Songs like You Took Advantage of Me by Carmen McRae
Based on a tempo of (+/- 10%) and a similar genre
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Morgana King
The Look of Love
108 bpm • D min • 02:48 • -14.53db
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Artie Shaw
Where Or When
108 bpm • D min • 03:17 • -8.57db
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
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Irene Kral
It Isn't So Good
108 bpm • G# Maj • 02:30 • -6.92db
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Roberta Gambarini
That Old Black Magic
108 bpm • F min • 03:28 • -8.21db
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Carmen McRae
I'm Thru With Love
108 bpm • B Maj • 04:10 • -17.74db
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
42% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Morgana King
Walk on By
108 bpm • D# Maj • 02:36 • -13.11db
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Brubeck
Weep No More
108 bpm • F min • 02:48 • -23.15db
35% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sophie Milman
Beautiful Love
109 bpm • G min • 02:59 • -9.57db
42% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mose Allison
I Hadn't Anyone Till You
109 bpm • F min • 02:30 • -17.15db
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Carmen McRae
I Got It Bad and That Ain't Good
109 bpm • D min • 03:27 • -14.47db
11% Popularity • 24% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Mildred Bailey
You Leave Me Breathless
109 bpm • D Maj • 02:50 • -14.62db
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Dorothy Dandridge
The Touch Of Your Lips
109 bpm • G Maj • 03:01 • -15.56db
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
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Teddy Wilson
This Year's Kisses (01-25-37)
109 bpm • G Maj • 03:10 • -19.27db
26% Popularity • 71% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 67% Positiveness
26% Popularity • 71% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 67% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Irene Kral
When I Look In Your Eyes
106 bpm • D min • 03:38 • -23.47db
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
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Carmen McRae
East Of The Sun (West Of The Moon)
109 bpm • C Maj • 02:15 • -8.56db
14% Popularity • 75% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 75% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Ernestine Anderson
Love for Sale
110 bpm • G# Maj • 02:14 • -6.54db
43% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Sweet Emma Barrett
A Good Man Is Hard To Find
106 bpm • D min • 03:55 • -18.24db
24% Popularity • 70% Danceability • 18% Energy • 64% Liveness
27% Instrumentalness • 78% Positiveness
24% Popularity • 70% Danceability • 18% Energy • 64% Liveness
27% Instrumentalness • 78% Positiveness
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George Wein
You Ought to Be in Pictures
106 bpm • G min • 02:30 • -12.57db
10% Popularity • 64% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 64% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sammy Davis Jr.
Happy to Make Your Acquaintance - Remast...
110 bpm • G Maj • 03:15 • -7.98db
5% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Susannah McCorkle
You Go To My Head
111 bpm • G# min • 04:09 • -22.21db
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah McKenzie
Tea For Two
105 bpm • C# Maj • 04:06 • -7.59db
45% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Sammy Davis Jr.
Tea for Two - Remastered
111 bpm • F Maj • 02:33 • -6.95db
11% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Buddy Greco
Gee, Baby, Ain't I Good To You
105 bpm • D# Maj • 03:20 • -13.52db
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Arthur Prysock
I'm Through With Love
112 bpm • D# Maj • 03:42 • -28.07db
39% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
39% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah McKenzie
I Wish You Love
111 bpm • C Maj • 04:49 • -11.05db
23% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Lou Donaldson
There Is No Greater Love
112 bpm • C Maj • 06:53 • -13.51db
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
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Cal Tjader
Evil Ways
112 bpm • G Maj • 05:12 • -10.73db
29% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Carmen McRae
Baltimore Oriole
112 bpm • G# min • 03:51 • -17.01db
8% Popularity • 51% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 51% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Jane Monheit
Cheek to Cheek
113 bpm • F Maj • 04:47 • -6.83db
19% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Toots Thielemans
Cocktails for Two
103 bpm • C Maj • 02:13 • -13db
21% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
21% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
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Bobby Darin
Long Ago and Far Away
103 bpm • G Maj • 01:49 • -11.12db
36% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Katherine Kostoff
Cloudy (With a Chance of Rain)
113 bpm • C# Maj • 04:43 • -14db
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Mahogany
My New Friend
113 bpm • C Maj • 03:47 • -15db
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Hodges
Day Dream
113 bpm • F Maj • 03:56 • -16db
33% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 8% Energy • 14% Liveness
26% Instrumentalness • 9% Positiveness
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Carmen McRae
Coffee Time
113 bpm • G Maj • 02:39 • -16.72db
19% Popularity • 70% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 70% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Roberta Gambarini
Lover Come Back to Me
113 bpm • F Maj • 05:43 • -10.34db
10% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah McKenzie
I'm Old Fashioned
114 bpm • A min • 04:44 • -6.21db
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Carmen McRae
Guess Who I Saw Today
103 bpm • F Maj • 03:35 • -13.94db
9% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Rose Murphy
Sympathetic Little Star
114 bpm • G min • 03:37 • -18.76db
15% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Dean Martin
Until The Real Thing Comes Along - Remas...
102 bpm • F Maj • 03:02 • -14.3db
40% Popularity • 63% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Kat Edmonson
'S Wonderful (Bonus Track)
115 bpm • G min • 03:20 • -12db
31% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
31% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Carmen McRae
All My Life
103 bpm • A# Maj • 04:15 • -18.22db
5% Popularity • 38% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 38% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Mildred Bailey
A Cigarette and a Silhouette
102 bpm • F Maj • 03:04 • -7.44db
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Benny Goodman Trio
But Not For Me
115 bpm • F min • 02:25 • -14db
39% Popularity • 73% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
39% Popularity • 73% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Jane Monheit
I Believe In You
102 bpm • E min • 02:58 • -8.52db
30% Popularity • 63% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Susie Arioli
Mean to Me
115 bpm • G# Maj • 04:22 • -11.14db
19% Popularity • 72% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 72% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Carmen McRae
Lover Man (Oh, Where Can You Be?)
103 bpm • G Maj • 04:18 • -16.53db
10% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Susannah McCorkle
Quality Time
115 bpm • B min • 04:21 • -19db
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Miles Davis
I Thought About You - Mono Version
115 bpm • D min • 04:55 • -14.11db
35% Popularity • 50% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 50% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Dave Brubeck
Travelin' Blues - Live
101 bpm • C# Maj • 02:54 • -12.61db
3% Popularity • 77% Danceability • 27% Energy • 86% Liveness
0% Instrumentalness • 61% Positiveness
3% Popularity • 77% Danceability • 27% Energy • 86% Liveness
0% Instrumentalness • 61% Positiveness
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Susie Arioli
Honeysuckle Rose
101 bpm • A Maj • 02:21 • -9db
34% Popularity • 87% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 87% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Sara Gazarek
Let's Try This Again
115 bpm • G# Maj • 03:42 • -13db
39% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Carmen McRae
I'm Glad There Is You
114 bpm • A# Maj • 03:54 • -27.23db
12% Popularity • 46% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gerry Mulligan & Johnny Hodges
Bunny
115 bpm • C Maj • 05:47 • -15db
34% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Connor
(How Little It Matters) How Little We Kn...
115 bpm • F Maj • 02:36 • -9.68db
45% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Karrin Allyson
Autumn Leaves (Les Fueilles Mortes)
101 bpm • B min • 04:46 • -16.25db
25% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Teddy Wilson
Fools Rush In
116 bpm • F min • 02:29 • -20db
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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Dorothy Dandridge
Body & Soul
116 bpm • D Maj • 03:40 • -15.74db
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Carmen McRae
Sometimes I'm Happy
114 bpm • A# min • 02:32 • -11.97db
15% Popularity • 70% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 70% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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King Pleasure
Red Top
116 bpm • G# Maj • 03:14 • -17db
8% Popularity • 73% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 73% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Renee Olstead
On a Slow Boat to China
116 bpm • F min • 03:15 • -11db
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Lil Hardin Armstrong And Her Orchestra
Clip Joint
116 bpm • A Maj • 04:42 • -16db
28% Popularity • 68% Danceability • 26% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
28% Popularity • 68% Danceability • 26% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Annie Ross
I Guess I'll Have To Change My Plans
116 bpm • F min • 02:25 • -10.39db
27% Popularity • 61% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 61% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Carmen McRae
I Was Doing All Right
115 bpm • D min • 02:47 • -10.02db
13% Popularity • 70% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 70% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Maxine Sullivan
Get out and Get Under the Moon
116 bpm • G# Maj • 04:47 • -16.3db
15% Popularity • 62% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
15% Popularity • 62% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Hodges
Back Beat
117 bpm • F# Maj • 07:27 • -17.45db
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
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Etta Jones
Something To Remember You By
117 bpm • A# Maj • 03:42 • -13db
42% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Anita O'Day
We'll Be Together Again
117 bpm • G Maj • 03:40 • -17db
41% Popularity • 70% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 70% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Carmen McRae
Blue Moon
116 bpm • C Maj • 02:33 • -10.52db
39% Popularity • 66% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 66% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Dorothy Dandridge
I Didn't Know What Time It Was
100 bpm • G Maj • 02:41 • -15.22db
24% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jamie Cullum
I Get A Kick Out Of You
117 bpm • G# Maj • 04:10 • -8.28db
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Mahogany
Laura
117 bpm • A# min • 04:49 • -12.35db
20% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
20% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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Lee Morgan
All The Way - Rudy Van Gelder Edition / ...
117 bpm • C min • 07:27 • -9.99db
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Sarah Vaughan
April In Paris
117 bpm • F Maj • 06:18 • -16.9db
39% Popularity • 42% Danceability • 9% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 42% Danceability • 9% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Carmen McRae
Just One Of Those Things
116 bpm • A# Maj • 02:39 • -8.56db
16% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Hodges
On The Sunny Side Of The Street
100 bpm • C Maj • 02:56 • -16.07db
43% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
43% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
