Songs like You're Still on My Mind by The Rocky Road Ramblers
Based on a tempo of (+/- 10%) and a similar genre
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A Contra Blues
A Hole in My Pocket
107 bpm • F# min • 03:16 • -5.05db
12% Popularity • 58% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 58% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Constance Clemens
My Name
107 bpm • A Maj • 03:25 • -10.68db
26% Popularity • 39% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 39% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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LenneBrothers Band
She's a Reb
107 bpm • C Maj • 02:31 • -5.67db
19% Popularity • 67% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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The Rocky Road Ramblers
You're Still on My Mind
107 bpm • G Maj • 02:53 • -7.16db
0% Popularity • 62% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 62% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Arthur Butler
No Containment
107 bpm • F# Maj • 04:04 • -8.53db
17% Popularity • 53% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 53% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Small Town Pimps
ballroom baby
107 bpm • C Maj • 02:06 • -3.96db
9% Popularity • 63% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 63% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Darcy O'Neil
Come On
108 bpm • D Maj • 02:59 • -11.19db
21% Popularity • 58% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 58% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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The Wild Black Jets
Twenty Flight Rock
106 bpm • E min • 02:20 • -5.28db
12% Popularity • 69% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 69% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Blues etcetera
Nobody Leaves This Life Alive
108 bpm • E min • 03:17 • -7.38db
12% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Jets
James Dean
108 bpm • G# Maj • 02:04 • -8.42db
12% Popularity • 51% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 51% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Frantic Rockers
Rumors
106 bpm • F# Maj • 02:34 • -6.56db
9% Popularity • 60% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
9% Popularity • 60% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
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The Desperados
Forbidden Love
108 bpm • D Maj • 01:46 • -2.79db
24% Popularity • 68% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 68% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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King Drapes
I Will Stay
106 bpm • D min • 01:35 • -12.02db
13% Popularity • 70% Danceability • 59% Energy • 33% Liveness
12% Instrumentalness • 95% Positiveness
13% Popularity • 70% Danceability • 59% Energy • 33% Liveness
12% Instrumentalness • 95% Positiveness
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Henry Stella
Broken Heart Dream
108 bpm • C Maj • 04:46 • -10.39db
16% Popularity • 55% Danceability • 73% Energy • 10% Liveness
23% Instrumentalness • 64% Positiveness
16% Popularity • 55% Danceability • 73% Energy • 10% Liveness
23% Instrumentalness • 64% Positiveness
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Hellbilly Club
Swining With the Devil
106 bpm • G Maj • 02:11 • -2.31db
14% Popularity • 58% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 58% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Alexander Haggai
What Can Love Do
108 bpm • G Maj • 03:19 • -15.85db
21% Popularity • 54% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Eddie Lee Groves
Folsom Prision Blues
106 bpm • C# min • 02:32 • -11.9db
13% Popularity • 72% Danceability • 68% Energy • 32% Liveness
41% Instrumentalness • 58% Positiveness
13% Popularity • 72% Danceability • 68% Energy • 32% Liveness
41% Instrumentalness • 58% Positiveness
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The Desperados
I'm Going Insane
106 bpm • A Maj • 02:28 • -2.99db
20% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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The Baseballs
Umbrella - New Version
106 bpm • D# Maj • 03:06 • -3.12db
32% Popularity • 58% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 58% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Captain Thomas Project
Get a Life! (Regards from Memphis)
106 bpm • E Maj • 03:34 • -8.23db
18% Popularity • 70% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Include Response
Bustling Cheek
106 bpm • B Maj • 02:45 • -8.37db
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Relate Fishing
Maintain
106 bpm • B Maj • 02:45 • -8.37db
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Messed Up Trio
Drowning
108 bpm • E min • 02:55 • -6.43db
18% Popularity • 53% Danceability • 95% Energy • 8% Liveness
2% Instrumentalness • 78% Positiveness
18% Popularity • 53% Danceability • 95% Energy • 8% Liveness
2% Instrumentalness • 78% Positiveness
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The Desperados
Evil Ways
106 bpm • B min • 02:08 • -3.03db
22% Popularity • 68% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Rocky Road Ramblers
Honkytonk Gal / Tennessee / Movie Magg
108 bpm • E Maj • 03:59 • -6.83db
0% Popularity • 72% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 72% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Barrelhouse Chuck & Kim Wilson's Blues All-Stars
Thirty Days
109 bpm • F min • 02:40 • -7.2db
16% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Jets
Crazy Baby
106 bpm • C# min • 01:53 • -6.86db
10% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Leopold Benson
What Did I Do To Let You Go
105 bpm • E min • 03:45 • -10.68db
28% Popularity • 62% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 62% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Los Mambo Jambo
Roadrace
105 bpm • G Maj • 02:53 • -6.38db
10% Popularity • 62% Danceability • 82% Energy • 13% Liveness
93% Instrumentalness • 42% Positiveness
10% Popularity • 62% Danceability • 82% Energy • 13% Liveness
93% Instrumentalness • 42% Positiveness
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The Desperados
Feeling No Pain
106 bpm • G min • 03:11 • -8.44db
15% Popularity • 57% Danceability • 85% Energy • 23% Liveness
9% Instrumentalness • 87% Positiveness
15% Popularity • 57% Danceability • 85% Energy • 23% Liveness
9% Instrumentalness • 87% Positiveness
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TOINI & RIO BRAVO
Happiness
109 bpm • C Maj • 03:04 • -8.35db
14% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Woodrow Amelia
The Spider Is On My Bed
109 bpm • D Maj • 02:51 • -11.47db
28% Popularity • 63% Danceability • 74% Energy • 28% Liveness
18% Instrumentalness • 63% Positiveness
28% Popularity • 63% Danceability • 74% Energy • 28% Liveness
18% Instrumentalness • 63% Positiveness
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The Rocky Road Ramblers
Blue Moon of Kentucky
109 bpm • E Maj • 02:49 • -5.45db
0% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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John Wildcat
Bärs och brännvin
105 bpm • D Maj • 02:41 • -3.59db
17% Popularity • 54% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 54% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Greg Overman
Gold House
105 bpm • C Maj • 03:26 • -14.17db
22% Popularity • 49% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 49% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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The Desperados
Gave Her My Heart(Now I Want It Back)
105 bpm • B Maj • 02:21 • -4.06db
17% Popularity • 56% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Morgan Luna
Wildcat Rockabilly
105 bpm • D Maj • 01:23 • -10.77db
16% Popularity • 60% Danceability • 93% Energy • 7% Liveness
79% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 93% Energy • 7% Liveness
79% Instrumentalness • 92% Positiveness
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Rebel Ted Rock
Juke Joint Johnny
105 bpm • C Maj • 02:16 • -7.41db
11% Popularity • 49% Danceability • 88% Energy • 7% Liveness
28% Instrumentalness • 87% Positiveness
11% Popularity • 49% Danceability • 88% Energy • 7% Liveness
28% Instrumentalness • 87% Positiveness
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Messed Up Trio
DID MY TIME
105 bpm • C Maj • 02:39 • -3.9db
17% Popularity • 62% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 85% Positiveness
17% Popularity • 62% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 85% Positiveness
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Grackles
Barn Burner
104 bpm • B min • 03:03 • -4.07db
10% Popularity • 39% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 39% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Omar Hodgson
Direct Forward
104 bpm • F Maj • 03:17 • -15.74db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Pine Hill Haints
Svengoolia
104 bpm • B min • 02:09 • -10.78db
13% Popularity • 39% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 39% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
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La Perra Blanco
Trying to Quit You
110 bpm • G min • 02:41 • -6db
15% Popularity • 60% Danceability • 87% Energy • 23% Liveness
31% Instrumentalness • 96% Positiveness
15% Popularity • 60% Danceability • 87% Energy • 23% Liveness
31% Instrumentalness • 96% Positiveness
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The Rocky Road Ramblers
Hey Porter
110 bpm • F Maj • 02:40 • -7.25db
0% Popularity • 76% Danceability • 78% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
0% Popularity • 76% Danceability • 78% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
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Pin Realistic
Trap Perspective
104 bpm • D Maj • 02:43 • -8db
17% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Acústicos & Valvulados
Kickin' It All
110 bpm • G# Maj • 02:25 • -9.05db
10% Popularity • 72% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 72% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Harri Caine
So Long to Walk
110 bpm • F# min • 03:30 • -12.88db
15% Popularity • 78% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 78% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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William T.
Rock'n'Roll and Sex
110 bpm • A Maj • 02:17 • -7.3db
9% Popularity • 69% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 69% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Mantlepiece
Took the Moon Away
110 bpm • A Maj • 02:46 • -6.48db
20% Popularity • 73% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 73% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Desperados
Dame Tu Amor
104 bpm • E Maj • 02:46 • -2.93db
15% Popularity • 56% Danceability • 99% Energy • 59% Liveness
59% Instrumentalness • 82% Positiveness
15% Popularity • 56% Danceability • 99% Energy • 59% Liveness
59% Instrumentalness • 82% Positiveness
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Constance Clemens
Distance
104 bpm • B Maj • 04:20 • -12.37db
26% Popularity • 41% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 41% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Roger Belizaire
Take Care
110 bpm • G Maj • 02:41 • -6.04db
25% Popularity • 56% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 73% Positiveness
25% Popularity • 56% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 73% Positiveness
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Dynamite Dudes
Fat bottom girls
111 bpm • G Maj • 03:39 • -6.88db
11% Popularity • 56% Danceability • 65% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
11% Popularity • 56% Danceability • 65% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
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The Rocky Road Ramblers
Night Train to Memphis
111 bpm • E Maj • 02:50 • -4.48db
0% Popularity • 61% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 61% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Greg Overman
The Evil Johnny
103 bpm • G Maj • 02:57 • -13.16db
22% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Desperados
My Heart Burns
103 bpm • C Maj • 02:21 • -4.77db
15% Popularity • 66% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 66% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Deke Dickerson and the Whippersnappers
Now That You're Gone
111 bpm • C Maj • 02:05 • -6.83db
10% Popularity • 71% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Foggy Mountain Rockers
Are You Still Crazy
103 bpm • A Maj • 02:12 • -6.96db
12% Popularity • 72% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 72% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Beerbellys
Breakin' The Rules
103 bpm • E Maj • 02:32 • -5.79db
13% Popularity • 66% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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The Rocky Road Ramblers
The out-Takes
111 bpm • A Maj • 05:34 • -15.72db
0% Popularity • 59% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 59% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
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Hank Sundown & The Roaring Cascades
Teddy Boy Juvenile
103 bpm • F# min • 02:06 • -7.26db
8% Popularity • 58% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 58% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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The Desperados
Go Your Way(And I'll Go Mine)
103 bpm • A Maj • 02:45 • -2.19db
19% Popularity • 62% Danceability • 95% Energy • 31% Liveness
3% Instrumentalness • 94% Positiveness
19% Popularity • 62% Danceability • 95% Energy • 31% Liveness
3% Instrumentalness • 94% Positiveness
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Eddie & thee Scorpions
Moving On
103 bpm • G# Maj • 02:29 • -6.23db
19% Popularity • 83% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
19% Popularity • 83% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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The Flattrakkers
Demolition Derby
103 bpm • D Maj • 03:54 • -8db
11% Popularity • 55% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 25% Positiveness
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The Goose Bumps
Bad Guys
112 bpm • A Maj • 02:33 • -5.38db
12% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Spunyboys
How Low Can You Feel
102 bpm • G min • 02:42 • -5.16db
22% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Kyle Eldridge
Why Did You Bother Me at All?
112 bpm • G Maj • 02:07 • -4.7db
13% Popularity • 91% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 91% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Matchbox
Settin' The Woods On Fire
102 bpm • A Maj • 02:31 • -9.95db
10% Popularity • 62% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 62% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
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The Rocky Road Ramblers
Nashville Rash
113 bpm • C Maj • 02:42 • -5.8db
0% Popularity • 67% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 67% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Bill Fadden
My Car's (Faster Than Your Car)
102 bpm • D Maj • 01:46 • -11.85db
13% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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LenneBrothers Band
Women, Booze and Rock 'n' Roll
101 bpm • E min • 02:49 • -5.91db
17% Popularity • 63% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 63% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Tomi Leino Trio
Elaine
113 bpm • D Maj • 03:29 • -3.62db
10% Popularity • 72% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 72% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Raucous Red Roosters
Hey Joe
113 bpm • D Maj • 04:24 • -6.45db
10% Popularity • 46% Danceability • 99% Energy • 8% Liveness
53% Instrumentalness • 19% Positiveness
10% Popularity • 46% Danceability • 99% Energy • 8% Liveness
53% Instrumentalness • 19% Positiveness
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Paolo Mizzau & the Doctor Love Band
Mirror Eyes
113 bpm • G Maj • 03:05 • -8.66db
2% Popularity • 80% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 80% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Rocky Road Ramblers
My Baby Left Me
113 bpm • D Maj • 02:44 • -6.15db
0% Popularity • 72% Danceability • 89% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
0% Popularity • 72% Danceability • 89% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Spunyboys
Honey Hides The Bottle
113 bpm • D Maj • 02:18 • -5.68db
20% Popularity • 78% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 78% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Pat Capocci
Burning the Candle
101 bpm • G min • 02:30 • -8.72db
17% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
17% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Affect Left
Argue
101 bpm • E Maj • 03:06 • -8db
17% Popularity • 56% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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The Rhythm Torpedoes
What I Need
114 bpm • D Maj • 02:06 • -7.03db
12% Popularity • 58% Danceability • 90% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
12% Popularity • 58% Danceability • 90% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
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Bob Margolin
The Door Was Open
114 bpm • G Maj • 03:12 • -7.38db
4% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Constance Clemens
Magic Eight Ball
114 bpm • G Maj • 04:35 • -11.9db
26% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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John Wildcat
Peter Jezewski (Sveriges King of Rock n ...
114 bpm • G Maj • 02:39 • -5.27db
8% Popularity • 58% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 58% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 91% Positiveness
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Alexander Haggai
Give Me A Chance
101 bpm • F Maj • 02:08 • -13.1db
21% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Ernest Thackeray
The Folsom Prison Blues
114 bpm • B Maj • 03:10 • -15.03db
5% Popularity • 51% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 51% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
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Sasquatch and the Sick-A-Billys
Mean, Mean Man
114 bpm • C Maj • 02:41 • -9.35db
16% Popularity • 64% Danceability • 81% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
16% Popularity • 64% Danceability • 81% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
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Pat Capocci
Teenage Baby
100 bpm • A Maj • 02:11 • -8.29db
23% Popularity • 80% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 80% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Framix
An Endless Night
114 bpm • E min • 03:03 • -6.27db
16% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Marcel Bontempi
Young Souls
114 bpm • G# Maj • 03:05 • -6.65db
10% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Beerbellys
J. Skull
100 bpm • A Maj • 02:08 • -4.88db
8% Popularity • 63% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 63% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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The Swamp Shakers
Cool It
100 bpm • D Maj • 03:00 • -6.77db
7% Popularity • 64% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
7% Popularity • 64% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Sasquatch and the Sick-A-Billys
My Dark Side
114 bpm • E Maj • 02:39 • -6.98db
13% Popularity • 63% Danceability • 94% Energy • 30% Liveness
1% Instrumentalness • 60% Positiveness
13% Popularity • 63% Danceability • 94% Energy • 30% Liveness
1% Instrumentalness • 60% Positiveness
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John Lindberg Trio
Wishbone
100 bpm • A Maj • 03:03 • -4.73db
11% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Campi
Play It Cool
114 bpm • A min • 02:06 • -15.52db
7% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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The Desperados
Why Did You Make Me Mad
100 bpm • G Maj • 02:22 • -2.82db
12% Popularity • 79% Danceability • 89% Energy • 32% Liveness
14% Instrumentalness • 95% Positiveness
12% Popularity • 79% Danceability • 89% Energy • 32% Liveness
14% Instrumentalness • 95% Positiveness
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The Rocky Road Ramblers
You Win Again
114 bpm • C Maj • 03:10 • -7.79db
1% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Woodrow Amelia
She Is A Viper
100 bpm • C Maj • 01:32 • -10.38db
28% Popularity • 50% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
28% Popularity • 50% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Change Rebel
Noxious
115 bpm • F# min • 03:35 • -11.51db
17% Popularity • 68% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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Mutter Poet
On My Way
115 bpm • F# min • 03:35 • -11.51db
17% Popularity • 68% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
