Songs like You’d Be So Nice to Come Home To by Ellas Kapell
Based on a tempo of (+/- 10%) and a similar genre
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Cande y Paulo
The Thrill Is Gone
128 bpm • G min • 04:54 • -13.57db
28% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Rebecca Ferguson
I'll Never Smile Again
128 bpm • G# Maj • 03:21 • -10.87db
35% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bria Skonberg
From This Moment On
128 bpm • G# Maj • 05:55 • -12.06db
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Ellas Kapell
You’d Be So Nice to Come Home To
128 bpm • F# Maj • 04:57 • -10.51db
1% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dattie Do
Dindi
128 bpm • D Maj • 05:50 • -16.93db
34% Popularity • 47% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 47% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ellen Andersson
You've Changed
128 bpm • G min • 06:44 • -14.45db
33% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sophia HP
Hilltop
128 bpm • C Maj • 04:32 • -12.48db
24% Popularity • 69% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 69% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Silva & Steini
For Heaven's Sake
127 bpm • A Maj • 03:52 • -15.75db
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Efrat Alony
Leave Me Loathsome Light
129 bpm • D Maj • 06:30 • -12.85db
13% Popularity • 41% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 41% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Chaka Khan
Lullaby Of Birdland
130 bpm • C min • 02:57 • -8.08db
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Katrine Madsen
Marie
127 bpm • F min • 03:54 • -20.3db
17% Popularity • 47% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
17% Popularity • 47% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Rigmor Gustafsson
What Are You Doing The Rest Of Your Life
130 bpm • F min • 05:57 • -14.18db
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Roberta Gambarini
Easy to Love
130 bpm • G# Maj • 04:47 • -12.75db
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Helen Merrill
You'd Be So Nice To Come Home To
130 bpm • C Maj • 04:19 • -17.7db
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Heather Rigdon
Slow Fuse
130 bpm • G Maj • 03:45 • -13.31db
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Hailey Brinnel
I'll Follow the Sun
126 bpm • D Maj • 02:19 • -17.07db
39% Popularity • 56% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
39% Popularity • 56% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Ellas Kapell
As Long as I Live
126 bpm • A# Maj • 05:08 • -9.73db
1% Popularity • 61% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 61% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Silva & Steini
Ev'ry Time We Say Goodbye
126 bpm • G Maj • 04:00 • -17.54db
33% Popularity • 45% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 45% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Connie Lansberg
Free
130 bpm • F Maj • 03:35 • -15.95db
23% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Live Foyn Friis
East of the Sun and West of the Moon
126 bpm • D# Maj • 06:21 • -13.9db
35% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ruth Cameron
A Sunday Kind Of Love
126 bpm • C min • 04:52 • -12.22db
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Benjamin Koppel
Anna's Dollhouse - Single Edit
126 bpm • F min • 05:00 • -11.67db
30% Popularity • 49% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Donatella Montinaro
Someone To Watch Over Me
131 bpm • G# Maj • 06:11 • -15.01db
41% Popularity • 44% Danceability • 9% Energy • 12% Liveness
20% Instrumentalness • 13% Positiveness
41% Popularity • 44% Danceability • 9% Energy • 12% Liveness
20% Instrumentalness • 13% Positiveness
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Roberta Gambarini
No More Blues
126 bpm • G Maj • 03:12 • -14.75db
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Molly Johnson
God Bless The Child
131 bpm • C Maj • 05:34 • -7.26db
25% Popularity • 51% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
25% Popularity • 51% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Siril Malmedal Hauge
Never Let Me Go
131 bpm • E min • 04:26 • -14.81db
11% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sinne Eeg
Talking to Myself
131 bpm • G# Maj • 04:00 • -14.63db
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Connie Lansberg
I'm Old Fashioned
125 bpm • C# Maj • 03:53 • -15.69db
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Kevin Mahogany
Everything I Have Is Yours
131 bpm • G Maj • 04:45 • -17.96db
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 19% Positiveness
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 19% Positiveness
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Ellen Andersson
'Deed I Do
125 bpm • G# Maj • 02:59 • -13.18db
11% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lucy Yeghiazaryan
Deep in a Dream
125 bpm • A# Maj • 03:18 • -18.4db
32% Popularity • 47% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 47% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cæcilie Norby
Droppin' Things
125 bpm • C# Maj • 04:33 • -10.15db
21% Popularity • 51% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 51% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Ellas Kapell
The Lady Is a Tramp
125 bpm • A# Maj • 04:45 • -7.24db
1% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Irma Neumüller
Once Again Looking For Love
132 bpm • A# Maj • 06:03 • -11.33db
17% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Angela Verbrugge
Twentieth Century Fox
132 bpm • G# Maj • 03:40 • -12.36db
32% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Silva & Steini
I Wish I Knew
124 bpm • G# min • 04:53 • -16.85db
30% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Jimmy Heath
Left Alone
124 bpm • B min • 04:26 • -13.12db
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sinne Eeg
Up from the Skies
132 bpm • G Maj • 03:29 • -15.07db
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ellas Kapell
Darn That Dream
124 bpm • A Maj • 07:08 • -10.17db
1% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Lara Louise
Alone Together
124 bpm • F min • 03:35 • -14.42db
47% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Roberta Gambarini
On the Sunny Side of the Street
124 bpm • G Maj • 05:39 • -9.65db
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lina Nyberg
Julian
124 bpm • C Maj • 03:41 • -14.33db
9% Popularity • 69% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 69% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Veronica Swift
The Man I Love
124 bpm • C min • 04:50 • -16.07db
40% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Cheryl Bentyne
Let's Get Lost
133 bpm • G Maj • 02:58 • -10.82db
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ellas Kapell
How Could You
124 bpm • F min • 04:53 • -12.2db
13% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Laverne Butler
This Bitter Earth
133 bpm • F min • 03:21 • -14.44db
23% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kandace Springs
Solitude
133 bpm • G Maj • 04:59 • -8.5db
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Dasha Beets
Angel
123 bpm • C min • 04:47 • -12.6db
14% Popularity • 49% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 54% Positiveness
14% Popularity • 49% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 54% Positiveness
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Ruth Cameron
Body And Soul
123 bpm • F Maj • 05:59 • -16.57db
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jesse Palter
My Sweetie & I
123 bpm • D Maj • 05:55 • -10.69db
17% Popularity • 75% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 75% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Grasiela Piasson
Doop-Doo-De-Doop a Doodlin' Song
123 bpm • G Maj • 02:16 • -10.44db
36% Popularity • 84% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 84% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ellen Andersson
You've Got a Friend in Me
133 bpm • F Maj • 03:52 • -15.57db
33% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Claes Janson
Humphrey and me
123 bpm • D min • 04:27 • -11.09db
29% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ulita Knaus
Old Love and New
133 bpm • G# min • 04:13 • -10.95db
29% Popularity • 52% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Cyrille Aimee
Loving You
134 bpm • C# min • 02:51 • -16.33db
48% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Lyambiko
Nice Work
134 bpm • A# min • 03:06 • -10.89db
12% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Benack III
In a Mellow Tone
134 bpm • C# Maj • 05:41 • -4.71db
14% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Ellas Kapell
Devil May Care
122 bpm • F# Maj • 03:29 • -12.22db
12% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Fabus
Violets for Your Furs
134 bpm • D# Maj • 03:36 • -18.51db
37% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Margareta Bengtson
As You Are
122 bpm • C min • 05:30 • -14.75db
38% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Alice Carreri
You Fascinate Me So
122 bpm • G Maj • 04:18 • -11db
38% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kate Kortum
You Are There
122 bpm • G# Maj • 05:45 • -13.63db
19% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Nancy Harms
Lost in Meditation
135 bpm • A# Maj • 05:43 • -22.55db
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Miriam Netti
May I Come In
122 bpm • F min • 05:10 • -15.92db
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Laverne Butler
The Blues Are Out of Town
135 bpm • G Maj • 03:32 • -13.23db
15% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Lorez Alexandria
Satin Doll
121 bpm • A min • 02:44 • -14.02db
45% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Hila Hutmacher
Bye Bye Blackbird
121 bpm • G min • 05:57 • -18.61db
24% Popularity • 43% Danceability • 10% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
24% Popularity • 43% Danceability • 10% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
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tea
Ｗｏｎｄｅｒｗａｌｌ
136 bpm • E min • 04:41 • -7.33db
30% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Anita O'Day
When The World Was Young
121 bpm • F Maj • 03:29 • -24.42db
34% Popularity • 53% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 53% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Ellas Kapell
Crazy He Calls Me
136 bpm • C# Maj • 04:56 • -11.97db
3% Popularity • 45% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
3% Popularity • 45% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Rigmor Gustafsson
Alfie
136 bpm • G# Maj • 04:11 • -12db
26% Popularity • 41% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 41% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Tony DeSare
Just in Time
120 bpm • D min • 02:36 • -10.46db
39% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
39% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
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Donatella Montinaro
Vincent
136 bpm • C Maj • 05:53 • -15.59db
31% Popularity • 49% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 49% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Viktoria Tolstoy
We'll Be Together Again
136 bpm • E Maj • 04:46 • -12db
24% Popularity • 52% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 52% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Roberta Gambarini
Centerpiece
120 bpm • C# Maj • 05:20 • -9.94db
18% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Torun Eriksen
Be That Someone
120 bpm • F Maj • 03:53 • -18.71db
32% Popularity • 65% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 65% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Emma Smith
Monogamy Blues
137 bpm • G Maj • 03:52 • -8.59db
9% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Connie Lansberg
Desperado
120 bpm • A# Maj • 03:59 • -12.14db
35% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Viktoria Tolstoy
As Time Goes By
120 bpm • F min • 05:31 • -13db
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Rigmor Gustafsson
Empty Hearts
137 bpm • A# Maj • 03:59 • -14db
34% Popularity • 45% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 45% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tierney Sutton
April in Paris / Free Man in Paris
120 bpm • A# Maj • 05:36 • -16.81db
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ellas Kapell
For All We Know - Alternate Version
120 bpm • F# Maj • 04:53 • -16.78db
10% Popularity • 60% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
10% Popularity • 60% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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Robin Mckelle
Embraceable You
137 bpm • C# Maj • 04:40 • -16.91db
21% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Susannah McCorkle
The Lady Is A Tramp
137 bpm • D Maj • 04:52 • -15.14db
30% Popularity • 56% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 56% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Katrine Madsen
Early in the Autumn
119 bpm • E min • 05:09 • -17.98db
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Marína Ósk
The Moon and the Sky
119 bpm • G Maj • 03:22 • -17.16db
39% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Rigmor Gustafsson Quintet
Bluesette
119 bpm • G Maj • 05:18 • -12.72db
24% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Etta Jones
Maybe You'll Be There
119 bpm • G# Maj • 03:39 • -18.02db
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Jimmy Heath
Don't Misunderstand
119 bpm • C Maj • 05:32 • -10db
42% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Silva & Steini
If It Was
119 bpm • C Maj • 03:41 • -16.76db
43% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Bird
The Sweetest Moments
119 bpm • D Maj • 04:38 • -11.28db
32% Popularity • 44% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Dara Tucker
Nature Boy
138 bpm • A# min • 04:14 • -20.09db
20% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Silje Nergaard
Let There Be Love
118 bpm • F# Maj • 03:16 • -8db
41% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kate Baker
Return to Shore
138 bpm • F min • 05:25 • -13.66db
30% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Marie Mørck
Song to Comfort
118 bpm • F Maj • 05:38 • -14.68db
36% Popularity • 40% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 40% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness