Songs like You Too Bad by Jackie Opel
Based on a tempo of (+/- 10%) and a similar genre
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Bongoman Byfield & The Skatalites
Marcus Garvey
127 bpm • C Maj • 02:15 • -6.05db
21% Popularity • 86% Danceability • 52% Energy • 5% Liveness
36% Instrumentalness • 97% Positiveness
21% Popularity • 86% Danceability • 52% Energy • 5% Liveness
36% Instrumentalness • 97% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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Baba Brooks
Night Food
127 bpm • C Maj • 02:47 • -8.09db
13% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Bodysnatchers
Let's Do Rock Steady
127 bpm • F Maj • 02:54 • -13db
41% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
41% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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The Ethiopians
Woman Capture Man
127 bpm • C Maj • 02:24 • -6.49db
21% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
15% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
15% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie Opel
You Too Bad
127 bpm • C Maj • 02:34 • -7db
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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The Blues Busters
There's Always Sunshine
126 bpm • A Maj • 02:43 • -12db
19% Popularity • 53% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
19% Popularity • 53% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Lord Creator
Wicked Lady
128 bpm • C Maj • 02:37 • -12.24db
9% Popularity • 85% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 85% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Survivors
Rawhide
128 bpm • G min • 02:11 • -6.97db
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
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Jackie Opel
The Lord Is With Me
128 bpm • A min • 02:43 • -8.83db
20% Popularity • 76% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 76% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Junior Dell & The D-Lites
Miss Aranivah
126 bpm • A Maj • 02:40 • -4.56db
9% Popularity • 70% Danceability • 69% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 70% Danceability • 69% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
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Clancy Eccles
Sammy No Dead
126 bpm • D Maj • 01:49 • -11.53db
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Roland Alphonso
Rude Boy
126 bpm • C min • 02:48 • -10.1db
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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Symarip
Skinhead Moonstomp
126 bpm • G Maj • 03:00 • -6.83db
44% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Lord Tanamo
You Belong to My Heart
128 bpm • D# Maj • 02:24 • -10.38db
26% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Count Sticky
Dry Acid
128 bpm • G# min • 02:54 • -11.35db
16% Popularity • 91% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
16% Popularity • 91% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Roland Alphonso
President Kennedy
128 bpm • C min • 02:52 • -6db
15% Popularity • 89% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 94% Positiveness
15% Popularity • 89% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 94% Positiveness
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Lord Creator
Don't Stay Out Late
126 bpm • D# Maj • 02:43 • -10.58db
15% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Desmond Dekker & The Four Aces
This Woman
126 bpm • F Maj • 02:33 • -9.13db
23% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Symarip
Skinhead Girl
128 bpm • C Maj • 03:02 • -9.58db
27% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Jackie Opel
The Mill Man
126 bpm • D Maj • 02:34 • -9.81db
5% Popularity • 56% Danceability • 64% Energy • 31% Liveness
2% Instrumentalness • 61% Positiveness
5% Popularity • 56% Danceability • 64% Energy • 31% Liveness
2% Instrumentalness • 61% Positiveness
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Dice the Boss & Joe's All Stars
But Officer
128 bpm • F# min • 02:41 • -11.45db
11% Popularity • 79% Danceability • 53% Energy • 7% Liveness
64% Instrumentalness • 97% Positiveness
11% Popularity • 79% Danceability • 53% Energy • 7% Liveness
64% Instrumentalness • 97% Positiveness
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Roland Alphonso
Nimble Foot Ska
128 bpm • D min • 03:08 • -8.21db
13% Popularity • 77% Danceability • 75% Energy • 30% Liveness
69% Instrumentalness • 98% Positiveness
13% Popularity • 77% Danceability • 75% Energy • 30% Liveness
69% Instrumentalness • 98% Positiveness
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Lord Tanamo
I'm in the Mood for Love (I'm in the Moo...
129 bpm • D# Maj • 02:31 • -8.29db
43% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
43% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
11% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Don Drummond & The Skatalites
Rain Or Shine
129 bpm • D# min • 04:16 • -7.69db
9% Popularity • 71% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
9% Popularity • 71% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
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Bongo Man Byfield
Bongo Man
129 bpm • G Maj • 03:10 • -10.72db
11% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Dice The Boss
Your Boss DJ
125 bpm • A min • 02:32 • -9.17db
8% Popularity • 70% Danceability • 60% Energy • 7% Liveness
5% Instrumentalness • 86% Positiveness
8% Popularity • 70% Danceability • 60% Energy • 7% Liveness
5% Instrumentalness • 86% Positiveness
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Justin Hinds & The Dominoes
Jump Out of the Frying Pan
129 bpm • C Maj • 02:17 • -8.75db
19% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
36% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Give and Take (Give a Little, Take a Lit...
129 bpm • C Maj • 02:20 • -8.95db
29% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lord Tanamo
Taller Than You Are
129 bpm • C# Maj • 02:23 • -9.6db
22% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
22% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Tommy McCook
Twelve Minutes to Go
129 bpm • C min • 03:06 • -8.19db
14% Popularity • 67% Danceability • 63% Energy • 30% Liveness
74% Instrumentalness • 75% Positiveness
14% Popularity • 67% Danceability • 63% Energy • 30% Liveness
74% Instrumentalness • 75% Positiveness
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Justin Hinds
King Samuel
125 bpm • A# Maj • 02:34 • -6.29db
18% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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The Ethiopians
Woman Capture Man
125 bpm • C Maj • 02:24 • -8db
26% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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Lester Sterling
Skaramont
129 bpm • F# min • 02:12 • -14.42db
23% Popularity • 82% Danceability • 32% Energy • 30% Liveness
95% Instrumentalness • 93% Positiveness
23% Popularity • 82% Danceability • 32% Energy • 30% Liveness
95% Instrumentalness • 93% Positiveness
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Lord Creator
Evening News
125 bpm • C Maj • 02:31 • -9.75db
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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The Gaylads
Baby I'll Be Yours
130 bpm • C min • 03:20 • -10db
20% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Justin Hinds
Rub Up Push Up
129 bpm • D# min • 02:45 • -9db
24% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
24% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
26% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
26% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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The Silvertones
True Confession
124 bpm • G Maj • 02:41 • -5.02db
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Frank Cosmo
Lollipop I'm in Love (Take 1)
124 bpm • F Maj • 03:05 • -8.19db
3% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Lord Creator
Man To Man
130 bpm • A# Maj • 02:28 • -13db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Let Your Yeah Be Yeah
130 bpm • A# Maj • 03:07 • -7.03db
44% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
Carry Go, Bring Come
124 bpm • C Maj • 02:44 • -7.7db
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Lord Brynner
Congo War
124 bpm • G# Maj • 02:53 • -13.36db
7% Popularity • 90% Danceability • 37% Energy • 3% Liveness
1% Instrumentalness • 74% Positiveness
7% Popularity • 90% Danceability • 37% Energy • 3% Liveness
1% Instrumentalness • 74% Positiveness
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Pat Kelly
How Long Will It Take
130 bpm • C Maj • 03:13 • -13db
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Morgan
Don't Call Me Daddy
124 bpm • G Maj • 02:35 • -8.56db
17% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Roland Alphonso
Sax Skandal
130 bpm • G min • 03:41 • -6.07db
15% Popularity • 72% Danceability • 74% Energy • 13% Liveness
47% Instrumentalness • 85% Positiveness
15% Popularity • 72% Danceability • 74% Energy • 13% Liveness
47% Instrumentalness • 85% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Blues Busters
Wings Of A Dove
123 bpm • G# Maj • 02:40 • -11.71db
25% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Derrick Morgan
Lover Boy
123 bpm • C Maj • 02:43 • -11.04db
23% Popularity • 71% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 94% Positiveness
23% Popularity • 71% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 94% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
22% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Joe The Boss
Teahouse from Emperor Rosko
131 bpm • F min • 03:21 • -8.49db
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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The Baba Brooks Band
Vitamin A
123 bpm • F min • 02:53 • -4.72db
15% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
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Baba Brooks & His Band
Faberge
123 bpm • F Maj • 02:52 • -11.87db
12% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Desmond Dekker & The Four Aces
Soldering
132 bpm • C# Maj • 02:32 • -8.35db
11% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Owen Gray
Next Door Neighbour
123 bpm • C min • 02:28 • -10.15db
14% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Derrick Morgan
Moon Hop
132 bpm • C Maj • 03:09 • -9db
34% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
34% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Owen Silveras
Next Door Neighbour
122 bpm • A# Maj • 02:28 • -7.69db
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Baba Brooks Band
Teenage Ska
122 bpm • F min • 02:41 • -7.12db
25% Popularity • 82% Danceability • 86% Energy • 12% Liveness
26% Instrumentalness • 94% Positiveness
25% Popularity • 82% Danceability • 86% Energy • 12% Liveness
26% Instrumentalness • 94% Positiveness
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King Stitt
Oh Yeah
122 bpm • F Maj • 02:48 • -12.34db
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Stranger Cole
Everyday Tomorrow
122 bpm • F Maj • 02:34 • -11.64db
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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The Melodians
Sweet Sensation
122 bpm • C Maj • 03:50 • -15.11db
45% Popularity • 96% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 96% Positiveness
45% Popularity • 96% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 96% Positiveness
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The Pioneers
Long Shot (Kick De Bucket)
122 bpm • G Maj • 02:50 • -8.97db
50% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Baba Brooks & His Band
Guns Fever
123 bpm • F Maj • 02:53 • -5.21db
21% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
21% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Hortense Ellis
Hell and Sorrow
132 bpm • A# min • 02:09 • -11db
27% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Derrick Morgan
Feeling so Fine
122 bpm • G min • 02:42 • -11.14db
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Owen Gray
Patricia
122 bpm • D# Maj • 02:53 • -7.23db
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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The Selecter
James Bond
133 bpm • B Maj • 02:18 • -13db
32% Popularity • 88% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
32% Popularity • 88% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
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Andy and Joey
You're Wondering Now
122 bpm • C Maj • 02:11 • -6.87db
28% Popularity • 83% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 83% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Hot Rod All Stars
Skinhead Speaks His Mind
122 bpm • B Maj • 02:31 • -6.2db
15% Popularity • 89% Danceability • 52% Energy • 31% Liveness
8% Instrumentalness • 92% Positiveness
15% Popularity • 89% Danceability • 52% Energy • 31% Liveness
8% Instrumentalness • 92% Positiveness
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Derrick & Patsy
I'm In a Jam
121 bpm • G min • 02:47 • -8.07db
12% Popularity • 73% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 73% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Freddie Notes
Guns of Navarone
121 bpm • C Maj • 03:18 • -7.19db
14% Popularity • 71% Danceability • 54% Energy • 8% Liveness
78% Instrumentalness • 54% Positiveness
14% Popularity • 71% Danceability • 54% Energy • 8% Liveness
78% Instrumentalness • 54% Positiveness
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Symarip Pyramid
Mosquito Bite
121 bpm • A# Maj • 02:39 • -9.4db
25% Popularity • 94% Danceability • 71% Energy • 5% Liveness
56% Instrumentalness • 98% Positiveness
25% Popularity • 94% Danceability • 71% Energy • 5% Liveness
56% Instrumentalness • 98% Positiveness
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The Selecter
My Collie (Not a Dog)
133 bpm • B Maj • 02:47 • -14db
29% Popularity • 91% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 91% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Tommy McCook
Freedom Sounds
133 bpm • G# min • 03:40 • -7.74db
14% Popularity • 66% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 62% Positiveness
14% Popularity • 66% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 62% Positiveness