Songs like You’ll Think Of Me by Keith Urban
Based on a tempo of (+/- 10%) and a similar genre
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Keith Urban
You’ll Think Of Me
83 bpm • D Maj • 04:53 • -11db
58% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Sugarland
Baby Girl - 2nd Version/Remix/Album Vers...
83 bpm • C# Maj • 04:12 • -3.25db
51% Popularity • 46% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 46% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
69% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Faith Hill
Mississippi Girl
84 bpm • A Maj • 03:52 • -4.15db
54% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
65% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
65% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Keith Urban
You'll Think Of Me - Single Version
83 bpm • D Maj • 03:51 • -8.39db
29% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
62% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
62% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Sugarland
Stuck Like Glue
84 bpm • C# Maj • 04:07 • -4.76db
63% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
67% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Toby Keith
American Soldier
82 bpm • A Maj • 04:23 • -8.43db
61% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Young
You Didn’t
82 bpm • B Maj • 03:45 • -7.6db
62% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Darius Rucker
If I Told You
84 bpm • A Maj • 03:32 • -7db
59% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Jessica Andrews
Who I Am
84 bpm • G Maj • 04:15 • -5.42db
56% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
58% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Carly Pearce
Cowboy Take Me Away
81 bpm • E Maj • 04:29 • -7.14db
48% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Keith Urban
Parallel Line
82 bpm • C Maj • 04:13 • -5.28db
54% Popularity • 62% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 62% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Gary Allan
Tough Little Boys
84 bpm • D Maj • 03:57 • -8.73db
46% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
62% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
63% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Brett Young
Chapters
81 bpm • B Maj • 03:57 • -6.82db
54% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Keith Urban
For You
85 bpm • B min • 04:49 • -7.76db
22% Popularity • 43% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 43% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
67% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
67% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
66% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jo Dee Messina
Lesson In Leavin'
81 bpm • G Maj • 03:40 • -7db
59% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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John Michael Montgomery
I Swear
86 bpm • C# Maj • 04:22 • -7.1db
61% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Shania Twain
Honey, I'm Home
80 bpm • E Maj • 03:34 • -5.17db
62% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
39% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Paisley
When I Get Where I'm Going
86 bpm • C Maj • 04:07 • -9.91db
58% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
65% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
65% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Gary Allan
Life Ain't Always Beautiful
86 bpm • D Maj • 03:44 • -7.67db
47% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Shania Twain
Forever And For Always
86 bpm • F# Maj • 04:43 • -4.81db
57% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Eric Church
Some Of It
80 bpm • C Maj • 03:15 • -7db
57% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
We Were
81 bpm • F Maj • 03:08 • -6.53db
40% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Miranda Lambert
Tin Man
79 bpm • C Maj • 04:19 • -10.92db
56% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
56% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Brad Paisley
Letter to Me
79 bpm • A Maj • 04:40 • -9db
50% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
63% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Underwood
Don't Forget to Remember Me
79 bpm • D Maj • 04:00 • -4db
47% Popularity • 43% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 43% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Urban
Break On Me
87 bpm • G# Maj • 03:28 • -7.09db
29% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
67% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
67% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Ann Womack
Last Call
79 bpm • F# Maj • 03:15 • -7db
42% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Darius Rucker
Homegrown Honey
88 bpm • C# Maj • 03:24 • -5db
35% Popularity • 66% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 66% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Montgomery Gentry
Speed
88 bpm • G# Maj • 03:59 • -8db
44% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Brett Eldredge
Mean to Me
88 bpm • C Maj • 03:48 • -7db
53% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Luke Bryan
Drink A Beer
78 bpm • G# Maj • 03:22 • -7.66db
66% Popularity • 48% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 48% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Webb
Where's The Playground, Suzie
78 bpm • C Maj • 03:17 • -8.36db
7% Popularity • 50% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 50% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Byrd
The Keeper Of The Stars
78 bpm • D Maj • 04:07 • -12.91db
59% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
59% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Florida Georgia Line
H.O.L.Y.
78 bpm • G min • 03:14 • -4.08db
69% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
69% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Chris Janson
Bye Mom
78 bpm • B Maj • 03:59 • -6.6db
32% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Nichols
The Impossible
78 bpm • A Maj • 04:05 • -6.7db
48% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Young
Sleep Without You
89 bpm • F min • 03:07 • -6db
61% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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John Michael Montgomery
I Can Love You Like That
89 bpm • B Maj • 03:55 • -11.05db
57% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Eldredge
The Long Way
89 bpm • A# Maj • 03:28 • -8db
55% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
61% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Nichols
She Only Smokes When She Drinks
78 bpm • E Maj • 03:22 • -8db
46% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Trisha Yearwood
Let the Wind Chase You
77 bpm • D# Maj • 04:08 • -6.54db
14% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley Cooke
never til now
77 bpm • A# Maj • 02:53 • -7.55db
48% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Maren Morris
My Church
77 bpm • A Maj • 03:17 • -4.34db
67% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
67% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
72% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
72% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
69% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie Underwood
Jesus, Take the Wheel
77 bpm • D Maj • 03:46 • -3.54db
63% Popularity • 36% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 36% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
65% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Evans
My Heart Can't Tell You No
90 bpm • F# min • 04:33 • -5.4db
39% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Young
Voices
77 bpm • C Maj • 03:06 • -4.11db
54% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Diamond Rio
Love a Little Stronger
77 bpm • A Maj • 03:41 • -9db
46% Popularity • 64% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Brad Paisley
Waitin' On a Woman
76 bpm • C Maj • 04:32 • -7db
53% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Terri Clark
Now That I Found You
90 bpm • D Maj • 03:37 • -8db
41% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Maddie & Tae
Die From A Broken Heart
76 bpm • A Maj • 03:08 • -6.63db
70% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
70% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Old Dominion
One Man Band
76 bpm • F# Maj • 03:06 • -8.33db
80% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
80% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Young
Like I Loved You
76 bpm • C# Maj • 03:27 • -6.05db
65% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Craig Morgan
Almost Home
76 bpm • G# Maj • 04:49 • -6.72db
56% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Thompson Square
Glass
76 bpm • C# Maj • 03:51 • -4.96db
37% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
60% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Turner
Soulmate
76 bpm • F# Maj • 03:48 • -10db
43% Popularity • 56% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
43% Popularity • 56% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Diamond Rio
Meet In the Middle
91 bpm • E Maj • 03:18 • -11db
68% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Trisha Yearwood
Thinkin' About You
92 bpm • B Maj • 03:23 • -9.12db
50% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Shelton
Who Are You When I'm Not Looking
75 bpm • E Maj • 03:07 • -9.14db
53% Popularity • 41% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
53% Popularity • 41% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Paslay
She Don't Love You
75 bpm • G Maj • 04:22 • -8db
49% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Brad Paisley
Today
74 bpm • D Maj • 03:49 • -7db
48% Popularity • 35% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 35% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Travis Tritt
Love of a Woman
74 bpm • G Maj • 03:37 • -5.65db
46% Popularity • 32% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 32% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Darius Rucker
Radio
93 bpm • C Maj • 03:09 • -6.83db
47% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
65% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Lady A
What If I Never Get Over You
93 bpm • C Maj • 03:26 • -5.15db
63% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
63% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brad Paisley
Whiskey Lullaby
74 bpm • D Maj • 04:19 • -11.51db
64% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
