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You Were Meant For Me
Songs like
You Were Meant For Me
by
Jewel
Based on a tempo of (+/- 10%) and a similar genre
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Jewel
Two Hearts Breaking
112 bpm • B min • 03:45 • -10.05db
20% Popularity • 65% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Pearl Jam
Last Kiss
112 bpm • G Maj • 03:15 • -6.97db
72% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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David Gray
Babylon
112 bpm • G# Maj • 04:25 • -8.25db
49% Popularity • 74% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Ani DiFranco
Untouchable Face
112 bpm • G Maj • 04:39 • -15.36db
42% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Goo Goo Dolls
Slide
112 bpm • G# Maj • 03:32 • -4.48db
72% Popularity • 40% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Faith Hill
Cry
111 bpm • G# Maj • 03:46 • -6db
42% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jewel
You Were Meant For Me
112 bpm • F# Maj • 04:14 • -7.93db
63% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Counting Crows
Anna Begins
113 bpm • G Maj • 04:31 • -8.47db
49% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Third Eye Blind
Never Let You Go - 2008 Remaster
114 bpm • E Maj • 03:57 • -5.03db
64% Popularity • 73% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Melissa Etheridge
I Want To Come Over
114 bpm • A Maj • 05:24 • -9.87db
46% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Goo Goo Dolls
Better Days
113 bpm • G Maj • 03:33 • -5db
54% Popularity • 49% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lady A
I Run To You
114 bpm • D# Maj • 04:16 • -4.45db
58% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jewel
You Were Meant For Me
111 bpm • E min • 05:23 • -10.93db
26% Popularity • 56% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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New Radicals
You Get What You Give
114 bpm • D Maj • 05:00 • -5.4db
76% Popularity • 62% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jack Johnson
Better Together
110 bpm • F Maj • 03:27 • -9.48db
75% Popularity • 87% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
75% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Better Than Ezra
Good
110 bpm • G Maj • 03:05 • -6.87db
60% Popularity • 62% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Matchbox Twenty
If You're Gone
110 bpm • A Maj • 04:34 • -7db
64% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jewel
I'm Sensitive
110 bpm • B Maj • 02:56 • -14.12db
35% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Seger
Against The Wind
110 bpm • G Maj • 05:33 • -5.61db
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
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Natalie Merchant
Wonder - Remastered Single Version
115 bpm • C# Maj • 04:24 • -7.08db
23% Popularity • 74% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 72% Positiveness
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Marc Cohn
True Companion
115 bpm • A Maj • 04:09 • -18.03db
43% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Alanis Morissette
Ironic - 2015 Remaster
115 bpm • B Maj • 03:50 • -8.31db
74% Popularity • 41% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Jewel
Everybody Needs Someone Sometime
110 bpm • C Maj • 04:09 • -7.65db
25% Popularity • 79% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Annie Lennox
Walking on Broken Glass
115 bpm • C Maj • 04:13 • -8.45db
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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James Taylor
How Sweet It Is (To Be Loved By You) - 2...
109 bpm • C Maj • 03:36 • -10.96db
65% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Natalie Merchant
Wonder
115 bpm • C# Maj • 04:26 • -5.58db
51% Popularity • 72% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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John Mellencamp
Pink Houses
115 bpm • G Maj • 04:43 • -5.31db
60% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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10,000 Maniacs
These Are Days
108 bpm • D# Maj • 03:39 • -8db
53% Popularity • 61% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jewel
Little Sister
114 bpm • G Maj • 02:31 • -13.42db
33% Popularity • 43% Danceability • 23% Energy • 87% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Seger
You'll Accomp'ny Me
109 bpm • A Maj • 04:00 • -5.66db
55% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Bonnie Raitt
Not The Only One
116 bpm • F Maj • 05:03 • -11.86db
40% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Natalie Merchant
River
108 bpm • F# Maj • 05:32 • -10db
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
9% Instrumentalness • 18% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 04:37 • -5.54db
72% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jewel
Daddy
115 bpm • C# Maj • 03:51 • -13.69db
28% Popularity • 44% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 12% Positiveness
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Bob Seger
Still The Same
116 bpm • C Maj • 03:23 • -6.73db
67% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Counting Crows
Colorblind
108 bpm • F Maj • 03:23 • -13.32db
58% Popularity • 35% Danceability • 23% Energy • 12% Liveness
9% Instrumentalness • 7% Positiveness
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The Weepies
World Spins Madly On
108 bpm • C# Maj • 02:45 • -13.42db
61% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Don Henley
The End Of The Innocence
117 bpm • G# Maj • 05:15 • -13db
60% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jewel
You Were Meant For Me - Album Edit
116 bpm • G Maj • 03:48 • -11.22db
39% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Wallflowers
One Headlight
108 bpm • D Maj • 05:12 • -8.97db
71% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jackson Browne
Somebody's Baby
117 bpm • D Maj • 04:22 • -7.82db
59% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Sarah McLachlan
Angel
117 bpm • C# Maj • 04:30 • -16.09db
66% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Soul Asylum
Runaway Train (2022 Remaster)
117 bpm • C Maj • 04:26 • -7.96db
70% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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10,000 Maniacs
Trouble Me
118 bpm • D Maj • 03:13 • -10.06db
49% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Matchbox Twenty
Real World
118 bpm • A# Maj • 03:51 • -5.45db
63% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Wallflowers
Three Marlenas
107 bpm • G# Maj • 04:59 • -10.83db
51% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Simon
Father and Daughter
106 bpm • E Maj • 04:11 • -7.09db
50% Popularity • 78% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Carly Simon
You're So Vain
106 bpm • C Maj • 04:18 • -8.18db
77% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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O.A.R.
Shattered (Turn The Car Around)
106 bpm • B Maj • 04:15 • -6db
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Dolly Parton
Here You Come Again
106 bpm • C# Maj • 02:59 • -9.37db
65% Popularity • 58% Danceability • 51% Energy • 4% Liveness
1% Instrumentalness • 55% Positiveness
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Bob Seger
Night Moves
119 bpm • C# Maj • 05:24 • -6.63db
73% Popularity • 70% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Gordon Lightfoot
Sundown
106 bpm • B Maj • 03:33 • -15.49db
69% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Concrete Blonde
Joey
119 bpm • G Maj • 04:08 • -5.33db
58% Popularity • 61% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Jewel
Love Me, Just Leave Me Alone
119 bpm • D Maj • 03:47 • -5.6db
23% Popularity • 64% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Sara Bareilles
King of Anything
119 bpm • C# Maj • 03:27 • -4.17db
57% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Hootie & The Blowfish
Time
105 bpm • D Maj • 04:56 • -5.74db
57% Popularity • 39% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Alanis Morissette
You Oughta Know - 2015 Remaster
105 bpm • E Maj • 04:09 • -7.74db
68% Popularity • 66% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Five For Fighting
The Riddle
119 bpm • A# Maj • 03:47 • -5.8db
48% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jewel
This Way
105 bpm • F# Maj • 04:17 • -9db
29% Popularity • 61% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Melissa Etheridge
I Want To Be In Love
120 bpm • A Maj • 03:33 • -6.07db
34% Popularity • 61% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Santana
The Game of Love - Main / Radio Mix
120 bpm • D Maj • 04:14 • -3.24db
63% Popularity • 59% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Ingrid Michaelson
The Way I Am
120 bpm • F Maj • 02:15 • -9.25db
59% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Goo Goo Dolls
Black Balloon
105 bpm • C# Maj • 04:09 • -8.57db
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Sinéad O'Connor
Nothing Compares 2 U
120 bpm • F Maj • 04:40 • -7.02db
75% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sheryl Crow
All I Wanna Do
120 bpm • A Maj • 04:32 • -11.18db
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Sixpence None The Richer
There She Goes
120 bpm • A# Maj • 02:44 • -5.72db
65% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Matchbox Twenty
Long Day
104 bpm • G# min • 03:45 • -6.61db
58% Popularity • 46% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Elton John
I Guess That's Why They Call It The Blue...
121 bpm • C Maj • 04:45 • -7.29db
72% Popularity • 67% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 67% Positiveness
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John Mellencamp
Jack & Diane
104 bpm • A Maj • 04:14 • -8.21db
74% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
64% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Tracy Chapman
Fast Car
104 bpm • E min • 04:56 • -15.52db
82% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Fastball
The Way
121 bpm • F# min • 04:17 • -5.65db
64% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Hootie & The Blowfish
Only Wanna Be With You
103 bpm • F# Maj • 03:49 • -5.86db
69% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Collective Soul
December
122 bpm • C Maj • 04:45 • -5.71db
63% Popularity • 68% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Bonnie Raitt
Something To Talk About
103 bpm • C# Maj • 03:47 • -13.48db
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Gordon Lightfoot
If You Could Read My Mind
123 bpm • A Maj • 03:48 • -12.82db
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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10,000 Maniacs
Because the Night - Live Unplugged
123 bpm • B min • 03:43 • -8.14db
58% Popularity • 41% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 35% Positiveness
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Cyndi Lauper
I Want to Be a Cowboy's Sweetheart
123 bpm • G Maj • 03:13 • -7.64db
15% Popularity • 60% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Hootie & The Blowfish
I Go Blind - 2019 Remaster
122 bpm • C Maj • 03:13 • -7db
54% Popularity • 62% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Gin Blossoms
Until I Fall Away
123 bpm • C# min • 03:52 • -9db
48% Popularity • 64% Danceability • 70% Energy • 5% Liveness
3% Instrumentalness • 82% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Faith Hill
The Way You Love Me
102 bpm • D Maj • 03:06 • -7.18db
56% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Third Eye Blind
Semi-Charmed Life
102 bpm • G Maj • 04:28 • -6.58db
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rod Stewart
Forever Young
102 bpm • E Maj • 04:08 • -17.9db
58% Popularity • 60% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
73% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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John Mellencamp
Small Town
123 bpm • B Maj • 03:41 • -2.66db
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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Natalie Merchant
Where I Go
123 bpm • B Maj • 04:00 • -14db
40% Popularity • 83% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
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Joan Armatrading
The Weakness In Me
102 bpm • G Maj • 03:33 • -14.78db
50% Popularity • 73% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jewel
Standing Still
124 bpm • D Maj • 04:30 • -6.62db
50% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Journey
Open Arms (2022 Remaster)
101 bpm • D Maj • 03:19 • -9.93db
69% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gin Blossoms
Til I Hear It From You
124 bpm • A Maj • 03:52 • -8db
58% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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You Were Meant For Me