Songs like You Won't Answer My Phone Calls but I Bet You'll Listen to This Song so I Guess This Is the Only Way to Talk to You by Adam Jensen
Based on a tempo of (+/- 10%) and a similar genre
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Adam Jensen
You Won't Answer My Phone Calls but I Be...
183 bpm • A# min • 03:06 • -7.61db
26% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Mountains vs. Machines
Stronger
184 bpm • D Maj • 03:06 • -8.58db
24% Popularity • 43% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 43% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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updog
impress you
180 bpm • G# Maj • 02:33 • -5db
34% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Brandyn Burnette
Promised Land (Stripped Acoustic)
181 bpm • B Maj • 02:50 • -10.43db
23% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Vallas
Are We Cool?
180 bpm • F# Maj • 03:08 • -8.43db
23% Popularity • 50% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 50% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Dirtier Blonde
Alone Tonight
180 bpm • F# Maj • 03:38 • -5db
30% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Danny Padilla
Leaving This
180 bpm • F# min • 03:17 • -5.95db
8% Popularity • 38% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Abe Parker
Cool Kid
180 bpm • C Maj • 03:12 • -3.13db
25% Popularity • 60% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 60% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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The People's Thieves
Now That We're Alone
180 bpm • C Maj • 04:48 • -8.4db
49% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Chase Holfelder
Let's Hurt Tonight
180 bpm • F Maj • 03:11 • -7.72db
22% Popularity • 34% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 34% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Layto
Truth Serum
180 bpm • G# Maj • 03:45 • -7.67db
17% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Point Blank Society
House of Wax
180 bpm • G Maj • 03:28 • -10.1db
16% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Willyecho
Everything or Nothing
180 bpm • E min • 04:00 • -6.72db
48% Popularity • 26% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 26% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Foreign Figures
Everything Is Never As It Seems
180 bpm • D Maj • 02:52 • -10.66db
21% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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LUMiN
Bloody Hell
188 bpm • G# Maj • 03:08 • -6.4db
34% Popularity • 51% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Jensen
Fucked in the Head
178 bpm • F min • 03:34 • -5.83db
26% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Babel
sad faces & dark places
178 bpm • F Maj • 03:06 • -6.28db
34% Popularity • 63% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Jennings Couch
Where Did U Come From?
178 bpm • F min • 03:02 • -2db
34% Popularity • 54% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 54% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 68% Positiveness
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The Faim
Make Believe
190 bpm • F Maj • 03:24 • -5.82db
38% Popularity • 33% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 33% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Watt White
March
176 bpm • B min • 03:24 • -4.23db
29% Popularity • 60% Danceability • 90% Energy • 58% Liveness
34% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 90% Energy • 58% Liveness
34% Instrumentalness • 59% Positiveness
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MISSIO
Hoodie Up
174 bpm • B min • 03:33 • -7.56db
32% Popularity • 57% Danceability • 65% Energy • 7% Liveness
34% Instrumentalness • 54% Positiveness
32% Popularity • 57% Danceability • 65% Energy • 7% Liveness
34% Instrumentalness • 54% Positiveness
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Adam Jensen
Let It Bleed
178 bpm • C Maj • 03:19 • -4db
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Omri
Save Me
174 bpm • D min • 05:35 • -5.68db
43% Popularity • 36% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 36% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Man Who
Down
174 bpm • G min • 03:36 • -5db
36% Popularity • 38% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 38% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Amorim
I'm Fine.
173 bpm • D Maj • 03:39 • -10.78db
26% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Ghost Club
Hate Me Too
172 bpm • D Maj • 03:10 • -6db
32% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Federal Empire
The American Dream
172 bpm • F# min • 03:05 • -2.78db
40% Popularity • 34% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 34% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Jensen
Tears on the Melody
175 bpm • B min • 02:59 • -8.46db
33% Popularity • 42% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 42% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Bryan James
I'm over You (Remix)
172 bpm • C min • 03:40 • -13.19db
17% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kyd the Band
Wishful Thinking
172 bpm • D Maj • 03:41 • -5db
30% Popularity • 52% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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888
Pins & Needles
172 bpm • G# Maj • 03:34 • -4.42db
28% Popularity • 46% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 46% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Once Monsters
Self-Destructive
172 bpm • G Maj • 03:22 • -7db
23% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Trafton
Risk
170 bpm • C# Maj • 02:56 • -13db
24% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Jensen
Ritual
170 bpm • C min • 03:26 • -4.14db
24% Popularity • 52% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 52% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Foreign Figures
Cold War
170 bpm • A min • 02:49 • -7.12db
48% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Kyd the Band
Ice Cream
172 bpm • E min • 03:04 • -5.4db
20% Popularity • 56% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 56% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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DEELYLE
Somebody Else
170 bpm • A min • 02:57 • -7.79db
31% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Once Monsters
My Name Is..
170 bpm • C Maj • 03:42 • -4.58db
55% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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The People's Thieves
Black Sheep
170 bpm • A min • 04:28 • -7.73db
18% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Jensen
Cocaine Shame
170 bpm • G min • 02:59 • -6.13db
24% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Saint Slumber
MANTRA
170 bpm • D Maj • 03:12 • -5.01db
16% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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MISSIO
I See You
170 bpm • C# Maj • 03:48 • -6.76db
51% Popularity • 47% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 47% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Caraveo
Bang
170 bpm • F# Maj • 03:04 • -8db
42% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Mountains vs. Machines
Rise and Fall
170 bpm • A min • 03:25 • -3.21db
33% Popularity • 30% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 30% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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The People's Thieves
Falling Off
170 bpm • C Maj • 04:24 • -11.04db
34% Popularity • 63% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 63% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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The Faim
Tongue Tied
170 bpm • A min • 02:45 • -2.54db
39% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Glooms
Superficial
170 bpm • D# min • 03:32 • -7.45db
24% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Arc North
Horns (Arc North Remix)
170 bpm • F# min • 03:45 • -4.61db
45% Popularity • 36% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 36% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Hazlewood
Sail Away
199 bpm • D min • 03:06 • -6.99db
36% Popularity • 30% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 30% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chuxx Morris
Walk Through Fire
168 bpm • C Maj • 03:22 • -4db
28% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Jensen
Bad Luck
168 bpm • G min • 03:22 • -4.11db
40% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Valley Of Wolves
Lions Inside
168 bpm • B min • 04:00 • -3.56db
50% Popularity • 44% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
50% Popularity • 44% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Sin Shake Sin
Coexist
200 bpm • B min • 04:02 • -1.99db
25% Popularity • 46% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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NUVILICES
magnum opus
200 bpm • G# Maj • 03:36 • -6.75db
33% Popularity • 55% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 55% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Layto
My Final Symphony
167 bpm • G# Maj • 02:20 • -7.86db
45% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Noah McCool
Light Bulbs
166 bpm • C Maj • 03:54 • -8.25db
16% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Mountains vs. Machines
Light the Sky
165 bpm • E min • 03:04 • -4.88db
28% Popularity • 40% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 40% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Jensen
La La Land
165 bpm • A min • 03:17 • -5.95db
34% Popularity • 59% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 59% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Sad Puppy
SuperSonic
165 bpm • A# Maj • 02:33 • -6.96db
34% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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KNGDAVD
Eve
164 bpm • A Maj • 03:23 • -5.99db
28% Popularity • 65% Danceability • 62% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Bryce Fox
Hate Myself
204 bpm • C Maj • 02:33 • -5.34db
39% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Autumn Kings
Echo (Ready for War)
164 bpm • E min • 03:20 • -5db
48% Popularity • 52% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 52% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Once Monsters
On Fire
164 bpm • B min • 03:22 • -4.67db
41% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Adam Jensen
John Doe
163 bpm • F Maj • 03:27 • -4.57db
24% Popularity • 46% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 46% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Unlike Pluto
Glory
161 bpm • F min • 03:03 • -5.76db
19% Popularity • 41% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 41% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Omri
oversharing
160 bpm • D Maj • 02:40 • -3.1db
2% Popularity • 55% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 55% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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New Politics
Ozone
160 bpm • A min • 02:52 • -4.74db
28% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Stephen
TRACER
160 bpm • F# min • 02:04 • -4.62db
34% Popularity • 69% Danceability • 87% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
34% Popularity • 69% Danceability • 87% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
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JAXSON GAMBLE
Anything
160 bpm • A min • 02:47 • -2.39db
30% Popularity • 64% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 64% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Jensen
Never Get High on Your Own Supply
163 bpm • C Maj • 03:25 • -4.32db
25% Popularity • 58% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Sekai
Portal
160 bpm • G# min • 04:16 • -5.46db
24% Popularity • 38% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 38% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Once Monsters
Heroes of Today
160 bpm • E min • 03:20 • -4.05db
44% Popularity • 36% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 36% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Foreign Figures
Jank.
160 bpm • G# Maj • 03:24 • -6.61db
36% Popularity • 55% Danceability • 64% Energy • 31% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 55% Danceability • 64% Energy • 31% Liveness
1% Instrumentalness • 45% Positiveness
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Stephen
Play Me Like A Violin
160 bpm • A Maj • 03:52 • -5.47db
52% Popularity • 42% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 42% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Bryce Fox
Horns (StayLoose Remix)
159 bpm • F# min • 03:24 • -3.27db
48% Popularity • 32% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 32% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Jensen
All These Lovely Things
162 bpm • D Maj • 02:39 • -5.24db
30% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Town Royals
Heartless City
159 bpm • C# min • 03:07 • -7.63db
33% Popularity • 44% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 44% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Man Who
Bet on You
158 bpm • C# Maj • 04:02 • -4.36db
40% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lick Twist
Horns - Lick Twist Remix
158 bpm • F# min • 03:05 • -3.5db
18% Popularity • 35% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 35% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Demon in Me
Hallelujah
157 bpm • G# Maj • 04:40 • -10.79db
19% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Layto
Rabbit Ears
157 bpm • G min • 03:05 • -7.78db
25% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Jensen
Mercy
160 bpm • C# Maj • 03:11 • -5.45db
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Maeson
The Hearse (Stripped) - Bonus Track
156 bpm • B min • 03:31 • -8.06db
38% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bryce Fox
Horns
156 bpm • F# Maj • 03:37 • -5.41db
67% Popularity • 49% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 49% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Willyecho
Truth Comes Out
156 bpm • C# Maj • 03:47 • -6.84db
40% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Future Royalty
Fighter
156 bpm • G Maj • 03:44 • -5.34db
26% Popularity • 55% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 55% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Adam Jensen
Kings
160 bpm • B min • 02:50 • -5.59db
41% Popularity • 67% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 67% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
