Songs like You're a Fucking Bitch Hope You Know That Shit by Atlus
Based on a tempo of (+/- 10%) and a similar genre
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Kidd G
Karma
144 bpm • G Maj • 03:08 • -5db
46% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chase Matthew
Small Town Shit
144 bpm • F min • 02:17 • -4.75db
57% Popularity • 60% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 60% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie And The Getaway
Cut Me Loose
144 bpm • C min • 02:51 • -6.18db
34% Popularity • 56% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 56% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Hayden Coffman
Where's the Whiskey
144 bpm • C# min • 03:12 • -5.03db
52% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Canaan Cox
When It Comes to You
144 bpm • G# Maj • 03:11 • -7db
51% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
I Wrote The Book
144 bpm • D Maj • 03:01 • -3.76db
71% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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David J
Traffic on a Backroad
144 bpm • G Maj • 02:29 • -4.25db
44% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Waters Band
Ain't For Sale
144 bpm • G# min • 03:19 • -8.92db
44% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Drew Green
Woods
144 bpm • F# Maj • 02:29 • -6.49db
43% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Chase Matthew
Raised in the Holler
144 bpm • D min • 03:09 • -6.14db
57% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Cypress Spring
Ride To Live
144 bpm • B min • 03:09 • -6.54db
48% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Atlus
You're a Fucking Bitch Hope You Know Tha...
144 bpm • C# min • 02:43 • -5.68db
68% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
68% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Mike Squires
You're a Fucking Bitch Hope You Know Tha...
144 bpm • C# min • 02:54 • -7db
33% Popularity • 70% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 70% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Williams
Here We Go Again
144 bpm • E min • 02:22 • -4.42db
56% Popularity • 62% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 62% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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LECADE
Gave It Up
145 bpm • D min • 03:23 • -6.06db
52% Popularity • 63% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 63% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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92legend
Cursed
145 bpm • F Maj • 02:12 • -14.01db
32% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rvshvd
Dirt Road
143 bpm • G Maj • 02:45 • -7.6db
48% Popularity • 79% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 79% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
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Atlus
Redo
145 bpm • F# Maj • 02:22 • -3.88db
37% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Louie Thesinger
One Of Those Days
145 bpm • C# Maj • 03:18 • -12.23db
36% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Zach Smith
Drove Me Crazy
145 bpm • F Maj • 02:15 • -6.9db
40% Popularity • 79% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 79% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Gremlin
Say You Love Me
145 bpm • F min • 03:08 • -9.41db
34% Popularity • 68% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 68% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Austin Tolliver
Bad 4 U
146 bpm • A# Maj • 03:19 • -7.85db
41% Popularity • 58% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 58% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Canaan Cox
Out of Nowhere
146 bpm • C Maj • 03:35 • -4db
47% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Mesus
Dictator
146 bpm • A min • 02:47 • -10.5db
42% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Atlus
OH NO!
142 bpm • A Maj • 02:48 • -5.43db
58% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Vwillz
Let Me Down
146 bpm • F# Maj • 02:47 • -9db
43% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
64% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Enkay47
The End
146 bpm • C min • 03:13 • -6.73db
14% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Willy Kay
Memories
142 bpm • G min • 03:12 • -7.12db
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Austin Williams
Wanna Be Saved
142 bpm • C min • 03:08 • -6.93db
52% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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David J
Once
142 bpm • A Maj • 03:05 • -5.6db
38% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Eddie And The Getaway
Overdose
146 bpm • C# Maj • 03:04 • -3.6db
52% Popularity • 50% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Sammy Arriaga
on God.
146 bpm • G Maj • 02:35 • -5.33db
39% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Common Tribe
LAME (remastered)
142 bpm • A Maj • 03:53 • -16.37db
43% Popularity • 75% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 75% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Austin Williams
Love Through Whiskey
146 bpm • F min • 02:50 • -6.31db
37% Popularity • 52% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 52% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Rvshvd
Reverse
142 bpm • A# Maj • 02:53 • -9.83db
44% Popularity • 65% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 65% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Henney Harden
Don't Talk
142 bpm • G# Maj • 02:52 • -4.73db
32% Popularity • 77% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 77% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Atlus
Laura Lee
147 bpm • B min • 02:50 • -5.36db
31% Popularity • 74% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 74% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Jessie Murph
While You're At It
142 bpm • G Maj • 02:07 • -7db
68% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
68% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Chase Matthew
All My Life
147 bpm • C min • 03:20 • -5.31db
47% Popularity • 44% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 44% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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LECADE
Chasing Ghosts
147 bpm • F# Maj • 03:48 • -15.56db
42% Popularity • 68% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 68% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Diplo
Heartbroken - Jessie Version
147 bpm • D Maj • 03:17 • -5.77db
59% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Nu Breed
Little Boy and the Preacher Man
147 bpm • C# Maj • 03:45 • -8.57db
51% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Reddy Redd
Barbie
141 bpm • C# Maj • 02:20 • -7.98db
40% Popularity • 80% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 80% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie And The Getaway
Born With a Broken Heart
147 bpm • D Maj • 03:04 • -4.75db
37% Popularity • 52% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 52% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Matthew
This Side of Town
141 bpm • E min • 03:20 • -5.28db
53% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Yelawolf
You and Me
141 bpm • C# min • 04:02 • -8.53db
65% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
65% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
65% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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GAWNE
Invincible
147 bpm • C Maj • 03:11 • -5.22db
29% Popularity • 69% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 69% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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David Morris
Backroad to Heaven
148 bpm • E min • 03:48 • -7db
52% Popularity • 70% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 70% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Cypress Spring
Heaven's Got a Dirt Road
148 bpm • A Maj • 03:17 • -6.05db
40% Popularity • 60% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Don Louis
Bad Decisions
148 bpm • B min • 02:38 • -5.26db
49% Popularity • 48% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
49% Popularity • 48% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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charlieonnafriday
Colorado Boulder
140 bpm • A min • 02:43 • -6.94db
54% Popularity • 74% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 74% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Wolfe
Wasting My Time
148 bpm • D Maj • 02:56 • -7.88db
46% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Torrian Ball
Want It All
140 bpm • C Maj • 01:36 • -11.18db
47% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Upchurch
Hey Boy, Hey Girl
140 bpm • G# Maj • 03:20 • -11.21db
56% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lakeview
Hits Different
140 bpm • C# Maj • 03:12 • -4.71db
45% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Austin Tolliver
Little Bit Of Me
140 bpm • E Maj • 02:21 • -4.78db
58% Popularity • 72% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 72% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Wolfe
I Thought Wrong
148 bpm • A# min • 03:14 • -4.3db
43% Popularity • 49% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 49% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Alston Webb
Shootout
140 bpm • C Maj • 03:22 • -5db
47% Popularity • 69% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 69% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
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Enkay47
Basement
140 bpm • A Maj • 03:12 • -5.01db
30% Popularity • 76% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 76% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Ray Holbrook
Way Back When
148 bpm • G# Maj • 02:43 • -5.05db
47% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Atlus
My Heart Hurts
140 bpm • A Maj • 03:12 • -6db
50% Popularity • 74% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 74% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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King Blitz
Stings
140 bpm • E min • 03:16 • -15.37db
6% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 74% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Wolfe
Something To Talk About
140 bpm • B Maj • 02:45 • -7.25db
49% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Warren Zeiders
Heartbreaker
148 bpm • F Maj • 03:42 • -5.33db
63% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
63% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Kidd G
Dirt Road
140 bpm • G# Maj • 02:30 • -4.69db
53% Popularity • 72% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 72% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Austin Snell
Get There First
140 bpm • D min • 03:46 • -5.21db
48% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Atlus
HBU?
140 bpm • G Maj • 02:15 • -3.17db
39% Popularity • 65% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 65% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
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Morgan Wallen
Sunrise
140 bpm • D min • 03:02 • -5.06db
73% Popularity • 61% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 61% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Tom MacDonald
Scars
140 bpm • C# Maj • 03:42 • -4db
47% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Hueston
High Heels
140 bpm • C# Maj • 02:44 • -8.48db
46% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Fly Rich Double
Firefly
140 bpm • C Maj • 02:31 • -6db
44% Popularity • 73% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 73% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Kidd G
Dirt Road (Remix)
140 bpm • G# Maj • 02:35 • -3.99db
44% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Atlus
Hero
140 bpm • G Maj • 03:06 • -3.55db
37% Popularity • 62% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 62% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Morgan Wallen
Thinkin’ Bout Me
140 bpm • D# min • 02:57 • -5.78db
86% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
86% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Warren Zeiders
Pain Killer
140 bpm • G min • 02:47 • -4.23db
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Upchurch
Middle of the Night
140 bpm • A# min • 03:37 • -5.4db
48% Popularity • 78% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 78% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Austin Williams
Wrong Truck
140 bpm • F Maj • 02:41 • -4.37db
44% Popularity • 72% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 72% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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GAWNE
Hurt
140 bpm • A Maj • 02:41 • -4.9db
45% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Atlus
Hitting Every Red Light
140 bpm • B min • 03:12 • -3.53db
33% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Eddie And The Getaway
On My Breath
140 bpm • C# Maj • 03:02 • -6.69db
50% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Grow
The Blame
140 bpm • C# Maj • 03:10 • -6.57db
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Katie Noel
Home (NC)
140 bpm • E min • 03:31 • -7.92db
27% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Warren Zeiders
Heavy Pour
139 bpm • G# Maj • 02:27 • -6.04db
54% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Atlus
Amnesia
140 bpm • D Maj • 02:37 • -6.92db
33% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Diggy Graves
Cute Girl
150 bpm • F Maj • 02:11 • -7.07db
59% Popularity • 76% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 76% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie And The Getaway
Poison
150 bpm • A min • 03:30 • -3.74db
41% Popularity • 49% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 49% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Phillip Good
Let me in, my lady
150 bpm • F# min • 02:32 • -10.97db
38% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
