Songs like Young Heart by Birdy
Based on a tempo of (+/- 10%) and a similar genre
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dodie
Cool Girl
125 bpm • D Maj • 03:19 • -15db
43% Popularity • 73% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 21% Positiveness
43% Popularity • 73% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 21% Positiveness
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Tom Odell
lose you again - acoustic
125 bpm • D# Maj • 03:16 • -4.92db
37% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Cody Frost
(I should) take better care
125 bpm • D min • 04:34 • -7.3db
30% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lorde
Fallen Fruit
125 bpm • F# min • 03:58 • -11db
51% Popularity • 49% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
51% Popularity • 49% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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FINNEAS
Flume - Spotify Singles
125 bpm • C Maj • 03:51 • -16db
39% Popularity • 34% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
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Isaac Waddington
Dirty Mile
125 bpm • C Maj • 03:01 • -9.25db
17% Popularity • 41% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 41% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Cara Rose
Let Go
125 bpm • D Maj • 04:00 • -10db
17% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Odell
lose you again
125 bpm • D# Maj • 03:07 • -4.37db
42% Popularity • 63% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 63% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Betsy
Behind Her Smile
125 bpm • F min • 03:40 • -16db
13% Popularity • 67% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 67% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Birdy
Young Heart
125 bpm • F# Maj • 05:58 • -11.88db
31% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sigma
Find Me - Jonasu Remix
126 bpm • F min • 02:47 • -6.28db
19% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Sweeplings
In Between
126 bpm • C# min • 03:39 • -11.13db
19% Popularity • 51% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 51% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Novaa
Alien
124 bpm • A min • 05:20 • -11.66db
24% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Aquilo
Missing the Mark
126 bpm • A# min • 02:32 • -11.35db
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
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Orla Gartland
More Like You - Piano Version
124 bpm • D Maj • 03:20 • -11.35db
20% Popularity • 80% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 80% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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JP Saxe
What Keeps Me From It
126 bpm • D Maj • 02:29 • -15.68db
33% Popularity • 45% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
33% Popularity • 45% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Birdy
Lost It All
124 bpm • G Maj • 03:47 • -12.41db
31% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cara Rose
What Next
124 bpm • E Maj • 03:31 • -9.1db
20% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Aisha Badru
Prisoners & Guards
123 bpm • F Maj • 04:50 • -16db
34% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Alessia Cara
Sweet Dream Lullaby - Lullaby Version
123 bpm • C Maj • 03:15 • -13.53db
22% Popularity • 67% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 67% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Luca Fogale
Nothing Is Lost - Piano
127 bpm • F# Maj • 03:31 • -13.71db
21% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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OSKA
Misunderstood
123 bpm • E min • 03:18 • -12.36db
27% Popularity • 67% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 67% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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flora cash
time machine
127 bpm • C# Maj • 03:31 • -7.97db
26% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Garratt
Ashes to Ashes
123 bpm • C# Maj • 06:12 • -9.58db
15% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Luca Fogale
Villains
122 bpm • A Maj • 04:07 • -13.83db
39% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Seafret
Wildfire - Piano Sessions
128 bpm • F# Maj • 03:55 • -11.33db
14% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
35% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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OSKA
Honeymoon Phase - Stripped Duet
122 bpm • G# Maj • 03:26 • -15.59db
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sam Smith
Forgive Myself
122 bpm • D# Maj • 03:40 • -10.25db
48% Popularity • 76% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 76% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Bale
the woman I am today
128 bpm • D Maj • 02:03 • -17.45db
25% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tiz McNamara
April Fool
122 bpm • A# Maj • 03:48 • -10.61db
17% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rag'n'Bone Man
Anywhere Away from Here - Acoustic
129 bpm • B Maj • 03:56 • -8.35db
29% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Elias
My Kind of Fire
121 bpm • D# min • 03:23 • -11.74db
19% Popularity • 53% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 53% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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iris
hidden springs
129 bpm • A Maj • 03:26 • -11.18db
30% Popularity • 50% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 50% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Birdy
Lights
129 bpm • D# Maj • 04:44 • -13.61db
26% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Coldplay
Let Somebody Go - Piano Version
129 bpm • C Maj • 04:09 • -10db
42% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Grace Davies
i met a boy online
121 bpm • C Maj • 03:14 • -9db
35% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Novaa
Can't Take This Silence
130 bpm • A# min • 04:08 • -14.92db
29% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Birdy
Winter
121 bpm • D min • 05:06 • -8.22db
29% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Billie Marten
Orange Tree
129 bpm • G Maj • 03:12 • -11.01db
32% Popularity • 47% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 47% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
74% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
74% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Empara Mi
Shout
120 bpm • F Maj • 03:29 • -4.67db
24% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Proctor
The Breaks (Acoustic)
130 bpm • C Maj • 03:23 • -11.27db
14% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Olivia Dean
The Hardest Part - Acoustic
130 bpm • F Maj • 02:55 • -8.38db
44% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Seafret
Loving You
130 bpm • A Maj • 03:15 • -6.76db
51% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
51% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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flora cash
The Bright Lights
120 bpm • F# Maj • 03:39 • -7db
24% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Ryder
Riverbed
120 bpm • C# min • 04:09 • -7.32db
26% Popularity • 67% Danceability • 68% Energy • 26% Liveness
6% Instrumentalness • 31% Positiveness
26% Popularity • 67% Danceability • 68% Energy • 26% Liveness
6% Instrumentalness • 31% Positiveness
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Jill Andrews
Walking Wounded
120 bpm • F Maj • 02:50 • -9db
17% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Khushi
I Know
130 bpm • G# Maj • 02:34 • -16.84db
33% Popularity • 52% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
33% Popularity • 52% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Kings Elliot
Dancing Alone
130 bpm • D Maj • 03:00 • -11.69db
27% Popularity • 70% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 70% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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flora cash
were you ever with me?
120 bpm • C Maj • 03:06 • -9.72db
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Keaton Henson
No Love Lost
120 bpm • B min • 04:24 • -13.87db
16% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Birdy
Take My Heart
120 bpm • C min • 04:11 • -8db
40% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Claudia Valentina
Seven
120 bpm • G min • 03:43 • -10.7db
41% Popularity • 80% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 80% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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LÃ¥psley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Anderson East
Like Nothing Ever Happened
131 bpm • G# Maj • 03:11 • -11.59db
22% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Birdy
Little Blue
131 bpm • D# Maj • 03:03 • -15.95db
29% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sia
Beautiful Things Can Happen
119 bpm • G Maj • 02:50 • -10.4db
34% Popularity • 35% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 35% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sigma
Find Me - Acoustic
131 bpm • F min • 03:07 • -6.14db
31% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Edith Whiskers
I Want You In My Dreams
131 bpm • A Maj • 02:02 • -17.64db
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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Tommy Ashby
High Moon
119 bpm • B Maj • 03:51 • -15.82db
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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James Blake
Hope She'll Be Happier - Spotify Singles
132 bpm • D Maj • 04:09 • -16.39db
25% Popularity • 50% Danceability • 10% Energy • 70% Liveness
22% Instrumentalness • 8% Positiveness
25% Popularity • 50% Danceability • 10% Energy • 70% Liveness
22% Instrumentalness • 8% Positiveness
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Birdy
Save Yourself
132 bpm • G min • 03:34 • -8.19db
33% Popularity • 46% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
33% Popularity • 46% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Victoria Canal
Favor
118 bpm • C Maj • 03:44 • -13.12db
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Smith
Young
118 bpm • D# Maj • 02:33 • -9.05db
46% Popularity • 66% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 66% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Emma Bale
moonchild
132 bpm • G# Maj • 03:52 • -12.04db
36% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Sak Beno
She Say
132 bpm • G# min • 03:24 • -8.67db
6% Popularity • 73% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 73% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Birdy
Loneliness
132 bpm • C# min • 03:22 • -7.99db
39% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Sweeplings
Please Don't
132 bpm • G# Maj • 04:15 • -9.98db
7% Popularity • 38% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
8% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte Jane
Refuge
118 bpm • B min • 03:02 • -9.89db
23% Popularity • 75% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 75% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Odell
Best Day Of My Life
118 bpm • A# Maj • 02:26 • -13.18db
70% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
70% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Cara Rose
Tough Love
133 bpm • C min • 02:56 • -7.53db
29% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Birdy
Loneliness (filous remix)
132 bpm • C# min • 03:26 • -9.52db
20% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Lucie Silvas
Home Truths
118 bpm • C min • 03:37 • -8.91db
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin - Floorboards...
118 bpm • B Maj • 03:23 • -7.46db
32% Popularity • 49% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 49% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Aron Wright
Tightrope
133 bpm • C Maj • 04:06 • -10.04db
13% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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MishCatt
Midnight Sun - Acoustic Version
118 bpm • C# Maj • 03:13 • -15.93db
37% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Nambyar
How Would It Feel
117 bpm • F Maj • 04:08 • -10.94db
14% Popularity • 49% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 49% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Birdy
Ghost in the Wind
118 bpm • F# min • 04:30 • -13.53db
41% Popularity • 46% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 46% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Odell
Flying :))
134 bpm • F# Maj • 02:59 • -15.06db
61% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
61% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Victoria Canal
own me
134 bpm • A# Maj • 03:56 • -15.19db
25% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Duncan Laurence
Between Good And Goodbye
134 bpm • C Maj • 04:06 • -7.7db
23% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Maisy Stella
While You Sleep
134 bpm • B Maj • 02:52 • -13.41db
38% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Sweeplings
Hold Me - Alternate Version
134 bpm • D min • 04:23 • -10.51db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Rosenthal
Now You Know
134 bpm • A Maj • 03:33 • -15.09db
37% Popularity • 52% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Maja Keuc
Goodbye...
134 bpm • C# min • 03:28 • -9.69db
20% Popularity • 34% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 34% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
