness
26% Instrumentalness • 38% Positiveness
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Tyler Ramsey
1000 Black Birds
82 bpm • G Maj • 03:48 • -9.69db
23% Popularity • 38% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 38% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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M. Ward
Shangri-La
99 bpm • C Maj • 02:20 • -14.55db
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 66% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 66% Positiveness
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Breathe Owl Breathe
Swimming
82 bpm • F Maj • 04:08 • -11db
23% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Chris and Thomas
Bridge in the Distance
82 bpm • C Maj • 03:42 • -10db
14% Popularity • 50% Danceability • 68% Energy • 15% Liveness
83% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 68% Energy • 15% Liveness
83% Instrumentalness • 45% Positiveness
