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Your Mama
Songs like
Your Mama
by
High Valley
Based on a tempo of (+/- 10%) and a similar genre
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High Valley
Run Outta Somedays
148 bpm • G# Maj • 02:45 • -4.31db
23% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Schneider
Gimme a Red Light
148 bpm • G Maj • 03:09 • -5.12db
38% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
40% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
48% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Sanders
Burnin' Roses
148 bpm • G# Maj • 04:03 • -4.99db
33% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
32% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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High Valley
Your Mama
148 bpm • B Maj • 03:44 • -5db
25% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Dallas Smith
Singing In A Beer
150 bpm • C# min • 02:52 • -3.87db
44% Popularity • 47% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
41% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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LOCASH
Beach Boys
150 bpm • G# Maj • 03:03 • -3.66db
37% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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High Valley
Young Forever
146 bpm • A Maj • 03:40 • -4.69db
32% Popularity • 56% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Owen
Catch A Cold One
150 bpm • D# Maj • 02:50 • -4.77db
47% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
45% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
46% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
36% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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High Valley
Not Yet
150 bpm • C# Maj • 02:46 • -5.48db
39% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
60% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
61% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
40% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Kyle Clark
First Time Feels
144 bpm • F# Maj • 03:37 • -5db
45% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
58% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Reklaws
Good Ol' Days
144 bpm • G# Maj • 02:46 • -4.5db
46% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Brothers
Train
144 bpm • A Maj • 03:34 • -5.15db
27% Popularity • 47% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
52% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Scotty McCreery
Forget To Forget You
144 bpm • A# Maj • 03:58 • -5.97db
40% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Hunter Brothers
Northern Lights
144 bpm • B Maj • 02:56 • -5.25db
27% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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HIXTAPE
WD-40 4WD
144 bpm • D Maj • 03:16 • -4.34db
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Walker McGuire
Mysteries of the World
144 bpm • C# Maj • 03:38 • -4.77db
47% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Chayce Beckham
Tell Me Twice
154 bpm • A Maj • 04:26 • -4.73db
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Tyler
Remember These Words
154 bpm • F Maj • 03:07 • -5.1db
32% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Troy Cartwright
Boys Like Trucks
154 bpm • C# Maj • 02:10 • -5db
50% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
63% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Steven Lee Olsen
Raised by a Good Time
142 bpm • D Maj • 03:12 • -4.5db
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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George Canyon
Southside Of Heaven
142 bpm • C Maj • 03:12 • -3.21db
20% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Lathan Warlick
Runaway Train
142 bpm • F Maj • 02:52 • -4.14db
27% Popularity • 71% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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High Valley
World Could Use a Dirt Road
155 bpm • E Maj • 03:11 • -5.09db
22% Popularity • 61% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
54% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
37% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
35% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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High Valley
Call Me Old Fashioned
140 bpm • B Maj • 03:38 • -6.84db
20% Popularity • 50% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Hurd
Michigan for the Winter
140 bpm • F# Maj • 03:39 • -7db
39% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Craig Campbell
Me Missing You
140 bpm • C Maj • 02:46 • -5.68db
38% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
Redneck Love Song
140 bpm • F Maj • 03:09 • -4.85db
58% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Dylan Schneider
You Heard Wrong
140 bpm • G# Maj • 03:37 • -5.41db
42% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Restless Road
One Step Ahead
140 bpm • C# Maj • 03:16 • -4.1db
37% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Conner Smith
Orange And White
140 bpm • E Maj • 03:29 • -3.24db
48% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Wallen
If I Ever Get You Back
140 bpm • C Maj • 02:53 • -3.34db
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
54% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Runaway June
Wild West
140 bpm • C Maj • 03:38 • -5.26db
38% Popularity • 46% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Walker McGuire
Til Tomorrow
157 bpm • C Maj • 04:09 • -4.03db
40% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
34% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
65% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
38% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
58% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Walker McGuire
Lost
139 bpm • D Maj • 03:50 • -3.22db
34% Popularity • 51% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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High Valley
Countin Em Up
158 bpm • B Maj • 02:48 • -4.52db
28% Popularity • 42% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Brantley Gilbert
What Happens In A Small Town
138 bpm • B Maj • 03:23 • -5.36db
42% Popularity • 50% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
41% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Ray
Fan Girl
138 bpm • G# Maj • 03:30 • -4.33db
33% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Braden
Love Is a Dead End Road
138 bpm • E Maj • 03:15 • -6db
38% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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High Valley
Don't Stop
138 bpm • C Maj • 03:36 • -8.36db
18% Popularity • 55% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Combs
Be Careful What You Wish For
159 bpm • D# Maj • 02:55 • -5db
60% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
57% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Brothers
What Colour You Drive
159 bpm • D# Maj • 03:48 • -5db
33% Popularity • 53% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Jameson Rodgers
Things That Matter
160 bpm • D# Maj • 03:13 • -9db
44% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
38% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Dustin Lynch
Red Dirt, Blue Eyes
160 bpm • G# Maj • 03:17 • -4.52db
43% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Trea Landon
Get the Girl
160 bpm • C# Maj • 03:27 • -4db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
50% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Young
She's Got a Way
160 bpm • A Maj • 02:51 • -5.13db
50% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Luke Bryan
What Makes You Country
160 bpm • C Maj • 03:55 • -1.72db
57% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
42% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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HARDY
I'LL QUIT LOVIN' YOU
136 bpm • G# Maj • 03:27 • -4.92db
52% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Dalton Dover
You Got a Small Town
136 bpm • G# Maj • 02:59 • -4.26db
46% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Jameson Rodgers
Grew Up in the Country
136 bpm • A# Maj • 03:17 • -6db
35% Popularity • 51% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Your Mama