Songs like Your Heart Is a Twisted Vine by Marissa Nadler
Based on a tempo of (+/- 10%) and a similar genre
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Marissa Nadler
Virginia
151 bpm • A Maj • 02:39 • -21.11db
22% Popularity • 28% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
22% Popularity • 28% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
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Tiny Ruins
Adelphi Apartments
151 bpm • A Maj • 04:10 • -15.01db
15% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Anna B Savage
III
152 bpm • G# Maj • 03:31 • -8.52db
8% Popularity • 30% Danceability • 53% Energy • 10% Liveness
7% Instrumentalness • 33% Positiveness
8% Popularity • 30% Danceability • 53% Energy • 10% Liveness
7% Instrumentalness • 33% Positiveness
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Hope Sandoval & The Warm Inventions
Into the Trees
152 bpm • D min • 09:04 • -12db
25% Popularity • 12% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 12% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Sol Seppy
Injoy
153 bpm • E min • 04:30 • -13.68db
24% Popularity • 33% Danceability • 29% Energy • 7% Liveness
69% Instrumentalness • 23% Positiveness
24% Popularity • 33% Danceability • 29% Energy • 7% Liveness
69% Instrumentalness • 23% Positiveness
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Lisa Hannigan
Barton
148 bpm • G# Maj • 04:26 • -13.95db
21% Popularity • 49% Danceability • 48% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 49% Danceability • 48% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Marissa Nadler
Yellow Lights
149 bpm • C# Maj • 02:54 • -7.4db
12% Popularity • 29% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 29% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Chelsea Wolfe
Gold (Bonus Track)
147 bpm • A# Maj • 03:31 • -9.73db
25% Popularity • 44% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
25% Popularity • 44% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Alela Diane
Age Old Blue
156 bpm • G Maj • 03:59 • -12.38db
26% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hope Sandoval & The Warm Inventions
Salt of the Sea
154 bpm • D min • 04:22 • -10.63db
32% Popularity • 26% Danceability • 40% Energy • 16% Liveness
75% Instrumentalness • 23% Positiveness
32% Popularity • 26% Danceability • 40% Energy • 16% Liveness
75% Instrumentalness • 23% Positiveness
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Heather Woods Broderick
The Sentiments
146 bpm • E min • 03:18 • -16.41db
8% Popularity • 16% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Marissa Nadler
In Your Lair, Bear
149 bpm • A# min • 05:59 • -9.23db
12% Popularity • 21% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 21% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jenny Hval
Golden Locks
145 bpm • C Maj • 06:18 • -16.37db
9% Popularity • 25% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Stina Nordenstam
Everyone Else In The World
145 bpm • G# Maj • 02:59 • -16.15db
28% Popularity • 70% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 47% Positiveness
28% Popularity • 70% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 47% Positiveness
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Hope Sandoval & The Warm Inventions
Sets The Blaze
147 bpm • D min • 02:29 • -14.75db
41% Popularity • 31% Danceability • 37% Energy • 12% Liveness
9% Instrumentalness • 15% Positiveness
41% Popularity • 31% Danceability • 37% Energy • 12% Liveness
9% Instrumentalness • 15% Positiveness
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Beth Gibbons
Sand River
145 bpm • A# min • 03:48 • -16.41db
42% Popularity • 50% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 17% Positiveness
42% Popularity • 50% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 17% Positiveness
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Luluc
Without A Face
145 bpm • D Maj • 03:44 • -13.99db
11% Popularity • 53% Danceability • 40% Energy • 16% Liveness
43% Instrumentalness • 34% Positiveness
11% Popularity • 53% Danceability • 40% Energy • 16% Liveness
43% Instrumentalness • 34% Positiveness
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Marissa Nadler
Mayflower May
146 bpm • D# min • 03:21 • -16.08db
32% Popularity • 27% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 27% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Dark Dark Dark
The Hand
144 bpm • C Maj • 03:43 • -12db
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
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The White Birch
Donau Movies
144 bpm • A min • 05:57 • -18db
14% Popularity • 41% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
14% Popularity • 41% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Hope Sandoval & The Warm Inventions
The Peasant
145 bpm • G Maj • 04:57 • -12.2db
33% Popularity • 32% Danceability • 30% Energy • 12% Liveness
49% Instrumentalness • 38% Positiveness
33% Popularity • 32% Danceability • 30% Energy • 12% Liveness
49% Instrumentalness • 38% Positiveness
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Smog
Rock Bottom Riser
158 bpm • B Maj • 05:44 • -16db
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
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Vera Sola
The Cage
143 bpm • C# min • 04:40 • -11.43db
32% Popularity • 32% Danceability • 43% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
32% Popularity • 32% Danceability • 43% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Marissa Nadler
Diamond Heart
158 bpm • D# Maj • 03:47 • -14db
31% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dark Dark Dark
Bright Bright Bright
159 bpm • A min • 04:30 • -14db
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
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Emma Ruth Rundle
Oh Sarah
143 bpm • G Maj • 05:35 • -10db
23% Popularity • 32% Danceability • 33% Energy • 14% Liveness
41% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 33% Energy • 14% Liveness
41% Instrumentalness • 41% Positiveness
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Hope Sandoval & The Warm Inventions
Sleep
143 bpm • A# Maj • 03:48 • -8.96db
36% Popularity • 55% Danceability • 60% Energy • 15% Liveness
46% Instrumentalness • 21% Positiveness
36% Popularity • 55% Danceability • 60% Energy • 15% Liveness
46% Instrumentalness • 21% Positiveness
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Jason Molina
It Must Be Raining There Forever
143 bpm • C# min • 03:32 • -16.13db
17% Popularity • 43% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 43% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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Lost Horizons
Marie
143 bpm • C Maj • 04:35 • -8.62db
4% Popularity • 34% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
4% Popularity • 34% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
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Marissa Nadler
Mexican Summer
142 bpm • D# min • 05:27 • -13db
20% Popularity • 33% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 33% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Tiny Vipers
Life On Earth
161 bpm • E min • 10:12 • -18.19db
22% Popularity • 39% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 39% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Tiny Ruins
Priest with Balloons
141 bpm • D Maj • 04:05 • -15.6db
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Linda Perhacs
Children
162 bpm • A Maj • 03:16 • -14.73db
14% Popularity • 23% Danceability • 34% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
14% Popularity • 23% Danceability • 34% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
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The Innocence Mission
Records from Your Room
141 bpm • F Maj • 02:46 • -12.35db
7% Popularity • 48% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
7% Popularity • 48% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Lawrence Rothman
It's Hard to Be Human
140 bpm • B min • 04:10 • -10db
22% Popularity • 30% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
22% Popularity • 30% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Marissa Nadler
Leather Made Shoes
161 bpm • G# Maj • 04:42 • -12.36db
10% Popularity • 22% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 22% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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My Brightest Diamond
Bass Player
140 bpm • D min • 04:33 • -15.74db
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Scout Niblett
Duke of Anxiety
140 bpm • A Maj • 02:14 • -13.48db
24% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alela Diane
Buoyant
140 bpm • C Maj • 03:15 • -13.2db
29% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Dark Dark Dark
Patsy Cline
140 bpm • D# Maj • 03:40 • -12.26db
2% Popularity • 37% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 37% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The White Birch
Breathe
139 bpm • A Maj • 05:02 • -16.39db
24% Popularity • 26% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 26% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Marissa Nadler
Katie I Know
140 bpm • F Maj • 05:46 • -10db
9% Popularity • 48% Danceability • 54% Energy • 14% Liveness
46% Instrumentalness • 28% Positiveness
9% Popularity • 48% Danceability • 54% Energy • 14% Liveness
46% Instrumentalness • 28% Positiveness
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Goldfrapp
Eat Yourself
139 bpm • D min • 04:06 • -10.77db
34% Popularity • 48% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 48% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Devics
Stretch out Your Arms
139 bpm • D# Maj • 04:09 • -15.6db
16% Popularity • 35% Danceability • 9% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
16% Popularity • 35% Danceability • 9% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Alela Diane
Hazel Street
139 bpm • B min • 03:10 • -12.82db
2% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Emma Ruth Rundle
Heaven
138 bpm • G# Maj • 05:09 • -9db
28% Popularity • 34% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
28% Popularity • 34% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Sibylle Baier
Softly
165 bpm • C Maj • 02:54 • -11.5db
33% Popularity • 45% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 45% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Marissa Nadler
Horses And Their Kin
163 bpm • C Maj • 04:30 • -6.65db
7% Popularity • 23% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 23% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Jason Molina
Don't It Look Like Rain
138 bpm • A Maj • 03:48 • -20.55db
20% Popularity • 42% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
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She Keeps Bees
Queen of Cups
138 bpm • A Maj • 02:48 • -17.04db
9% Popularity • 56% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Smog
Palimpsest
138 bpm • D# min • 02:52 • -17.2db
38% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
38% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
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Chelsea Wolfe
Be All Things
166 bpm • A# Maj • 04:20 • -13.12db
33% Popularity • 31% Danceability • 28% Energy • 15% Liveness
15% Instrumentalness • 10% Positiveness
33% Popularity • 31% Danceability • 28% Energy • 15% Liveness
15% Instrumentalness • 10% Positiveness
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Julie Byrne
Young Wife
136 bpm • G Maj • 02:15 • -15.3db
30% Popularity • 27% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
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Marissa Nadler
Lily, Henry, And The Willow Trees
164 bpm • B min • 02:45 • -8.54db
15% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Angel Olsen
So That We Can Be Still
167 bpm • A# min • 04:37 • -12.88db
21% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tiny Vipers
Tiger Mountain
136 bpm • A Maj • 06:22 • -19.96db
30% Popularity • 33% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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My Brightest Diamond
Something of an End
136 bpm • A# min • 04:51 • -10.25db
19% Popularity • 53% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
19% Popularity • 53% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Emily Jane White
Behind the Glass
136 bpm • C Maj • 03:31 • -11.38db
18% Popularity • 27% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Julie Byrne
Melting Grid
136 bpm • E Maj • 04:21 • -16db
30% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Marissa Nadler
Bird on Your Grave
138 bpm • F Maj • 05:02 • -13db
13% Popularity • 27% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Kathryn Joseph
The Blood
136 bpm • C Maj • 03:56 • -8.79db
9% Popularity • 39% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
9% Popularity • 39% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
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Micah P. Hinson
The Possibilities
136 bpm • E Maj • 03:48 • -15.95db
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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My Brightest Diamond
Golden Star
136 bpm • F# min • 02:55 • -7.99db
30% Popularity • 59% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
30% Popularity • 59% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Nadine Shah
Dreary Town
169 bpm • C# Maj • 04:32 • -10.17db
33% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness
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Susanne Sundfør
Knight Of Noir
169 bpm • F Maj • 05:30 • -12.73db
7% Popularity • 23% Danceability • 23% Energy • 62% Liveness
7% Instrumentalness • 23% Positiveness
7% Popularity • 23% Danceability • 23% Energy • 62% Liveness
7% Instrumentalness • 23% Positiveness
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Agnes Obel
Stone
135 bpm • D min • 03:56 • -16.16db
42% Popularity • 61% Danceability • 27% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
42% Popularity • 61% Danceability • 27% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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Diane Cluck
Maybe a Bird
135 bpm • D# min • 01:41 • -9.93db
23% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Innocence Mission
Sun on the Square
134 bpm • A# min • 03:27 • -11.55db
7% Popularity • 33% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
7% Popularity • 33% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
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Vera Sola
Crooked Houses
170 bpm • A Maj • 03:39 • -17.7db
13% Popularity • 46% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
13% Popularity • 46% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
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Sibylle Baier
Driving
134 bpm • F Maj • 02:30 • -14db
30% Popularity • 51% Danceability • 18% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
30% Popularity • 51% Danceability • 18% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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My Brightest Diamond
To Pluto's Moon
134 bpm • D# min • 06:49 • -14.16db
1% Popularity • 38% Danceability • 29% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
1% Popularity • 38% Danceability • 29% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Chelsea Wolfe
Appalachia
170 bpm • G min • 03:10 • -14.79db
31% Popularity • 39% Danceability • 26% Energy • 25% Liveness
25% Instrumentalness • 40% Positiveness
31% Popularity • 39% Danceability • 26% Energy • 25% Liveness
25% Instrumentalness • 40% Positiveness
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Hope Sandoval & The Warm Inventions
Fall Aside
133 bpm • G Maj • 04:44 • -10.84db
23% Popularity • 55% Danceability • 43% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
23% Popularity • 55% Danceability • 43% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Lawrence Rothman
Ain’t Afraid Of Dying
134 bpm • A Maj • 02:39 • -9.68db
3% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Shilpa Ray
Burning Bride
133 bpm • G# min • 04:59 • -8.34db
17% Popularity • 30% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 30% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Linda Perhacs
Freely
133 bpm • A min • 03:33 • -16.45db
20% Popularity • 46% Danceability • 24% Energy • 7% Liveness
36% Instrumentalness • 21% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 7% Liveness
36% Instrumentalness • 21% Positiveness
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Jason Molina
34 Blues
133 bpm • F# Maj • 02:52 • -16.16db
16% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
16% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Tiny Vipers
Slow Motion
172 bpm • B Maj • 04:03 • -20.37db
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hope Sandoval & The Warm Inventions
Trouble
172 bpm • B min • 05:22 • -13db
35% Popularity • 33% Danceability • 38% Energy • 9% Liveness
45% Instrumentalness • 16% Positiveness
35% Popularity • 33% Danceability • 38% Energy • 9% Liveness
45% Instrumentalness • 16% Positiveness
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Angel Olsen
White Fire
172 bpm • F min • 06:55 • -18.86db
32% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The White Birch
Solid Dirt
172 bpm • F# Maj • 04:38 • -22.81db
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 22% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 22% Positiveness
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Tiny Ruins
Bird in the Thyme
172 bpm • A# min • 03:49 • -19.4db
35% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Byrne
Emeralds
132 bpm • G min • 03:12 • -21.18db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
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Dark Dark Dark
Wild Goose Chase
132 bpm • F Maj • 04:25 • -16db
22% Popularity • 41% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
22% Popularity • 41% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Pascal Pinon
Forest
132 bpm • C Maj • 03:43 • -12.55db
18% Popularity • 58% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
18% Popularity • 58% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Chelsea Wolfe
Boyfriend
132 bpm • E min • 03:51 • -11.13db
24% Popularity • 41% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
24% Popularity • 41% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
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Diane Cluck
Draw Me Out
173 bpm • C Maj • 03:33 • -12.71db
11% Popularity • 37% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 37% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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She Keeps Bees
Two Thousand Lights
132 bpm • C Maj • 02:45 • -16.86db
12% Popularity • 43% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Kathryn Joseph
The Why, What Baby?
173 bpm • D min • 04:41 • -8.82db
7% Popularity • 22% Danceability • 26% Energy • 10% Liveness
39% Instrumentalness • 20% Positiveness
7% Popularity • 22% Danceability • 26% Energy • 10% Liveness
39% Instrumentalness • 20% Positiveness
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Luluc
Small Window
132 bpm • G# Maj • 03:40 • -14.42db
7% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
7% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Tiny Vipers
Development
174 bpm • E Maj • 06:08 • -16.57db
9% Popularity • 30% Danceability • 12% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
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Jason Molina
Alone With The Owl
131 bpm • E Maj • 02:24 • -13db
29% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tiny Ruins
Pigeon Knows
131 bpm • F# Maj • 06:32 • -17.15db
15% Popularity • 39% Danceability • 4% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
15% Popularity • 39% Danceability • 4% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
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She Keeps Bees
Make You My Moon
131 bpm • B min • 03:34 • -8.8db
19% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Vera Sola
The Colony
131 bpm • C min • 02:48 • -8.84db
30% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Lady & Bird
Blue Skies
174 bpm • B min • 04:11 • -11.92db
21% Popularity • 45% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Sol Seppy
Human
131 bpm • C Maj • 04:28 • -14.86db
19% Popularity • 36% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness
19% Popularity • 36% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness