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You Were There
Songs like
You Were There
by
Abandon
Based on a tempo of (+/- 10%) and a similar genre
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Satellites & Sirens
Come On
137 bpm • C Maj • 02:57 • -4db
9% Popularity • 60% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
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Love & The Outcome
Closer To You
137 bpm • D Maj • 03:19 • -6.59db
10% Popularity • 58% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Abandon
You Were There
137 bpm • B Maj • 04:19 • -7.46db
6% Popularity • 42% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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NEEDTOBREATHE
These Hard Times
138 bpm • C Maj • 03:36 • -5.68db
30% Popularity • 46% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Furler
Glory To The King
137 bpm • C Maj • 04:16 • -7.16db
20% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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All Things New
Believe
136 bpm • D Maj • 03:27 • -6.41db
14% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Remedy Drive
King of Kings
136 bpm • C Maj • 04:26 • -9db
19% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Revive
Don't Give Up The Fight
138 bpm • E Maj • 03:10 • -5.01db
10% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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7eventh Time Down
Only King Forever
138 bpm • C Maj • 04:05 • -5.07db
26% Popularity • 40% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Finding Favour
Be Like You
138 bpm • F Maj • 03:45 • -7.11db
20% Popularity • 52% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Relient K
Forgiven
136 bpm • C# Maj • 04:05 • -4.21db
31% Popularity • 53% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Calling Glory
Don't Give Up
136 bpm • D Maj • 03:54 • -5db
28% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bellarive
The Father's Heart
138 bpm • D Maj • 04:07 • -4.05db
6% Popularity • 55% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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BarlowGirl
Stay With Me
136 bpm • C# min • 04:16 • -4.49db
18% Popularity • 55% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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7eventh Time Down
Only King Forever - Radio Edit
138 bpm • C Maj • 03:14 • -4.52db
34% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Gungor
The Earth Is Yours
136 bpm • D Maj • 03:08 • -7db
32% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Chasen
Eyes of a Rescue
136 bpm • C min • 03:17 • -4.42db
9% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Casting Crowns
My Own Worst Enemy
136 bpm • F min • 03:29 • -4.29db
30% Popularity • 53% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Jonathan Thulin
Architecture
136 bpm • B Maj • 03:50 • -5db
29% Popularity • 53% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Downhere
Cathedral Made of People
138 bpm • C# min • 04:51 • -6.03db
20% Popularity • 46% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Warr Acres
Pulse
138 bpm • E Maj • 04:02 • -4db
13% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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7eventh Time Down
Rusty Nails
139 bpm • C Maj • 04:25 • -6.82db
10% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Everyday Sunday
Hanging On
138 bpm • E Maj • 04:02 • -6.47db
15% Popularity • 34% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Abandon
Sound of Love
139 bpm • D# Maj • 02:57 • -5.27db
23% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Satellites & Sirens
Breaking the Noise
135 bpm • C# Maj • 03:06 • -3.15db
13% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Everfound
Go
135 bpm • B min • 03:30 • -3.7db
8% Popularity • 55% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Revive
Almost Missed This Moment
135 bpm • B min • 03:30 • -4.01db
11% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Jonathan Thulin
Soon
139 bpm • A# Maj • 04:19 • -13.26db
8% Popularity • 26% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Downhere
All at War
140 bpm • F# Maj • 03:47 • -6.12db
12% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Abandon
Warrior
135 bpm • F Maj • 04:07 • -5.73db
16% Popularity • 49% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Bellarive
Love Has Found Us
140 bpm • C Maj • 04:39 • -6.18db
6% Popularity • 49% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Remedy Drive
All Along
140 bpm • F# Maj • 03:05 • -5.06db
31% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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newworldson
There Is A Way
140 bpm • A Maj • 04:20 • -6db
33% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Max
Good Kings Highway
140 bpm • D Maj • 04:15 • -5.28db
10% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Luminate
Heal This Home
140 bpm • C Maj • 03:39 • -4.71db
28% Popularity • 61% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Tree63
The Storm
134 bpm • D Maj • 03:22 • -4.81db
28% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Robbie Seay Band
Beautiful Scandalous Night
140 bpm • G Maj • 03:20 • -8.58db
29% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Downhere
Hope Is Rising
140 bpm • G# Maj • 04:41 • -6.34db
13% Popularity • 41% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Everfound
We Are Alive
134 bpm • D Maj • 03:13 • -2.85db
9% Popularity • 52% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Cloverton
Take Me Into The Beautiful
134 bpm • F# min • 03:54 • -3.59db
23% Popularity • 43% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Run Kid Run
My Sweet Escape
134 bpm • A# Maj • 03:37 • -6db
31% Popularity • 29% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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OBB
That Kind Of Faith
140 bpm • F# Maj • 03:26 • -5.66db
9% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Seven Places
Be My Salvation
140 bpm • E min • 04:57 • -6.11db
9% Popularity • 51% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Mainstay
When You Come Down
141 bpm • C# Maj • 03:10 • -5.72db
11% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Furler
GloryToThe King - Acoustic Version
133 bpm • C Maj • 04:23 • -9.1db
9% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Remedy Drive
All Along
142 bpm • F# Maj • 03:19 • -5.75db
23% Popularity • 46% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Run Kid Run
One In A Million
134 bpm • C# Maj • 03:32 • -4.8db
26% Popularity • 46% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Rend Collective
Desert Soul
142 bpm • A Maj • 06:45 • -14.04db
27% Popularity • 43% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bebo Norman
Sing Of Your Glory
142 bpm • G# min • 04:51 • -9.46db
15% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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BarlowGirl
I Need You to Love Me
142 bpm • D# Maj • 04:23 • -6db
33% Popularity • 49% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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John Reuben
Nuisance
142 bpm • F# Maj • 03:37 • -4.19db
28% Popularity • 68% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Abandon
Better
142 bpm • C# min • 03:50 • -5.28db
9% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Calling Glory
Child of Heaven
142 bpm • A Maj • 03:57 • -5.34db
29% Popularity • 52% Danceability • 92% Energy • 21% Liveness
13% Instrumentalness • 52% Positiveness
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Plumb
Lord I'm Ready Now
142 bpm • D# Maj • 03:33 • -3.31db
40% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Luminate
Come Home - Radio Edit 1;Digital Single ...
142 bpm • C Maj • 04:11 • -6db
14% Popularity • 43% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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The Museum
Allelujah
142 bpm • E Maj • 03:34 • -6.24db
17% Popularity • 37% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Satellites & Sirens
Jump Start My Heart
132 bpm • G# Maj • 03:39 • -6.35db
24% Popularity • 53% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Abandon
While We're Living
142 bpm • F min • 03:34 • -6.82db
7% Popularity • 52% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Run Kid Run
Back To The Basics
132 bpm • C min • 03:45 • -3.8db
20% Popularity • 47% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Plumb
Need You Now (How Many Times)
132 bpm • A# Maj • 04:12 • -4.61db
46% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Seven Places
Landslide - Lonely For The First Time Al...
132 bpm • B Maj • 02:36 • -3db
23% Popularity • 48% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Luminate
Come Home
142 bpm • C Maj • 03:59 • -4db
23% Popularity • 46% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Kristian Stanfill
Day After Day
142 bpm • B Maj • 03:47 • -3.7db
21% Popularity • 25% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Tomlin
Waterfall
131 bpm • D# Maj • 03:29 • -3.47db
31% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Wavorly
Praise And Adore (Some Live Without It)
144 bpm • D# Maj • 04:04 • -6db
20% Popularity • 28% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Jonathan Thulin
I Am Nothing
144 bpm • F# Maj • 05:15 • -6.5db
6% Popularity • 33% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Press Play
Song For The Broken
144 bpm • A# Maj • 04:00 • -4.52db
13% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Me In Motion
How He Loves Us
144 bpm • C Maj • 04:29 • -8db
24% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Switchfoot
Hope Is The Anthem
144 bpm • D Maj • 04:21 • -6.33db
26% Popularity • 40% Danceability • 67% Energy • 28% Liveness
4% Instrumentalness • 20% Positiveness
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Downhere
Rest
144 bpm • E Maj • 04:09 • -4.46db
16% Popularity • 42% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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JJ Weeks Band
Is It Ever
144 bpm • E Maj • 03:58 • -3.93db
9% Popularity • 44% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Bellarive
Taste Of Eternity
144 bpm • E Maj • 05:39 • -6db
26% Popularity • 40% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Rend Collective
Second Chance
144 bpm • D Maj • 04:33 • -14.41db
28% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Glorious Unseen
Hear Our Prayers
130 bpm • F Maj • 06:01 • -8db
15% Popularity • 43% Danceability • 49% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Chasen
Leave You Alone
130 bpm • B Maj • 03:29 • -5db
8% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Abandon
Best Days
130 bpm • C# min • 03:17 • -6.25db
5% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Addison Road
Start over Again
130 bpm • C# min • 05:34 • -7db
11% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Bellarive
Heartbeat
144 bpm • B Maj • 05:16 • -5.1db
9% Popularity • 41% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Rend Collective
The Cost
130 bpm • G Maj • 03:28 • -13.52db
27% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Bethel Music
My Dear
130 bpm • G Maj • 03:52 • -8.07db
32% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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By The Tree
Beautiful One
130 bpm • F Maj • 04:00 • -5.34db
38% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Manic Drive
Music
130 bpm • E min • 03:23 • -6db
29% Popularity • 63% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Addison Road
Don't Wait
130 bpm • G min • 03:10 • -6db
18% Popularity • 58% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Everfound
God of the Impossible
130 bpm • C# Maj • 04:27 • -4.22db
23% Popularity • 55% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Cody Davenport
Set a Fire
130 bpm • C Maj • 05:06 • -10.03db
25% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Casting Crowns
Already There
130 bpm • B Maj • 04:31 • -5.15db
44% Popularity • 55% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Cappa
The Rescue
130 bpm • B Maj • 03:54 • -4db
13% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Furler
Psalm 23
130 bpm • F# Maj • 03:17 • -5db
26% Popularity • 69% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Luminate
The Only Thing That Matters
130 bpm • B Maj • 04:10 • -5.24db
13% Popularity • 56% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Rend Collective
Movements
130 bpm • E Maj • 03:16 • -7.59db
24% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tree63
King
145 bpm • D# Maj • 03:49 • -4.57db
35% Popularity • 44% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Adam M
Making Bass from Hoover (Mixed)
145 bpm • C# min • 03:32 • -8.8db
0% Popularity • 69% Danceability • 88% Energy • 7% Liveness
77% Instrumentalness • 14% Positiveness
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City Harbor
Leave It Here
145 bpm • A# Maj • 03:32 • -5db
21% Popularity • 31% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Switchfoot
Liberty - EP Version
129 bpm • A Maj • 04:04 • -7.81db
19% Popularity • 52% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Addison Road
Need You Now
146 bpm • C Maj • 04:13 • -7db
14% Popularity • 48% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Seabird
Believe Me
129 bpm • A min • 03:11 • -4.12db
14% Popularity • 53% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Jonny Diaz
Breathe
146 bpm • C Maj • 03:33 • -5.62db
55% Popularity • 60% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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About A Mile
Who You Say You Are
146 bpm • A Maj • 03:29 • -6.99db
11% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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City Harbor
You're There
146 bpm • G Maj • 03:48 • -4db
28% Popularity • 51% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Luminate
Welcome To Daylight
128 bpm • C Maj • 03:12 • -3.94db
24% Popularity • 52% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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You Were There