Songs like You'll Be Back by Jonathan Groff
Based on a tempo of (+/- 10%) and a similar genre
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Emily Blunt
A Cover Is Not the Book
122 bpm • C# Maj • 04:25 • -10.37db
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Jonathan Groff
You'll Be Back
122 bpm • C Maj • 03:28 • -7.56db
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Carrie Hope Fletcher
I Won't Say (I'm in Love)
122 bpm • C Maj • 02:26 • -7.06db
42% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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William Finn
Brain Dead
122 bpm • F Maj • 03:29 • -5.96db
27% Popularity • 48% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 48% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Anthony Crivello
My Dead Gay Son
121 bpm • C# Maj • 03:42 • -6.42db
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Idina Menzel
Show Yourself
123 bpm • F# Maj • 04:20 • -7.07db
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Jonathan Groff
I Know Him
122 bpm • C Maj • 01:37 • -8.64db
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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George Salazar
Michael in the Bathroom
120 bpm • E Maj • 05:07 • -6.9db
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Autoheart
Stalker's Tango - 2023 Remaster
120 bpm • B min • 02:55 • -6db
62% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Jorge Rivera-Herrans
The Horse and the Infant
120 bpm • C min • 03:53 • -7.7db
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bo Burnham
Shit
120 bpm • A# Maj • 01:18 • -5.22db
64% Popularity • 94% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
64% Popularity • 94% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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T'Shan Williams
Never Shut Up Again
124 bpm • A# min • 03:16 • -4.36db
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Lloyd Webber
The Phantom Of the Opera
120 bpm • D min • 03:36 • -12.18db
62% Popularity • 44% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 44% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Diane Guerrero
What Else Can I Do?
120 bpm • E Maj • 02:59 • -5.57db
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jorge Rivera-Herrans
Warrior of the Mind
120 bpm • C# min • 03:28 • -5.87db
66% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sutton Foster
I Think I Got You Beat
120 bpm • E Maj • 04:37 • -8db
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lindsay Mendez
The Ballad of Sara Berry
120 bpm • G# min • 04:49 • -7.98db
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Catherine Zeta-Jones
Overture/And All That Jazz
120 bpm • C# min • 06:04 • -6.54db
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Eva Noblezada
All I've Ever Known
120 bpm • C# Maj • 04:03 • -10.79db
54% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Garfield
Why
120 bpm • C# Maj • 05:22 • -15.17db
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jonathan B. Wright
The Word Of Your Body (Reprise) - Origin...
120 bpm • F# min • 03:10 • -14.62db
32% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Will Wood
Memento Mori: the most important thing i...
120 bpm • C Maj • 02:49 • -8.83db
58% Popularity • 72% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 72% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Will Connolly
Cecily Smith (Bonus Track)
120 bpm • G Maj • 04:49 • -13.07db
40% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Emily Rohm
The Ballad of Jane Doe
120 bpm • F min • 04:59 • -12.51db
60% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Kimiko Glenn
The Next Thing
119 bpm • G Maj • 03:14 • -7.34db
30% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lea Michele
The Word Of Your Body - Original Broadwa...
124 bpm • E min • 02:58 • -11.06db
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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'Legally Blonde' Ensemble
Whipped into Shape
119 bpm • F# Maj • 04:20 • -9.88db
48% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jeremy Jordan
This World Will Remember Us
119 bpm • E min • 03:34 • -10db
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Keenan-Bolger
Santa Fe (Prologue)
125 bpm • C Maj • 03:05 • -14.05db
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Cast of Wonka
Scrub Scrub
119 bpm • C# Maj • 01:49 • -10.59db
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Annaleigh Ashford
Bend and Snap
125 bpm • A Maj • 03:20 • -8.93db
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
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John Gallagher, Jr.
The Bitch Of Living - Original Broadway ...
119 bpm • F Maj • 02:52 • -6.12db
45% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Bring It On: The Musical - Original Broadway Cast
What I Was Born To Do
125 bpm • B min • 04:53 • -4.48db
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jonathan Groff
Our Time
125 bpm • C# Maj • 05:30 • -10.78db
33% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Catherine Zeta-Jones
Cell Block Tango
125 bpm • C# Maj • 07:22 • -12.09db
47% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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La La Land Cast
Another Day Of Sun
126 bpm • G# Maj • 03:48 • -6.76db
67% Popularity • 59% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 59% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
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Annapantsu
Hellfire
118 bpm • A# Maj • 04:06 • -11.66db
45% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Lea Michele
My Junk - Original Broadway Cast Recordi...
118 bpm • D Maj • 02:25 • -6.64db
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
56% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Hugh Jackman
Come Alive
118 bpm • G Maj • 03:45 • -9.41db
68% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Jackson
Where You Are
118 bpm • E Maj • 03:30 • -9.28db
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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The Oh Hellos
Soldier, Poet, King
118 bpm • G# Maj • 02:45 • -7.75db
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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36 Questions
We Both
118 bpm • G Maj • 05:10 • -7.9db
31% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Steven Universe
Love Like You - End Credits
118 bpm • C min • 02:23 • -10.1db
73% Popularity • 59% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
73% Popularity • 59% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
48% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Patrick Page
Hey, Little Songbird
127 bpm • C min • 03:32 • -12.85db
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Gad
When I Am Older
117 bpm • G# Maj • 01:51 • -7db
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Huttlestone
Giants in the Sky
128 bpm • D Maj • 02:26 • -13.14db
45% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Leslie Odom Jr.
The World Was Wide Enough
117 bpm • F Maj • 05:02 • -12.78db
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Panic! At The Disco
Into the Unknown - Panic! At The Disco V...
117 bpm • C# Maj • 03:09 • -6.23db
63% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Platt
Share Your Address
128 bpm • B Maj • 03:02 • -5.05db
51% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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John Gallagher, Jr.
And Then There Were None - Original Broa...
116 bpm • E min • 04:16 • -7.53db
36% Popularity • 78% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 78% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
38% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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36 Questions
Listen Back
129 bpm • C Maj • 04:27 • -13db
28% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lilli Cooper
The Dark I Know Well - Original Broadway...
116 bpm • A min • 03:05 • -8.29db
38% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Original Broadway Cast Of School Of Rock
Stick It to the Man
115 bpm • C Maj • 03:12 • -3.81db
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Bo Burnham
Content
115 bpm • A Maj • 01:36 • -6.11db
58% Popularity • 77% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 77% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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36 Questions
Our Word
115 bpm • G# min • 05:17 • -9db
51% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Guy Who Didn't Like Musicals Cast
La Dee Dah Dah Day
115 bpm • D Maj • 03:17 • -6.23db
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Garfield
Johnny Can't Decide
115 bpm • G# Maj • 03:30 • -7.46db
47% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Renée Elise Goldsberry
It's Quiet Uptown
130 bpm • F Maj • 04:30 • -14.08db
61% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Phillipa Soo
Ultraluminary
130 bpm • F# min • 03:20 • -7.06db
43% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Brian Johnson
Touch Me - Original Broadway Cast Record...
130 bpm • D Maj • 04:31 • -9.76db
40% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • C# Maj • 02:20 • -12.47db
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jonathan Groff
What Comes Next?
115 bpm • G Maj • 01:39 • -10.88db
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Ewan McGregor
Be Our Guest
114 bpm • D Maj • 04:48 • -8db
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
43% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
