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You'll Never Walk Alone
Songs like
You'll Never Walk Alone
by
Marcus Mumford
Based on a tempo of (+/- 10%) and a similar genre
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Mary Gauthier
Mercy Now
76 bpm • A Maj • 05:50 • -11.14db
50% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Lone Bellow
Count On Me (Alt. Version)
76 bpm • D Maj • 03:04 • -7.83db
13% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Staves
I'm on Fire
76 bpm • D Maj • 03:12 • -15.17db
56% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Rose Betts
Song to the Siren
76 bpm • A# Maj • 03:17 • -16db
46% Popularity • 22% Danceability • 4% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Celine Cairo
By Your Side
77 bpm • D Maj • 03:03 • -12db
40% Popularity • 39% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Ashby
Poolside
75 bpm • D# Maj • 03:43 • -13.22db
31% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Staves
Nothing’s Gonna Happen
75 bpm • D Maj • 03:36 • -12db
45% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Royal Wood
A Good Enough Day
75 bpm • D# Maj • 01:02 • -11db
42% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Andrews
Sorry Now
75 bpm • G# Maj • 03:12 • -11db
56% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
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Alex Vargas
Hey Jude (As heard on Ted Lasso)
75 bpm • E Maj • 04:01 • -7.56db
32% Popularity • 66% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Joy Oladokun
if you got a problem
77 bpm • B Maj • 03:06 • -6.84db
49% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Speight
Save Tonight
75 bpm • C Maj • 04:30 • -13.39db
55% Popularity • 66% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Justin Wade Tam
Patchwork Heart
75 bpm • D Maj • 03:59 • -12.22db
31% Popularity • 61% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 18% Positiveness
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Nerina Pallot
Circus
75 bpm • D# Maj • 03:45 • -15.24db
34% Popularity • 59% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Noah Reid
Honesty
75 bpm • G Maj • 04:31 • -5.86db
29% Popularity • 47% Danceability • 88% Energy • 10% Liveness
7% Instrumentalness • 43% Positiveness
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Will Cookson
I'm All At Sea
75 bpm • A# Maj • 02:27 • -12.7db
22% Popularity • 37% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 45% Positiveness
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Caroline Spence
I Know You Know Me (With Matt Berninger)
75 bpm • F Maj • 03:19 • -15db
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Hollow Coves
These Memories
77 bpm • C# Maj • 05:13 • -18.18db
39% Popularity • 54% Danceability • 26% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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Aaron Espe
Back to the Beginning
77 bpm • A Maj • 03:49 • -15.16db
35% Popularity • 49% Danceability • 34% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Nathaniel Rateliff
And It's Still Alright
78 bpm • D# Maj • 03:55 • -9.13db
61% Popularity • 52% Danceability • 49% Energy • 12% Liveness
62% Instrumentalness • 30% Positiveness
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Michael Kiwanuka
Rest
78 bpm • G min • 03:50 • -12db
55% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Alexander Wolfe
Tired of Me
78 bpm • D Maj • 02:51 • -12.65db
16% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Alfie Allen
Day Making Girl
78 bpm • F Maj • 02:05 • -13.9db
11% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Ray LaMontagne
Morning Comes Wearing Diamonds
78 bpm • A# Maj • 03:58 • -12.3db
31% Popularity • 42% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 48% Positiveness
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Himesh Patel
The Long & Winding Road - Recorded Backs...
74 bpm • D# Maj • 01:38 • -19.77db
37% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Rostam
In a River (Acoustic)
78 bpm • G Maj • 03:34 • -11.44db
36% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Raffoul
Easy Tiger
78 bpm • C# Maj • 03:16 • -10db
49% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Lumineers
Gloria
78 bpm • B Maj • 03:36 • -6.02db
58% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Rose Betts
Recovery
78 bpm • D Maj • 03:56 • -9.91db
33% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Nina Simone
New World Coming - darkDARK Remix
78 bpm • C# Maj • 02:55 • -8.22db
29% Popularity • 28% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 7% Positiveness
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Johnny Flynn
Silver Song
78 bpm • A# Maj • 02:46 • -14db
17% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Clem Snide
I'll Be Your Mirror
79 bpm • G Maj • 03:23 • -11db
34% Popularity • 51% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Sital-Singh
Both Sides Now
78 bpm • E Maj • 04:17 • -10.92db
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Berman
Dancing in the Dark
73 bpm • D Maj • 03:59 • -14.08db
55% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Ray LaMontagne
Summer Clouds
78 bpm • F Maj • 04:24 • -13.97db
31% Popularity • 38% Danceability • 16% Energy • 12% Liveness
18% Instrumentalness • 15% Positiveness
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GoldFord
Walk With Me (Acoustic Version)
79 bpm • G# Maj • 02:56 • -10db
34% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Dick
I Want Everything
79 bpm • C Maj • 04:29 • -12.15db
30% Popularity • 54% Danceability • 45% Energy • 14% Liveness
61% Instrumentalness • 24% Positiveness
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Hollow Coves
Evermore
79 bpm • G# Maj • 03:43 • -9.92db
40% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Griffin
Leave Your Love
79 bpm • C Maj • 03:13 • -17.15db
20% Popularity • 54% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Drew Holcomb
Feels Like Home
73 bpm • D Maj • 04:03 • -8db
43% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Colin Hay
I Just Don't Think I'll Ever Get Over Yo...
79 bpm • C Maj • 05:28 • -19.38db
46% Popularity • 54% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Gary Lightbody
This Is How You Walk On
79 bpm • A Maj • 04:06 • -9.06db
34% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Goldspot
Come Talk To Me
79 bpm • A# Maj • 05:38 • -11.15db
25% Popularity • 61% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Mel Parsons
Blame
80 bpm • B Maj • 03:28 • -11.19db
31% Popularity • 41% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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isaac gracie
show me love - acoustic
80 bpm • F# Maj • 03:34 • -10db
38% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Hannah Grace
Praise You - Piano
80 bpm • F min • 03:38 • -8.83db
36% Popularity • 40% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Tolü Makay
N17
72 bpm • G Maj • 03:46 • -5.7db
28% Popularity • 30% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ray LaMontagne
Such A Simple Thing - Recorded at Sound ...
72 bpm • A# Maj • 05:07 • -10.73db
49% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Whileaways
It'll Come Around
80 bpm • B min • 03:34 • -10.12db
15% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
67% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Old Sea Brigade
Budapest
80 bpm • D# Maj • 03:05 • -10.98db
44% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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hornsae
The Letter
80 bpm • F Maj • 03:42 • -17db
31% Popularity • 52% Danceability • 23% Energy • 8% Liveness
13% Instrumentalness • 28% Positiveness
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Amos Lee
Worry No More
80 bpm • A min • 03:41 • -9.9db
44% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Daniel Tashian
High Road
80 bpm • G# Maj • 03:21 • -17.8db
16% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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MR. RACER
Fortunate Son
72 bpm • E Maj • 03:02 • -11.22db
17% Popularity • 40% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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David Myles
Turn Time Off
80 bpm • C# Maj • 03:53 • -14db
35% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Gray Havens
Blackbird
72 bpm • G Maj • 03:01 • -14.45db
35% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dermot Kennedy
Days Like This
80 bpm • D# Maj • 02:29 • -9.25db
64% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rose Cousins
The Lullaby (My Oldest Love)
81 bpm • C Maj • 03:38 • -12.93db
18% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Leif Vollebekk
Transatlantic Flight
72 bpm • C Maj • 06:49 • -10db
46% Popularity • 58% Danceability • 31% Energy • 9% Liveness
5% Instrumentalness • 25% Positiveness
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Angel Olsen
One Too Many Mornings
81 bpm • A Maj • 02:59 • -10.93db
17% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Gabriel Kahane
Little Love
81 bpm • G Maj • 03:12 • -17.16db
39% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Villagers
The Wonder Of You
81 bpm • B Maj • 02:48 • -11.36db
51% Popularity • 36% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
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Luca Fogale
Unfolding - Acoustic
81 bpm • D# Maj • 03:46 • -13.41db
28% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Will Cookson
Something In My Head
81 bpm • B Maj • 02:37 • -13.51db
15% Popularity • 55% Danceability • 32% Energy • 10% Liveness
35% Instrumentalness • 16% Positiveness
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Leif Vollebekk
Long Blue Light
72 bpm • A Maj • 03:20 • -9.11db
65% Popularity • 55% Danceability • 48% Energy • 16% Liveness
11% Instrumentalness • 51% Positiveness
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Rosie Thomas
It Don't Matter To The Sun
81 bpm • D Maj • 03:40 • -15.56db
30% Popularity • 33% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Rosenthal
To You Alone - Acoustic
81 bpm • G Maj • 02:34 • -22db
39% Popularity • 35% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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John Martyn
Don't Think Twice It's Alright
81 bpm • F Maj • 04:11 • -15db
28% Popularity • 38% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
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Layup
Every Mile
81 bpm • D Maj • 03:21 • -10db
49% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Mumford & Sons
Wild Heart
81 bpm • G min • 05:05 • -14.43db
39% Popularity • 52% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Critz
Through Your Eyes
82 bpm • C Maj • 03:47 • -14db
41% Popularity • 36% Danceability • 35% Energy • 9% Liveness
59% Instrumentalness • 18% Positiveness
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Oscar Isaac
Fare Thee Well (Dink's Song)
82 bpm • D Maj • 03:00 • -8.08db
34% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Lumineers
Nobody Knows
82 bpm • A Maj • 03:08 • -20.26db
65% Popularity • 63% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Landon Pigg
Young At Heart
82 bpm • F# Maj • 03:33 • -19db
26% Popularity • 54% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Faces On Film
Sonnet
70 bpm • C# Maj • 03:24 • -21.02db
41% Popularity • 50% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 5% Positiveness
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Marcus Mumford
I Was Young When I Left Home
83 bpm • G Maj • 05:06 • -13.24db
22% Popularity • 47% Danceability • 18% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Mumford & Sons
Timshel
83 bpm • F Maj • 02:53 • -9.72db
42% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Girl Named Tom
Helplessly Hoping
83 bpm • E Maj • 02:41 • -8.91db
39% Popularity • 36% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Laurence Fox
The Distance
83 bpm • F Maj • 03:48 • -12.06db
16% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Gem Club
Marathon (In Roses)
83 bpm • D# Maj • 04:41 • -13.62db
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Amos Lee
Wait Up For Me
83 bpm • A# Maj • 03:45 • -15.69db
45% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Maren Morris
Look At Us Now (Honeycomb)
69 bpm • D# min • 03:52 • -7.96db
43% Popularity • 36% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rickie Lee Jones
On Saturday Afternoons in 1963
83 bpm • D Maj • 02:31 • -17db
37% Popularity • 32% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Emily Blunt
Wild Mountain Thyme - Solo
84 bpm • D Maj • 01:45 • -11.47db
29% Popularity • 28% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Roo Panes
Pacific
83 bpm • C Maj • 05:37 • -16.79db
33% Popularity • 41% Danceability • 21% Energy • 31% Liveness
10% Instrumentalness • 11% Positiveness
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Inara George
A Bridge
84 bpm • A min • 03:22 • -16db
16% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Harmer
Tennessee Waltz
84 bpm • E Maj • 02:52 • -9db
22% Popularity • 55% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Paper Kites
By My Side
69 bpm • B Maj • 04:15 • -17db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
13% Instrumentalness • 21% Positiveness
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Bob Schneider
Wish the Wind Would Blow Me
68 bpm • C Maj • 03:05 • -13.27db
38% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Colin Hay
Waiting For My Real Life To Begin
85 bpm • B Maj • 05:46 • -13db
47% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Peter Bradley Adams
Little Flower
85 bpm • F Maj • 06:15 • -17.06db
49% Popularity • 42% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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Andrew Galucki
Breathe In
85 bpm • C# Maj • 04:27 • -11.94db
24% Popularity • 44% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Andrews
Only Love Can Break Your Heart
68 bpm • D Maj • 03:17 • -12db
35% Popularity • 38% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wesley Schultz
Operator (That’s Not the Way It Feels)
85 bpm • B Maj • 04:24 • -10.62db
11% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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You'll Never Walk Alone