Songs like Your Mother Was Cheaper by Two Feet
Based on a tempo of (+/- 10%) and a similar genre
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Two Feet
Your Mother Was Cheaper
128 bpm • C Maj • 02:30 • -8.95db
52% Popularity • 85% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 85% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Chløë Black
Waterbed
128 bpm • C Maj • 03:11 • -8db
34% Popularity • 64% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 7% Positiveness
34% Popularity • 64% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 7% Positiveness
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Goody Grace
Memorie$
128 bpm • A Maj • 03:37 • -8db
33% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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SG Lewis
Yours
128 bpm • F# min • 03:50 • -11db
39% Popularity • 68% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 68% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Grace Mitchell
Cali God
128 bpm • A# min • 03:16 • -6.8db
36% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rosé Petal
Coming Down
128 bpm • G Maj • 04:11 • -10.72db
17% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Two Feet
Gravity
128 bpm • G min • 02:10 • -5db
47% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
47% Popularity • 51% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 21% Positiveness
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Mickey Blue
We Just Be
128 bpm • D Maj • 04:18 • -8db
20% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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vōx
I
127 bpm • G# min • 03:36 • -11.43db
18% Popularity • 43% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 43% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ruben Young
Take Her Down
129 bpm • C min • 04:02 • -6db
23% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Brome
Body High
129 bpm • C# Maj • 03:09 • -8db
48% Popularity • 43% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
48% Popularity • 43% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
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Pedro Samp
Scarlett
129 bpm • F# min • 02:56 • -11.88db
24% Popularity • 83% Danceability • 22% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
24% Popularity • 83% Danceability • 22% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
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Two Feet
My Life
127 bpm • E min • 04:04 • -4.96db
43% Popularity • 78% Danceability • 67% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
43% Popularity • 78% Danceability • 67% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Black Atlass
Sacrifice
127 bpm • F# min • 03:29 • -7.81db
62% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ayelle
Mad
130 bpm • D# min • 03:34 • -11.63db
31% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ex Habit
on your knees
130 bpm • C min • 02:23 • -7.13db
57% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
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Sabrina Claudio
All to You
130 bpm • C# min • 03:23 • -9.85db
51% Popularity • 46% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 46% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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SMNM
Everything
130 bpm • G min • 04:20 • -5.02db
40% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Two Feet
Back Of My Mind
130 bpm • G Maj • 03:06 • -7.12db
56% Popularity • 78% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 78% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Bishop Briggs
Be Your Love
130 bpm • D min • 03:14 • -8.03db
57% Popularity • 69% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 69% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 14% Positiveness
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Elvis Drew
Baby
130 bpm • C Maj • 01:53 • -11.31db
58% Popularity • 70% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
58% Popularity • 70% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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WYATT
Attention - Radio Edit
130 bpm • F# min • 03:48 • -11.86db
21% Popularity • 60% Danceability • 54% Energy • 20% Liveness
46% Instrumentalness • 32% Positiveness
21% Popularity • 60% Danceability • 54% Energy • 20% Liveness
46% Instrumentalness • 32% Positiveness
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Chase Atlantic
Numb to the Feeling
130 bpm • F min • 03:47 • -5.75db
63% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Russ
Cherry Hill
130 bpm • D min • 03:42 • -10.8db
67% Popularity • 68% Danceability • 47% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
67% Popularity • 68% Danceability • 47% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Two Feet
You Say
130 bpm • B min • 02:39 • -3.18db
49% Popularity • 57% Danceability • 66% Energy • 32% Liveness
68% Instrumentalness • 37% Positiveness
49% Popularity • 57% Danceability • 66% Energy • 32% Liveness
68% Instrumentalness • 37% Positiveness
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Ta-ku
Meet In The Middle
130 bpm • A min • 03:05 • -5.39db
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
4% Instrumentalness • 48% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
4% Instrumentalness • 48% Positiveness
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Omido
Silverline
126 bpm • B min • 03:33 • -7.37db
37% Popularity • 58% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 58% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 22% Positiveness
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ECÂF
Pictures
126 bpm • A min • 03:18 • -8db
45% Popularity • 76% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 76% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tora
Jaigantic
130 bpm • D min • 03:04 • -9db
41% Popularity • 74% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
41% Popularity • 74% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Chase Atlantic
Okay
130 bpm • C Maj • 03:32 • -6.78db
69% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Two Feet
Don't Bring Me Down
130 bpm • A# min • 03:13 • -9.04db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Ramsey
See You Bleed
126 bpm • G# min • 03:34 • -5db
38% Popularity • 43% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 43% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Omido
A Girl Called Jazz
126 bpm • C Maj • 03:52 • -11.07db
44% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Dennis Lloyd
Demons
126 bpm • G min • 02:57 • -9.59db
43% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Tora
Too Little
126 bpm • G min • 02:05 • -9.9db
49% Popularity • 69% Danceability • 48% Energy • 20% Liveness
12% Instrumentalness • 28% Positiveness
49% Popularity • 69% Danceability • 48% Energy • 20% Liveness
12% Instrumentalness • 28% Positiveness
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Michl
Die Trying
125 bpm • F# Maj • 03:29 • -8.37db
52% Popularity • 42% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 42% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Chase Atlantic
Into It
130 bpm • A# min • 03:16 • -6.71db
80% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Cyn
The Only Lo Lo Lo
125 bpm • G# min • 03:42 • -12db
20% Popularity • 48% Danceability • 34% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
20% Popularity • 48% Danceability • 34% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
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Santino Le Saint
4 A.M.
125 bpm • E min • 04:27 • -5db
26% Popularity • 37% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 37% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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K.Flay
Blood In The Cut - Aire Atlantica Remix
125 bpm • B min • 03:19 • -4.15db
45% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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OZZIE
IDNY - Instrumental
125 bpm • D min • 03:37 • -13.77db
31% Popularity • 75% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
31% Popularity • 75% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Ex Habit
want me
131 bpm • G# min • 02:35 • -7.26db
57% Popularity • 32% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
57% Popularity • 32% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Phlux
Nym
125 bpm • F# min • 03:35 • -9.81db
33% Popularity • 54% Danceability • 52% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
33% Popularity • 54% Danceability • 52% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
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Russ
My Baby
125 bpm • F min • 03:21 • -13.72db
41% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Evalyn
Filthy Rich
125 bpm • D# min • 03:35 • -6db
40% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
40% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Dennis Lloyd
Act II: Can't Go Back
125 bpm • G# Maj • 03:04 • -3.67db
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Goldilox
Morning
125 bpm • G# min • 04:44 • -6.3db
22% Popularity • 48% Danceability • 49% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 48% Danceability • 49% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
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Azee
Sexual Healing
132 bpm • C# Maj • 03:14 • -14.13db
49% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jacob Banks
Mercy
124 bpm • G# min • 03:11 • -5.13db
43% Popularity • 45% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 45% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Woodlands
Making Love on the Mountain - Sexy Mix
132 bpm • A Maj • 03:58 • -10db
34% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Doja Cat
So High
132 bpm • A# min • 03:21 • -5.78db
76% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Gallant
Weight in Gold - Ekali Remix
132 bpm • D min • 03:19 • -4.51db
32% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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NAWAS
So Low
132 bpm • F Maj • 03:58 • -4.29db
15% Popularity • 67% Danceability • 64% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
15% Popularity • 67% Danceability • 64% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
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Elvis Drew
Make Me Feel
132 bpm • E min • 02:35 • -8.53db
51% Popularity • 52% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
51% Popularity • 52% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Halsey
Not Afraid Anymore
132 bpm • F min • 03:46 • -6.99db
48% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Luunes
Glass
132 bpm • D min • 03:26 • -8.25db
19% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Darci
Come Around
132 bpm • G Maj • 03:24 • -8.64db
47% Popularity • 64% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
47% Popularity • 64% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Clasio
What Am I Doing Wrong?
124 bpm • A# min • 03:49 • -7.55db
39% Popularity • 81% Danceability • 80% Energy • 47% Liveness
62% Instrumentalness • 22% Positiveness
39% Popularity • 81% Danceability • 80% Energy • 47% Liveness
62% Instrumentalness • 22% Positiveness
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breathe.
Heat
124 bpm • G Maj • 03:10 • -15db
50% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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MØ
Mercy
124 bpm • D# min • 03:41 • -4.66db
47% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 51% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Rosenfeld
Porcelain
124 bpm • D# min • 03:12 • -6.9db
39% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Elliot Moss
I Can't Swim
123 bpm • A min • 04:50 • -8db
2% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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K.Flay
High Enough - RAC Remix
133 bpm • G Maj • 03:28 • -4.7db
64% Popularity • 32% Danceability • 68% Energy • 8% Liveness
35% Instrumentalness • 29% Positiveness
64% Popularity • 32% Danceability • 68% Energy • 8% Liveness
35% Instrumentalness • 29% Positiveness
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midnight
Absolute
133 bpm • D min • 03:33 • -11.47db
13% Popularity • 79% Danceability • 34% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
13% Popularity • 79% Danceability • 34% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
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Frank Walker
Day By Day
123 bpm • G# Maj • 02:48 • -7.02db
42% Popularity • 62% Danceability • 81% Energy • 32% Liveness
33% Instrumentalness • 42% Positiveness
42% Popularity • 62% Danceability • 81% Energy • 32% Liveness
33% Instrumentalness • 42% Positiveness
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AleksSounds
Me & U
133 bpm • C# min • 03:55 • -8.45db
50% Popularity • 43% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 43% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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ImXgine
Love is a Bitch - Slowedd
133 bpm • G min • 03:20 • -13.82db
50% Popularity • 71% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
50% Popularity • 71% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
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Old Caltone
Two Devils
123 bpm • F# Maj • 03:31 • -10.11db
16% Popularity • 42% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 42% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
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Divine
You That I Want
134 bpm • F# Maj • 03:57 • -12db
45% Popularity • 32% Danceability • 53% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
45% Popularity • 32% Danceability • 53% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Joseph Angel
American Funeral
134 bpm • A# min • 03:15 • -3db
38% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Beach Season
Tribes
134 bpm • F# min • 04:17 • -8db
20% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Damaged.
Head High
122 bpm • G# Maj • 03:38 • -6db
13% Popularity • 49% Danceability • 64% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 49% Danceability • 64% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Sevdaliza
Amandine Insensible
134 bpm • D# min • 04:14 • -10.99db
44% Popularity • 64% Danceability • 31% Energy • 34% Liveness
28% Instrumentalness • 26% Positiveness
44% Popularity • 64% Danceability • 31% Energy • 34% Liveness
28% Instrumentalness • 26% Positiveness
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Elvis Drew
Not Enough
134 bpm • G Maj • 02:40 • -9.05db
60% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Weeknd
Call Out My Name
134 bpm • C# Maj • 03:48 • -4.95db
86% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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aCATnamedFELIX
Dirty Skies & the Devil's Advice
134 bpm • A min • 03:17 • -12.3db
13% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Two Feet
I Want It
122 bpm • F min • 02:19 • -6.24db
62% Popularity • 58% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 58% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Lewis Del Mar
Malt Liquor
122 bpm • G# Maj • 04:21 • -8.23db
39% Popularity • 70% Danceability • 72% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
39% Popularity • 70% Danceability • 72% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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12AM
Save Me
122 bpm • G Maj • 03:15 • -5db
31% Popularity • 68% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 68% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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OZZIE
Relax
122 bpm • C min • 03:52 • -15db
45% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Ex Habit
Too Late To Love You
122 bpm • G# min • 02:25 • -11.42db
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Billie Eilish
Six Feet Under - Jerry Folk Remix
135 bpm • B min • 03:20 • -12.82db
50% Popularity • 45% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
50% Popularity • 45% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Bishop Briggs
Dead Man's Arms
135 bpm • D min • 04:05 • -6db
43% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Weeknd
Prisoner
135 bpm • C min • 04:34 • -12.76db
66% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tora
Wouldn't Be The Same
121 bpm • F min • 03:42 • -11db
46% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Two Feet
Twisted
135 bpm • B Maj • 03:17 • -11.99db
61% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Gryffin
I Want Love
121 bpm • D Maj • 03:14 • -6.49db
46% Popularity • 59% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
46% Popularity • 59% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Calper
Mind
135 bpm • A# min • 03:45 • -16.04db
23% Popularity • 48% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 48% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Verus
Your Guilty Pleasure
136 bpm • A min • 02:54 • -18.51db
54% Popularity • 53% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 30% Positiveness
54% Popularity • 53% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 30% Positiveness
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SobrinhoCDG
Melancolic - Pacify Her Remix
121 bpm • C Maj • 04:58 • -10db
44% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Chase Atlantic
Swim
120 bpm • G# Maj • 03:48 • -6.43db
84% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
84% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Two Feet
Felt like playing guitar and not singing...
121 bpm • E min • 02:54 • -5.71db
44% Popularity • 78% Danceability • 71% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
44% Popularity • 78% Danceability • 71% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Jack Garratt
Water
136 bpm • C Maj • 03:40 • -8.67db
47% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
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CHAMELEO
Colorblind
120 bpm • G Maj • 03:50 • -7.63db
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Weeknd
Earned It (Fifty Shades Of Grey) - Maria...
120 bpm • D min • 03:12 • -7db
46% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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sobhhï
you need this
136 bpm • A# min • 02:57 • -14.97db
13% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Billie Eilish
bitches broken hearts
120 bpm • C Maj • 02:56 • -10.11db
73% Popularity • 78% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
73% Popularity • 78% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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ORYL
I'm Yours
120 bpm • E min • 02:02 • -11.82db
46% Popularity • 52% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
