Songs like You're the One by Sharon Cuneta
Based on a tempo of (+/- 10%) and a similar genre
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Sheryn Regis
Sinungaling Mong Puso
142 bpm • F Maj • 04:08 • -5.24db
41% Popularity • 48% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 48% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Ric Segreto
Loving You
142 bpm • D Maj • 04:06 • -17db
56% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Castelo
Ibig Kong Ibigin Ka
142 bpm • A Maj • 03:31 • -12db
32% Popularity • 26% Danceability • 45% Energy • 27% Liveness
65% Instrumentalness • 19% Positiveness
32% Popularity • 26% Danceability • 45% Energy • 27% Liveness
65% Instrumentalness • 19% Positiveness
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Martin Nievera
Ikaw Ang Lahat Sa Akin
142 bpm • E Maj • 04:53 • -8db
47% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sharon Cuneta
Bituing Walang Ningning
142 bpm • F# Maj • 04:24 • -10db
43% Popularity • 31% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 31% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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APRIL BOYS
Honey My Love - So Sweet
142 bpm • D Maj • 03:29 • -15db
59% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Michael v
Sinaktan Mo Ang Puso Ko
142 bpm • A# Maj • 06:00 • -10.75db
22% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hajji Alejandro
Nakapagtataka
142 bpm • A# Maj • 04:47 • -7db
46% Popularity • 36% Danceability • 56% Energy • 20% Liveness
1% Instrumentalness • 30% Positiveness
46% Popularity • 36% Danceability • 56% Energy • 20% Liveness
1% Instrumentalness • 30% Positiveness
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Hotdog
Bongga Ka Day
142 bpm • C# Maj • 03:37 • -7db
42% Popularity • 66% Danceability • 77% Energy • 12% Liveness
73% Instrumentalness • 60% Positiveness
42% Popularity • 66% Danceability • 77% Energy • 12% Liveness
73% Instrumentalness • 60% Positiveness
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Orient Pearl
Pagsubok
141 bpm • C# Maj • 03:31 • -15.11db
56% Popularity • 41% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 41% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sharon Cuneta
Pangarap Na Bituin
142 bpm • F min • 03:46 • -12.92db
31% Popularity • 32% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 32% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Sheryn Regis
Ang Pag-Ibig Kong Ito
143 bpm • A# Maj • 03:53 • -6.53db
30% Popularity • 40% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 40% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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J Brothers
Promise Me
141 bpm • A min • 04:03 • -8.48db
37% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Sampaguita
Laguna
141 bpm • E Maj • 05:24 • -11db
43% Popularity • 41% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 41% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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APRIL BOYS
Tunay Na Pag-Ibig
141 bpm • A Maj • 04:57 • -14.48db
49% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Lilet
Tulak Ng Bibig, Kabig Ng Dibdib
143 bpm • C# Maj • 04:08 • -15db
28% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sharon Cuneta
Mahal Mo Pa Ba Ako
142 bpm • A Maj • 03:08 • -8.88db
24% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Anthony Castelo
Dakilang Lahi
140 bpm • A# Maj • 05:57 • -15.3db
14% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sheryn Regis
Now That I Have You
143 bpm • B Maj • 04:25 • -9.5db
41% Popularity • 24% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 24% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sampaguita
Bonggahan
143 bpm • C Maj • 03:43 • -13db
46% Popularity • 57% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 89% Positiveness
46% Popularity • 57% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 89% Positiveness
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Martin Nievera
Be My Lady
140 bpm • A# Maj • 03:40 • -6db
51% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Manilyn Reynes
Somewhere Along the Way
140 bpm • E Maj • 04:24 • -8.15db
20% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sharon Cuneta
Hagkan
141 bpm • D Maj • 03:21 • -10.51db
23% Popularity • 31% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 31% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Odette Quesada
Maybe It's You
140 bpm • F# Maj • 04:28 • -14.78db
22% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Rockstar 2
Ika'y Mahal Pa Rin
140 bpm • D# Maj • 05:01 • -12db
59% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Side A
Got 2 Believe in Magic - Version 1
140 bpm • A# Maj • 03:56 • -9.41db
52% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Louie Heredia
Nag-Iisang Ikaw
144 bpm • A# Maj • 03:57 • -12db
47% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Bryan Termulo
Kung Kailngan Mo Ako
140 bpm • C Maj • 04:45 • -8.33db
16% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Sharon Cuneta
Kahit Wala Ka Na
140 bpm • G Maj • 03:43 • -11.72db
25% Popularity • 44% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 44% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Tootsie Guevara
Pasulyap-Sulyap
140 bpm • C Maj • 03:53 • -16.07db
52% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jovit Baldivino
Honey, My Love - So Sweet
140 bpm • D Maj • 03:28 • -5.06db
37% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Ogie Alcasid
Mahal Kita Walang Iba
144 bpm • B Maj • 04:52 • -9.93db
36% Popularity • 35% Danceability • 31% Energy • 47% Liveness
6% Instrumentalness • 13% Positiveness
36% Popularity • 35% Danceability • 31% Energy • 47% Liveness
6% Instrumentalness • 13% Positiveness
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J Brothers
Pag-Ibig Na Kaya
140 bpm • C Maj • 03:43 • -9.84db
29% Popularity • 56% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jude Michael
Mula Sa Puso
140 bpm • E Maj • 04:48 • -13db
41% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Sharon Cuneta
Parang Baliw
140 bpm • F Maj • 04:56 • -12.53db
11% Popularity • 57% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 57% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Jennylyn Mercado
Basta't Nandito Ka - Theme from "Return ...
144 bpm • F Maj • 04:01 • -6.08db
30% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Smokey Mountain
Paraiso
144 bpm • G# Maj • 05:16 • -12db
34% Popularity • 33% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 33% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Side A
Nais ko
140 bpm • G Maj • 04:55 • -12db
51% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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VST & Company
Ipagpatawad Mo
144 bpm • F# min • 03:32 • -13.18db
59% Popularity • 39% Danceability • 40% Energy • 23% Liveness
4% Instrumentalness • 47% Positiveness
59% Popularity • 39% Danceability • 40% Energy • 23% Liveness
4% Instrumentalness • 47% Positiveness
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Sampaguita
Nosi Balasi
140 bpm • A min • 04:23 • -10.38db
44% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Nonoy Zuniga
Fragments Of Forever
140 bpm • C# Maj • 04:54 • -8.75db
25% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rachel Alejandro
Kay Tagal
144 bpm • C Maj • 03:32 • -13db
43% Popularity • 57% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
43% Popularity • 57% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Sharon Cuneta
High School
144 bpm • C min • 03:48 • -16db
37% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Liezel Garcia
Huwag Ka Lang Mawawala - Theme From "Wal...
140 bpm • A min • 04:12 • -8.72db
36% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Singsing
Oh Babe
140 bpm • B min • 03:33 • -11.69db
42% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jose Mari Chan
Constant Change
140 bpm • C Maj • 02:45 • -20db
42% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Randy Santiago
Para Sa'yo
145 bpm • C Maj • 04:00 • -13db
32% Popularity • 46% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 46% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Tito Mina
Ikaw Pa Rin
145 bpm • D Maj • 02:47 • -14db
46% Popularity • 59% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
46% Popularity • 59% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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VST & Company
Habang Buhay Kitang Mamahalin
145 bpm • A min • 03:06 • -13.5db
42% Popularity • 40% Danceability • 29% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
42% Popularity • 40% Danceability • 29% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
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Side A
Tuloy Pa Rin Ako
139 bpm • G Maj • 04:12 • -14.45db
45% Popularity • 65% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 76% Positiveness
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Father & Sons
Miss Na Miss Kita
145 bpm • C Maj • 04:16 • -7.78db
47% Popularity • 40% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 40% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ariel Rivera
Softly Saying Sorry
145 bpm • B Maj • 03:39 • -7db
31% Popularity • 37% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 37% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Sharon Cuneta
Pangako
145 bpm • F# Maj • 04:31 • -14.94db
23% Popularity • 22% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Hotdog
Pers Lab
139 bpm • G Maj • 02:38 • -6.73db
27% Popularity • 41% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 41% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Rodel Naval
Isang Lahi
139 bpm • B Maj • 04:10 • -8.21db
26% Popularity • 35% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 35% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Jonalyn Viray
It Might Be You
139 bpm • A Maj • 05:10 • -12db
36% Popularity • 33% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 33% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Ella May Saison
Magkasuyo Buong Gabi
145 bpm • A# Maj • 03:15 • -8db
41% Popularity • 56% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 56% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Yoyoy Villame
Hayop Na Combo
139 bpm • D# Maj • 02:16 • -10.3db
43% Popularity • 73% Danceability • 58% Energy • 21% Liveness
78% Instrumentalness • 89% Positiveness
43% Popularity • 73% Danceability • 58% Energy • 21% Liveness
78% Instrumentalness • 89% Positiveness
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Men Oppose
Sabihin Mong Lagi
145 bpm • D Maj • 03:51 • -14.29db
48% Popularity • 42% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 42% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Ariel Rivera
Ngayon At Kailanman
145 bpm • D# Maj • 05:20 • -13.3db
32% Popularity • 26% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 26% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nonoy Zuniga
Live for Love
139 bpm • C# Maj • 03:07 • -10.8db
34% Popularity • 31% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
34% Popularity • 31% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Jonalyn Viray
Close to Where You Are
139 bpm • D Maj • 03:30 • -10db
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Louie Heredia
Can Find No Reason
146 bpm • A Maj • 03:13 • -13db
44% Popularity • 44% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 44% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Sharon Cuneta
Now That You're Gone
139 bpm • F Maj • 04:15 • -13.4db
29% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Hotdog
Ikaw Pa Rin
138 bpm • B Maj • 03:08 • -7.21db
26% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Ariel Rivera
Sana Kahit Minsan
146 bpm • B Maj • 04:11 • -6.84db
52% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Wency Cornejo
Kung Sakali
146 bpm • G Maj • 04:12 • -8db
39% Popularity • 50% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 50% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Jennylyn Mercado
Kahit Sandali
146 bpm • G Maj • 04:45 • -9.05db
46% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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David Pomeranz
If You Walked Away
138 bpm • F# Maj • 04:11 • -8db
51% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sharon Cuneta
Mahal Kita, Mahal Mo Siya, Mahal Niya Ay...
138 bpm • C Maj • 04:15 • -15.03db
27% Popularity • 34% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 34% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Dulce
Paano
138 bpm • C min • 03:47 • -8.71db
34% Popularity • 38% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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J. Brothers Band
Miss Kita (Kuwento)
138 bpm • C Maj • 04:33 • -8.54db
37% Popularity • 53% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 53% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sheryn Regis
Maybe
138 bpm • G Maj • 03:36 • -10.57db
26% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Florante
Sana
138 bpm • E Maj • 03:58 • -18.2db
26% Popularity • 38% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 53% Positiveness
26% Popularity • 38% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 53% Positiveness
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Karylle
Leaving Yesterday Behind
138 bpm • E Maj • 03:50 • -5.4db
35% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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J Brothers
Wait For Me
138 bpm • C Maj • 03:40 • -9.83db
45% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Gino Padilla
I Believe in You
146 bpm • C# Maj • 04:22 • -14db
40% Popularity • 45% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 45% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Singsing
Usapan (Dialogo)
146 bpm • G Maj • 03:59 • -12.6db
37% Popularity • 49% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 49% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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Didith Reyes
Araw-Araw, Gabi-Gabi
146 bpm • A# Maj • 03:03 • -8db
37% Popularity • 27% Danceability • 51% Energy • 17% Liveness
2% Instrumentalness • 10% Positiveness
37% Popularity • 27% Danceability • 51% Energy • 17% Liveness
2% Instrumentalness • 10% Positiveness
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Rodel Naval
MULI
138 bpm • C Maj • 03:46 • -9db
56% Popularity • 51% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 51% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Pabs Dadivas
Kung Sakali
138 bpm • A Maj • 04:10 • -6db
29% Popularity • 32% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 32% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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APRIL BOYS
Tunay Na Pag-Ibig - Mega Medley
137 bpm • A Maj • 06:36 • -9.46db
37% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Gino Padilla
Let the Love Begin
138 bpm • C# Maj • 04:46 • -13db
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Kris Lawrence
Kung Malaya Lang Ako
137 bpm • C Maj • 03:56 • -7.17db
50% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Anthony Castelo
Balatkayo
147 bpm • F Maj • 03:17 • -13db
42% Popularity • 23% Danceability • 42% Energy • 58% Liveness
75% Instrumentalness • 32% Positiveness
42% Popularity • 23% Danceability • 42% Energy • 58% Liveness
75% Instrumentalness • 32% Positiveness
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Ric Segreto
Kahit Konting Pagtingin
137 bpm • D min • 02:40 • -12db
51% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Sharon Cuneta
Kailangan Kita
137 bpm • G Maj • 03:58 • -11.71db
17% Popularity • 32% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 32% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Rodel Naval
Magkasuyo Buong Gabi
147 bpm • A# Maj • 04:04 • -15db
37% Popularity • 53% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Gino Padilla
Now That I Have You
137 bpm • F Maj • 04:28 • -10.35db
45% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Smokey Mountain
Better World
147 bpm • E Maj • 03:36 • -16db
22% Popularity • 29% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 29% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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David Pomeranz
Got to Believe in Magic
147 bpm • A# Maj • 04:08 • -7db
60% Popularity • 48% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 48% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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VST & Company
Mabuti Pa Nung Bata
147 bpm • D Maj • 04:24 • -14db
35% Popularity • 41% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
35% Popularity • 41% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Sharon Cuneta
What If We Fall in Love
137 bpm • E Maj • 03:32 • -11.1db
14% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Sheryn Regis
Sayang Na Sayang
148 bpm • G# Maj • 03:52 • -7.33db
22% Popularity • 54% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Ric Segreto
Sana Ay Malaman Mo
136 bpm • A Maj • 05:37 • -14.07db
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Raymond Lauchengco
Saan Darating Ang Umaga
136 bpm • C Maj • 03:26 • -13db
43% Popularity • 26% Danceability • 37% Energy • 21% Liveness
2% Instrumentalness • 10% Positiveness
43% Popularity • 26% Danceability • 37% Energy • 21% Liveness
2% Instrumentalness • 10% Positiveness
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Louie Heredia
Una At Huling Mamahalin
148 bpm • F# Maj • 04:54 • -11db
45% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ariel Rivera
Tunay Na Ligaya
136 bpm • A# Maj • 03:57 • -8.5db
42% Popularity • 39% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
