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You're A Woman, I'm A Machine
Songs like
You're A Woman, I'm A Machine
by
Death From Above 1979
Based on a tempo of (+/- 10%) and a similar genre
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Battle Tapes
Graveyard Shift
118 bpm • D min • 04:05 • -3.09db
35% Popularity • 42% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cursive
Dorothy at Forty
118 bpm • D min • 03:02 • -5.9db
28% Popularity • 39% Danceability • 87% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Silversun Pickups
Kissing Families
117 bpm • C# min • 04:50 • -7.69db
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
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cleopatrick
bernard trigger
118 bpm • B Maj • 03:29 • -4.12db
41% Popularity • 37% Danceability • 79% Energy • 18% Liveness
8% Instrumentalness • 34% Positiveness
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The Dead Weather
The Difference Between Us
117 bpm • C Maj • 03:37 • -2.04db
35% Popularity • 33% Danceability • 98% Energy • 81% Liveness
0% Instrumentalness • 20% Positiveness
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... Bender
Isolate
119 bpm • C# Maj • 03:46 • -5.03db
39% Popularity • 54% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Queens of the Stone Age
I Sat by the Ocean
117 bpm • G# min • 03:55 • -4db
65% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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'68
Without Any Words (Only Crying and Laugh...
120 bpm • G# Maj • 03:18 • -6.47db
32% Popularity • 48% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 31% Positiveness
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Strange Bones
Snakepit
120 bpm • D Maj • 02:56 • -2.86db
24% Popularity • 38% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Black Rebel Motorcycle Club
Little Thing Gone Wild
120 bpm • C# Maj • 03:18 • -6.45db
34% Popularity • 55% Danceability • 84% Energy • 33% Liveness
57% Instrumentalness • 53% Positiveness
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Them Crooked Vultures
Caligulove
120 bpm • D Maj • 04:55 • -4.27db
45% Popularity • 41% Danceability • 86% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
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The Kills
Impossible Tracks
121 bpm • C# min • 03:41 • -7db
42% Popularity • 69% Danceability • 86% Energy • 37% Liveness
38% Instrumentalness • 48% Positiveness
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The Orwells
They Put a Body in the Bayou
121 bpm • A Maj • 03:08 • -5.09db
37% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Desaparecidos
Mañana
115 bpm • B Maj • 03:24 • -7.22db
34% Popularity • 27% Danceability • 93% Energy • 66% Liveness
59% Instrumentalness • 19% Positiveness
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Future Of The Left
Small Bones Small Bodies
121 bpm • C# min • 02:22 • -4.14db
18% Popularity • 46% Danceability • 89% Energy • 52% Liveness
0% Instrumentalness • 40% Positiveness
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Wavves
Nine Is God
122 bpm • A Maj • 04:57 • -4.69db
47% Popularity • 34% Danceability • 97% Energy • 13% Liveness
67% Instrumentalness • 10% Positiveness
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Desert Sessions
Noses in Roses, Forever
115 bpm • D Maj • 05:33 • -8.72db
36% Popularity • 39% Danceability • 69% Energy • 92% Liveness
8% Instrumentalness • 52% Positiveness
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Heavy Young Heathens
Sha La La La La
122 bpm • G Maj • 03:38 • -2.55db
44% Popularity • 46% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Orwells
Black Francis
121 bpm • E Maj • 02:38 • -4.22db
28% Popularity • 51% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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SOFT PLAY
Cheer Up London
122 bpm • C# Maj • 02:33 • -1.86db
50% Popularity • 63% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Future Of The Left
Throwing Bricks At Trains
122 bpm • F# Maj • 02:36 • -3.85db
18% Popularity • 71% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Dead Weather
Buzzkill(er)
122 bpm • E min • 03:08 • -7.06db
29% Popularity • 58% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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The Von Bondies
She's Dead to Me
122 bpm • G Maj • 01:24 • -2.68db
37% Popularity • 38% Danceability • 92% Energy • 35% Liveness
8% Instrumentalness • 65% Positiveness
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Desert Sessions
Dead In Love
123 bpm • D min • 04:42 • -4.17db
25% Popularity • 20% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 10% Positiveness
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The Raconteurs
Sunday Driver
122 bpm • A Maj • 03:38 • -6.35db
36% Popularity • 44% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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SOFT PLAY
The Hunter
122 bpm • F min • 03:00 • -2.47db
50% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Future Of The Left
The Hope That House Built
123 bpm • B min • 03:41 • -6.37db
16% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Middle Class Rut
Leech
123 bpm • F min • 03:02 • -3.98db
14% Popularity • 38% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Death From Above 1979
Black History Month (Album Version)
113 bpm • G min • 03:48 • -6.8db
26% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Demob Happy
Less Is More
113 bpm • C# Maj • 03:00 • -7db
38% Popularity • 53% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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The Vines
Animal Machine
123 bpm • G# min • 03:28 • -3.44db
23% Popularity • 51% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 58% Positiveness
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Them Crooked Vultures
Gunman
113 bpm • A Maj • 04:45 • -4db
50% Popularity • 35% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
68% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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White Lung
Kiss Me When I Bleed
113 bpm • C# Maj • 02:52 • -4.28db
25% Popularity • 46% Danceability • 98% Energy • 75% Liveness
0% Instrumentalness • 26% Positiveness
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Jack White
Over and Over and Over
124 bpm • E min • 03:36 • -5db
39% Popularity • 56% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Von Bondies
Been Swank
124 bpm • E min • 02:43 • -4.5db
21% Popularity • 52% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
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The Pistolas
Take It with a Kiss
124 bpm • F min • 02:59 • -3.17db
32% Popularity • 73% Danceability • 87% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Them Crooked Vultures
Spinning in Daffodils
113 bpm • G Maj • 07:28 • -5db
43% Popularity • 28% Danceability • 89% Energy • 10% Liveness
57% Instrumentalness • 15% Positiveness
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Royal Blood
I Only Lie When I Love You
124 bpm • B Maj • 02:49 • -4.82db
56% Popularity • 65% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Death From Above 1979
Dead Womb
112 bpm • D Maj • 02:06 • -4.16db
34% Popularity • 51% Danceability • 99% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
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Queens of the Stone Age
If I Had a Tail
112 bpm • B Maj • 04:55 • -6.6db
56% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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cleopatrick
GOOD GRIEF
112 bpm • F# Maj • 02:58 • -5.49db
47% Popularity • 50% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Demob Happy
Dead Dreamers
112 bpm • D min • 03:35 • -5.02db
33% Popularity • 55% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Them Crooked Vultures
Bandoliers
124 bpm • C Maj • 05:42 • -4db
47% Popularity • 38% Danceability • 98% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
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Refused
Elektra
112 bpm • C Maj • 03:11 • -5.22db
37% Popularity • 52% Danceability • 96% Energy • 30% Liveness
10% Instrumentalness • 28% Positiveness
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UNKLE
Restless
112 bpm • G# Maj • 05:04 • -3.15db
19% Popularity • 32% Danceability • 92% Energy • 5% Liveness
23% Instrumentalness • 57% Positiveness
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The White Stripes
Little Cream Soda
125 bpm • F# min • 03:45 • -6.89db
39% Popularity • 36% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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FIDLAR
Cocaine
125 bpm • A Maj • 07:27 • -6.07db
17% Popularity • 36% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Demob Happy
Junk DNA
125 bpm • G# Maj • 04:47 • -6db
26% Popularity • 36% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Vines
Ride
126 bpm • A Maj • 02:36 • -3.07db
41% Popularity • 59% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Them Crooked Vultures
Scumbag Blues
112 bpm • G Maj • 04:25 • -5.12db
52% Popularity • 54% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Wolfmother
Cosmic Egg
110 bpm • A Maj • 04:04 • -4.56db
35% Popularity • 32% Danceability • 90% Energy • 46% Liveness
4% Instrumentalness • 56% Positiveness
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Death From Above 1979
Do It! - Live
110 bpm • G Maj • 02:35 • -3.93db
24% Popularity • 46% Danceability • 100% Energy • 52% Liveness
79% Instrumentalness • 3% Positiveness
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The Dead Weather
Hang You from the Heavens
127 bpm • E min • 03:36 • -7db
36% Popularity • 61% Danceability • 72% Energy • 6% Liveness
9% Instrumentalness • 50% Positiveness
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Frank Carter & The Rattlesnakes
Lullaby
127 bpm • D# min • 03:14 • -6.03db
44% Popularity • 26% Danceability • 85% Energy • 8% Liveness
61% Instrumentalness • 56% Positiveness
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Desert Sessions
In My Head...Or Something
128 bpm • D Maj • 04:39 • -2.27db
30% Popularity • 44% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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All Them Witches
Don't Bring Me Coffee
128 bpm • G# Maj • 03:10 • -5.35db
0% Popularity • 30% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Nine Inch Nails
Less Than
128 bpm • D# Maj • 03:30 • -3.74db
52% Popularity • 52% Danceability • 93% Energy • 20% Liveness
89% Instrumentalness • 24% Positiveness
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The Pale White
That Dress - Demo
128 bpm • C Maj • 03:08 • -4.71db
42% Popularity • 57% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Black Rebel Motorcycle Club
Spread Your Love
128 bpm • D Maj • 03:45 • -3.12db
54% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
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King Tuff
Black Moon Spell
128 bpm • G Maj • 04:53 • -4db
33% Popularity • 20% Danceability • 93% Energy • 12% Liveness
56% Instrumentalness • 15% Positiveness
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Death From Above 1979
If We Don't Make It, We'll Fake It
108 bpm • E min • 02:01 • -12.47db
16% Popularity • 21% Danceability • 84% Energy • 50% Liveness
74% Instrumentalness • 50% Positiveness
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Silversun Pickups
Cannibal
129 bpm • C# Maj • 03:44 • -7db
38% Popularity • 62% Danceability • 86% Energy • 11% Liveness
41% Instrumentalness • 39% Positiveness
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Royal Blood
Figure It Out
108 bpm • C Maj • 03:03 • -4.63db
67% Popularity • 66% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
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IDLES
Colossus
129 bpm • C Maj • 05:39 • -5.9db
51% Popularity • 34% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Faint
Birth
129 bpm • E min • 03:19 • -6.86db
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Desert Sessions
Crawl Home
129 bpm • C Maj • 03:00 • -5.07db
33% Popularity • 46% Danceability • 92% Energy • 20% Liveness
5% Instrumentalness • 28% Positiveness
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Demob Happy
Mother Machine
129 bpm • F# Maj • 03:36 • -9db
32% Popularity • 30% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Death From Above 1979
If We Don't Make It We'll Fake It
108 bpm • D Maj • 02:36 • -3.7db
25% Popularity • 25% Danceability • 98% Energy • 38% Liveness
80% Instrumentalness • 38% Positiveness
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Royal Blood
Come on Over
108 bpm • G Maj • 02:53 • -5.13db
54% Popularity • 50% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Psychedelic Porn Crumpets
Mundungus
108 bpm • F min • 02:44 • -6db
25% Popularity • 50% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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And So I Watch You from Afar
Big Thinks Do Remarkable
130 bpm • D Maj • 03:51 • -5.38db
33% Popularity • 36% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 20% Positiveness
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We Are Scientists
Ghouls
130 bpm • F Maj • 02:57 • -7db
26% Popularity • 36% Danceability • 77% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Queens of the Stone Age
First It Giveth
107 bpm • F# Maj • 03:18 • -4.02db
57% Popularity • 46% Danceability • 96% Energy • 25% Liveness
11% Instrumentalness • 36% Positiveness
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Death From Above 1979
My Love Is Shared
108 bpm • E min • 01:51 • -4.12db
29% Popularity • 46% Danceability • 99% Energy • 21% Liveness
62% Instrumentalness • 25% Positiveness
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'68
Whether Terrified or Unafraid
107 bpm • C# Maj • 03:01 • -5db
35% Popularity • 50% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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cleopatrick
THE DRAKE
130 bpm • F# Maj • 03:25 • -6.85db
42% Popularity • 38% Danceability • 87% Energy • 94% Liveness
85% Instrumentalness • 30% Positiveness
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Does It Offend You, Yeah?
With A Heavy Heart (I Regret To Inform Y...
130 bpm • G# Maj • 04:04 • -2.92db
25% Popularity • 65% Danceability • 93% Energy • 4% Liveness
1% Instrumentalness • 29% Positiveness
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Kid Kapichi
Thugs
130 bpm • G Maj • 02:48 • -4.06db
36% Popularity • 54% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Wolfmother
White Unicorn
107 bpm • C Maj • 05:01 • -4.99db
37% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Death From Above 1979
Too Much Love
107 bpm • G Maj • 01:48 • -3.5db
25% Popularity • 42% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Pretty Vicious
Black And Blue
131 bpm • G min • 03:25 • -4db
29% Popularity • 38% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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The Faint
The Geeks Were Right
131 bpm • F min • 02:56 • -6.26db
39% Popularity • 74% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Plague Vendor
Snakeskin Boots
131 bpm • D Maj • 03:03 • -6.45db
18% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jack White
Sixteen Saltines
132 bpm • B min • 02:35 • -7.88db
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Refused
New Noise
106 bpm • A Maj • 05:12 • -8.16db
49% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Death From Above 1979
Outrage! Is Now
130 bpm • G Maj • 03:32 • -5.96db
27% Popularity • 53% Danceability • 66% Energy • 55% Liveness
1% Instrumentalness • 18% Positiveness
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The Vines
TV Pro
132 bpm • A min • 03:47 • -5.2db
21% Popularity • 29% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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The Dead Weather
Die by the Drop
106 bpm • D Maj • 03:29 • -2.89db
33% Popularity • 45% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Plague Vendor
All Of The Above
132 bpm • B min • 03:03 • -5.35db
15% Popularity • 66% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Louis XIV
God Killed the Queen
132 bpm • C# Maj • 01:57 • -4.92db
37% Popularity • 70% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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The Faint
Paranoiattack
132 bpm • E Maj • 04:16 • -8.98db
27% Popularity • 80% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
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Death From Above 1979
Free Animal
130 bpm • C min • 02:51 • -6.03db
34% Popularity • 49% Danceability • 84% Energy • 21% Liveness
25% Instrumentalness • 36% Positiveness
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The Vines
Metal Zone
132 bpm • G min • 02:24 • -5.01db
50% Popularity • 51% Danceability • 88% Energy • 19% Liveness
27% Instrumentalness • 28% Positiveness
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Witchrider
Black
105 bpm • A# min • 06:47 • -7db
34% Popularity • 44% Danceability • 87% Energy • 19% Liveness
34% Instrumentalness • 21% Positiveness
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The Kills
Fried My Little Brains
105 bpm • C# min • 02:08 • -4.76db
38% Popularity • 62% Danceability • 98% Energy • 68% Liveness
63% Instrumentalness • 40% Positiveness
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Tom Vek
One Horse Race
132 bpm • B min • 04:12 • -2.82db
22% Popularity • 72% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Black Rebel Motorcycle Club
Berlin
132 bpm • C Maj • 03:10 • -2.32db
36% Popularity • 56% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Death From Above 1979
Freeze Me
130 bpm • C Maj • 03:18 • -5.91db
53% Popularity • 51% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Them Crooked Vultures
Reptiles
105 bpm • D Maj • 04:15 • -2.47db
45% Popularity • 50% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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You're A Woman, I'm A Machine