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You're A Mean One Mr. Grinch
Songs like
You're A Mean One Mr. Grinch
by
Aimee Mann
Based on a tempo of (+/- 10%) and a similar genre
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Juliana Hatfield
This Lonely Love
109 bpm • C Maj • 05:12 • -6db
10% Popularity • 55% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Beck
Nobody's Fault But My Own
109 bpm • D min • 05:02 • -10.5db
29% Popularity • 38% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Aimee Mann
Build That Wall
109 bpm • C# min • 04:24 • -10.46db
29% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Kathryn Williams
Flicker - Remastered
108 bpm • C Maj • 03:29 • -15.42db
12% Popularity • 54% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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10,000 Maniacs
These Are Days
108 bpm • D# Maj • 03:39 • -8db
54% Popularity • 61% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Joni Mitchell
Come In From The Cold
108 bpm • C# Maj • 07:30 • -14.77db
34% Popularity • 75% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Jenny Lewis
It Wasn't Me
108 bpm • G Maj • 04:12 • -13.54db
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Calexico
Dead Mans Will
108 bpm • C# Maj • 03:13 • -13.34db
34% Popularity • 59% Danceability • 25% Energy • 12% Liveness
63% Instrumentalness • 58% Positiveness
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Aimee Mann
Patient Zero
108 bpm • A Maj • 03:41 • -9.63db
31% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Nick Drake
Time Has Told Me
110 bpm • C Maj • 04:24 • -14.64db
47% Popularity • 60% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
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10,000 Maniacs
Noah's Dove
110 bpm • A min • 04:30 • -9db
36% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Sharon Van Etten
We Are Fine
108 bpm • C Maj • 03:49 • -9db
38% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Belle and Sebastian
Dress Up in You
108 bpm • C# Maj • 04:23 • -8db
39% Popularity • 68% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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PJ Harvey
A Place Called Home
110 bpm • A min • 03:42 • -5.94db
43% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Edie Brickell & New Bohemians
Ghost Of A Dog
107 bpm • A min • 01:34 • -16.61db
37% Popularity • 54% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Cowboy Junkies
Blue Moon Revisited (Song For Elvis)
111 bpm • C Maj • 04:28 • -22.4db
45% Popularity • 50% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Sinéad O'Connor
You Cause as Much Sorrow
111 bpm • C Maj • 05:02 • -14.1db
36% Popularity • 74% Danceability • 33% Energy • 4% Liveness
1% Instrumentalness • 39% Positiveness
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Rilo Kiley
I Never
111 bpm • A Maj • 04:31 • -3db
33% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Eels
Things the Grandchildren Should Know
111 bpm • C Maj • 05:22 • -11.67db
24% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
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10,000 Maniacs
Verdi Cries
107 bpm • D# Maj • 04:20 • -25.31db
35% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Spain
Our Love Is Gonna Live Forever
107 bpm • G Maj • 05:43 • -14.81db
14% Popularity • 60% Danceability • 19% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Cowboy Junkies
Dreaming My Dreams With You
107 bpm • F Maj • 04:31 • -30.87db
38% Popularity • 57% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
48% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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Indigo Girls
Least Complicated
106 bpm • A Maj • 04:10 • -10db
45% Popularity • 58% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Rilo Kiley
With Arms Outstretched
106 bpm • E Maj • 03:43 • -7db
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Freedy Johnston
Darlin'
106 bpm • A Maj • 03:02 • -7.68db
15% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Thea Gilmore
Pirate Moon
112 bpm • C Maj • 04:20 • -12.16db
10% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Cowboy Junkies
Sun Comes Up, It's Tuesday Morning
106 bpm • E Maj • 03:56 • -13.67db
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
40% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Fiona Apple F/ Jon Brion And The Punch Brothers
So Sleepy
112 bpm • G Maj • 04:13 • -9.55db
32% Popularity • 79% Danceability • 51% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
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Badly Drawn Boy
Four Leaf Clover
112 bpm • C Maj • 04:19 • -7.75db
24% Popularity • 52% Danceability • 43% Energy • 46% Liveness
6% Instrumentalness • 80% Positiveness
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Cowboy Junkies
Bea's Song (River Song Trilogy
112 bpm • C Maj • 03:35 • -14db
38% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kimon Kirk
Baby Who Knows
106 bpm • F# min • 05:00 • -7.5db
2% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jenny Lewis
You Are What You Love
112 bpm • E Maj • 02:54 • -7db
26% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Edie Brickell
Picture Perfect Morning
113 bpm • G Maj • 03:20 • -14.06db
23% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Aimee Mann
Philly Sinks
113 bpm • G Maj • 03:14 • -10.63db
22% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Cowboy Junkies
Angel Mine
113 bpm • C Maj • 04:00 • -14db
44% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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The Weepies
Painting By Chagall
113 bpm • G Maj • 03:57 • -9.25db
35% Popularity • 77% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Punch-Drunk Love
Here We Go
113 bpm • A min • 04:46 • -12.83db
36% Popularity • 60% Danceability • 30% Energy • 9% Liveness
18% Instrumentalness • 31% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
38% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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10,000 Maniacs
Candy Everybody Wants
105 bpm • A# Maj • 03:05 • -6.31db
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
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Grant Lee Buffalo
Honey Don't Think
105 bpm • B Maj • 02:43 • -8.98db
38% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Robyn Hitchcock
The Ghost in You
114 bpm • A Maj • 04:28 • -12.32db
35% Popularity • 70% Danceability • 23% Energy • 34% Liveness
1% Instrumentalness • 25% Positiveness
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Camera Obscura
Tears For Affairs
114 bpm • G Maj • 04:04 • -5.37db
36% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Clem Snide
When We Become
114 bpm • E Maj • 05:17 • -10.82db
15% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Sparklehorse
Wish You Were Here
105 bpm • D Maj • 06:58 • -16db
36% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
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Rilo Kiley
A Better Son/Daughter
114 bpm • E Maj • 04:39 • -10.92db
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
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Nick Cave & The Bad Seeds
Love Letter
114 bpm • D# Maj • 04:08 • -16.14db
41% Popularity • 27% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Belle and Sebastian
I Don't Love Anyone
104 bpm • F# Maj • 03:56 • -9.48db
36% Popularity • 41% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Edie Brickell & New Bohemians
Times Like This
104 bpm • G Maj • 02:56 • -20db
32% Popularity • 64% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Simon
Hearts and Bones
114 bpm • E Maj • 05:39 • -19.06db
43% Popularity • 58% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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Sinéad O'Connor
Three Babies
104 bpm • C Maj • 04:43 • -12.9db
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Tracy Bonham
Something Beautiful
104 bpm • G Maj • 04:17 • -5.06db
22% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Drake
Fly
114 bpm • G# Maj • 02:58 • -18.56db
49% Popularity • 52% Danceability • 23% Energy • 12% Liveness
68% Instrumentalness • 64% Positiveness
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Pete Yorn
Just Another
115 bpm • G# min • 03:14 • -6.98db
36% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Edie Brickell & New Bohemians
Oak Cliff Bra
115 bpm • A min • 01:28 • -16.56db
32% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Jayhawks
Quiet Corners & Empty Spaces
115 bpm • C# min • 03:06 • -6.28db
36% Popularity • 54% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Sinéad O'Connor
Black Boys on Mopeds
104 bpm • E Maj • 03:52 • -15db
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Stina Nordenstam
Little Star
115 bpm • F Maj • 03:39 • -14.07db
36% Popularity • 60% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Aimee Mann
Nothing Is Good Enough - Instrumental
116 bpm • A# Maj • 03:09 • -6.9db
27% Popularity • 56% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Great Lake Swimmers
When It Flows
116 bpm • C Maj • 03:34 • -13.48db
0% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Watson Twins
Just Like Heaven
116 bpm • A Maj • 04:17 • -9.52db
30% Popularity • 46% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Indigo Girls
Galileo
103 bpm • F Maj • 04:12 • -8db
49% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Beck
Turn Away
116 bpm • G Maj • 03:05 • -11.73db
43% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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The Jayhawks
Two Hearts
102 bpm • D Maj • 03:22 • -9.81db
30% Popularity • 73% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Fiona Apple
Never Is a Promise
117 bpm • C Maj • 05:54 • -13.42db
47% Popularity • 33% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
38% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Camera Obscura
Country Mile
102 bpm • A# Maj • 03:59 • -13.94db
33% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The New Pornographers
Go Places
117 bpm • C Maj • 04:32 • -8.02db
29% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Fountains Of Wayne
Hackensack
117 bpm • D# Maj • 03:00 • -10db
44% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Jayhawks
Stumbling Through The Dark
117 bpm • D Maj • 02:24 • -4.26db
31% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Last Town Chorus
Modern Love
117 bpm • C Maj • 04:26 • -10.47db
27% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Rilo Kiley
It's a Hit
117 bpm • C Maj • 04:28 • -5.5db
34% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Camera Obscura
Dory Previn
102 bpm • A Maj • 04:16 • -8.31db
28% Popularity • 43% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Big Star
Thirteen
117 bpm • C min • 02:34 • -14.37db
56% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Basia Bulat
The Shore
117 bpm • C Maj • 04:44 • -9.55db
18% Popularity • 52% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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k.d. lang
Simple
117 bpm • A Maj • 02:43 • -20.23db
14% Popularity • 47% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Beck
Guess I'm Doing Fine
118 bpm • A Maj • 04:49 • -8.45db
42% Popularity • 44% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
50% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Joni Mitchell
A Case of You
101 bpm • C# Maj • 04:23 • -9.9db
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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10,000 Maniacs
Trouble Me
118 bpm • D Maj • 03:13 • -10.06db
49% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Paula Cole
Carmen
101 bpm • B Maj • 03:45 • -17.84db
25% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Edie Brickell & New Bohemians
I Do
118 bpm • G Maj • 02:00 • -20.89db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Yeah Yeah Yeahs
Hysteric - acoustic
118 bpm • C# Maj • 03:51 • -9.81db
27% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Nick Drake
Black Eyed Dog
101 bpm • G Maj • 03:27 • -16db
39% Popularity • 65% Danceability • 18% Energy • 13% Liveness
20% Instrumentalness • 25% Positiveness
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Azure Ray
Displaced
118 bpm • G Maj • 03:41 • -13.93db
4% Popularity • 38% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Andrew Bird
Lull
118 bpm • D Maj • 05:09 • -13.83db
26% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
59% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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She & Him
Please, Please, Please, Let Me Get What ...
100 bpm • C Maj • 02:12 • -10.06db
37% Popularity • 45% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Cowboy Junkies
This Street, That Man, This Life
100 bpm • C Maj • 03:13 • -21db
26% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rilo Kiley
A Man / Me / Then Jim
118 bpm • D Maj • 05:22 • -7.35db
28% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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You're A Mean One Mr. Grinch