Songs like You're What This Day Is All About by Archie Shepp
Based on a tempo of (+/- 10%) and a similar genre
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Stan Kenton
Thermopolae
105 bpm • E min • 02:56 • -6.8db
7% Popularity • 22% Danceability • 56% Energy • 18% Liveness
52% Instrumentalness • 29% Positiveness
7% Popularity • 22% Danceability • 56% Energy • 18% Liveness
52% Instrumentalness • 29% Positiveness
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Damu The Fudgemunk
Professor Shepp's Agenda 4
105 bpm • B Maj • 01:50 • -14.09db
13% Popularity • 49% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
13% Popularity • 49% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Tchangodei
Regards
105 bpm • D min • 10:01 • -18.32db
2% Popularity • 42% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 30% Positiveness
2% Popularity • 42% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 30% Positiveness
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Archie Shepp
You're What This Day Is All About
105 bpm • G min • 01:48 • -15.31db
18% Popularity • 57% Danceability • 23% Energy • 32% Liveness
12% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 23% Energy • 32% Liveness
12% Instrumentalness • 45% Positiveness
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Charlie Haden
We Shall Overcome
105 bpm • C Maj • 01:19 • -11.79db
10% Popularity • 29% Danceability • 14% Energy • 28% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 29% Danceability • 14% Energy • 28% Liveness
90% Instrumentalness • 20% Positiveness
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Cecil Taylor
Azure
106 bpm • A# Maj • 07:28 • -11.21db
18% Popularity • 59% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
18% Popularity • 59% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
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Pat Metheny
Midwestern Nights Dream
106 bpm • D Maj • 06:06 • -23db
36% Popularity • 41% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
36% Popularity • 41% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Damu The Fudgemunk
Tulips
106 bpm • F# Maj • 05:34 • -9db
38% Popularity • 44% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 44% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Ralph Towner
Piscean Dance
106 bpm • A# min • 04:11 • -15db
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Art Blakey & The Jazz Messengers
Sleeping Dancer Sleep On
104 bpm • C min • 08:06 • -14db
25% Popularity • 50% Danceability • 16% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 16% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Pete La Roca
The Dancing Girl
104 bpm • F min • 06:11 • -14.44db
11% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
11% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
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Gary Burton Quartet
Olhos De Gato
104 bpm • D min • 05:42 • -16.45db
8% Popularity • 36% Danceability • 24% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
8% Popularity • 36% Danceability • 24% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
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Abbey Lincoln
Golden Lady
104 bpm • C Maj • 09:35 • -16.24db
1% Popularity • 47% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 47% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Damu The Fudgemunk
Professor Shepp's Agenda 7
104 bpm • C# min • 04:56 • -9.67db
5% Popularity • 36% Danceability • 64% Energy • 15% Liveness
5% Instrumentalness • 39% Positiveness
5% Popularity • 36% Danceability • 64% Energy • 15% Liveness
5% Instrumentalness • 39% Positiveness
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Roland Kirk Quartet
From Bechet, Byas, And Fats
103 bpm • F min • 06:28 • -16.96db
13% Popularity • 42% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Chico Hamilton
Thoughts
107 bpm • B min • 09:20 • -14.5db
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Lee Morgan
Mr. Kenyatta - Remastered 2000/Rudy Van ...
103 bpm • F min • 08:43 • -9.56db
23% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Kenny Dorham
El Matador
107 bpm • G min • 06:32 • -14.58db
11% Popularity • 52% Danceability • 38% Energy • 7% Liveness
66% Instrumentalness • 53% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 7% Liveness
66% Instrumentalness • 53% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Andrew Hill
Alfred - Remastered 2003 / Rudy Van Geld...
103 bpm • C# Maj • 07:04 • -19.26db
9% Popularity • 42% Danceability • 13% Energy • 13% Liveness
71% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 13% Energy • 13% Liveness
71% Instrumentalness • 14% Positiveness
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Sun Ra & His Arkestra
Sleeping Beauty - a.k.a. Black Beauty
107 bpm • C# Maj • 11:49 • -10.32db
23% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
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Michael White
The Land Of Spirit And Light (Part 2)
103 bpm • A Maj • 03:21 • -13.27db
15% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
15% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Bengt Berger
Chetu
102 bpm • G# min • 03:20 • -15.37db
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
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Andrew Hill
Dedication - Rudy Van Gelder Edition/199...
103 bpm • C# Maj • 06:45 • -14.56db
13% Popularity • 40% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
13% Popularity • 40% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
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Damu The Fudgemunk
Sugar Coat It
102 bpm • B Maj • 08:53 • -7.67db
6% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Kenny Dorham
Afrodisia - Remastered/Rudy Van Gelder E...
108 bpm • F Maj • 05:06 • -7.13db
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
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The Gil Evans Orchestra
Sunken Treasure
102 bpm • C# Maj • 04:17 • -16.03db
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Herbie Hancock
Rain Dance
102 bpm • A# min • 09:15 • -14db
27% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
27% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Clifford Jordan Quartet
Glass Bead Games
102 bpm • G min • 04:36 • -13.32db
11% Popularity • 39% Danceability • 42% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
11% Popularity • 39% Danceability • 42% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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Jackie McLean
Toyland - Remastered 2006/Rudy Van Gelde...
102 bpm • F min • 05:21 • -12db
10% Popularity • 40% Danceability • 11% Energy • 41% Liveness
14% Instrumentalness • 14% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 41% Liveness
14% Instrumentalness • 14% Positiveness
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Sam Rivers
Cyclic Episode
108 bpm • D Maj • 06:56 • -14.94db
19% Popularity • 46% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 46% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Giger's Family Of Percussion
Mistral
108 bpm • F Maj • 03:33 • -15.36db
1% Popularity • 55% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
1% Popularity • 55% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
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Ralph Towner
Sand
102 bpm • C Maj • 04:08 • -14.87db
11% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
11% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Matana Roberts
Amma Jerusalem School
109 bpm • A# Maj • 04:10 • -12.05db
13% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Abbey Lincoln
Throw It Away
101 bpm • C min • 06:39 • -14.63db
3% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Henderson
Black Is The Color (Of My True Love's Mi...
109 bpm • C min • 07:01 • -13.49db
7% Popularity • 37% Danceability • 26% Energy • 22% Liveness
55% Instrumentalness • 20% Positiveness
7% Popularity • 37% Danceability • 26% Energy • 22% Liveness
55% Instrumentalness • 20% Positiveness
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Jimmy Giuffre
The Green Country (New England Mood)
101 bpm • F# min • 03:03 • -28.26db
23% Popularity • 32% Danceability • 0% Energy • 12% Liveness
62% Instrumentalness • 21% Positiveness
23% Popularity • 32% Danceability • 0% Energy • 12% Liveness
62% Instrumentalness • 21% Positiveness
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Steve Lacy
Evidence
109 bpm • G# Maj • 04:59 • -18.74db
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Burton Quartet
B & G (Midwestern Nights Dream)
109 bpm • B min • 08:22 • -22.93db
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Don Cherry
Art Deco
109 bpm • F Maj • 02:52 • -16.95db
21% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
21% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
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Anthony Braxton
You Stepped Out of a Dream
101 bpm • C Maj • 07:11 • -13.94db
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
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Charlie Haden
The Interlude (Drinking Music)
109 bpm • D# Maj • 01:25 • -11.45db
10% Popularity • 46% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 61% Positiveness
10% Popularity • 46% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 61% Positiveness
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Archie Shepp
Blues For 52nd Street
101 bpm • D# Maj • 05:25 • -10.44db
2% Popularity • 54% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
2% Popularity • 54% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
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Mal Waldron
Cat Walk
110 bpm • D min • 06:56 • -25.42db
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Don Cherry
Karmapa Chenno
101 bpm • G# min • 07:12 • -7.23db
14% Popularity • 49% Danceability • 83% Energy • 10% Liveness
39% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 83% Energy • 10% Liveness
39% Instrumentalness • 96% Positiveness
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Roy Haynes Quartet
Raoul
110 bpm • D min • 06:01 • -12.34db
14% Popularity • 42% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 42% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
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Damu The Fudgemunk
Tulips
110 bpm • F# Maj • 06:03 • -8.41db
10% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Sun Ra Arkestra
The World Of Africa - mixed
100 bpm • C Maj • 02:53 • -12.51db
17% Popularity • 72% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Andrew Hill
Siete Ocho - Remastered 2003 / Rudy Van ...
110 bpm • F min • 08:58 • -10.43db
17% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
17% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
10% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
10% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Don Cherry
Mahakali
100 bpm • E min • 09:48 • -8.28db
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
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Archie Shepp
Sorry 'Bout That
110 bpm • C# Maj • 10:09 • -11.38db
9% Popularity • 45% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 64% Positiveness
9% Popularity • 45% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 64% Positiveness
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The Gil Evans Orchestra
Bilbao Song
110 bpm • F Maj • 04:11 • -19.85db
14% Popularity • 31% Danceability • 17% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
14% Popularity • 31% Danceability • 17% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
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Damu The Fudgemunk
Searching Souls
110 bpm • B min • 07:58 • -7.32db
4% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Giger's Family Of Percussion
Slow Motion
110 bpm • C min • 02:41 • -16.63db
5% Popularity • 82% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 72% Positiveness
5% Popularity • 82% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 72% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Chico Hamilton Quintet
El Toro
100 bpm • G# Maj • 04:38 • -13.54db
24% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
24% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Archie Shepp
Ain't Misbehavin' - Bonus Track
111 bpm • D# Maj • 03:12 • -16.15db
6% Popularity • 60% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 60% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Elvin Jones
Agappe Love
111 bpm • A min • 05:55 • -25.49db
7% Popularity • 40% Danceability • 12% Energy • 32% Liveness
62% Instrumentalness • 32% Positiveness
7% Popularity • 40% Danceability • 12% Energy • 32% Liveness
62% Instrumentalness • 32% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Peter Giger's Family Of Percussion
Morning Sundance
111 bpm • A# min • 05:47 • -19.21db
4% Popularity • 62% Danceability • 52% Energy • 17% Liveness
2% Instrumentalness • 72% Positiveness
4% Popularity • 62% Danceability • 52% Energy • 17% Liveness
2% Instrumentalness • 72% Positiveness
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Damu The Fudgemunk
Professor Shepp's Agenda 1
111 bpm • B min • 01:25 • -18.25db
10% Popularity • 57% Danceability • 31% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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The Gil Evans Orchestra
Stratusphunk
112 bpm • F min • 08:03 • -13.77db
13% Popularity • 56% Danceability • 33% Energy • 40% Liveness
1% Instrumentalness • 20% Positiveness
13% Popularity • 56% Danceability • 33% Energy • 40% Liveness
1% Instrumentalness • 20% Positiveness
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Archie Shepp
Dr. King, The Peaceful Warrior
111 bpm • G# Maj • 02:29 • -30db
32% Popularity • 36% Danceability • 1% Energy • 19% Liveness
62% Instrumentalness • 10% Positiveness
32% Popularity • 36% Danceability • 1% Energy • 19% Liveness
62% Instrumentalness • 10% Positiveness
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Albert Ayler
Holy Family
99 bpm • F Maj • 02:12 • -18.42db
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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Joe Henderson
Afro-Centric
112 bpm • F min • 07:04 • -12.51db
26% Popularity • 51% Danceability • 58% Energy • 10% Liveness
27% Instrumentalness • 62% Positiveness
26% Popularity • 51% Danceability • 58% Energy • 10% Liveness
27% Instrumentalness • 62% Positiveness
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Herbie Hancock
Ostinato - Suite for Angela
99 bpm • A# min • 13:09 • -15.77db
20% Popularity • 47% Danceability • 61% Energy • 12% Liveness
71% Instrumentalness • 91% Positiveness
20% Popularity • 47% Danceability • 61% Energy • 12% Liveness
71% Instrumentalness • 91% Positiveness
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Damu The Fudgemunk
Professor Shepp's Agenda 3
112 bpm • F# Maj • 01:37 • -15.2db
31% Popularity • 76% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
31% Popularity • 76% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Pete La Roca
Eiderdown - Remastered 2004
98 bpm • D min • 04:28 • -12.1db
11% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Don Cherry
Initiation (Demo)
112 bpm • B min • 02:54 • -20.75db
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
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Elvin Jones
Here's That Rainy Day
98 bpm • A# Maj • 07:02 • -13.38db
11% Popularity • 39% Danceability • 21% Energy • 36% Liveness
43% Instrumentalness • 25% Positiveness
11% Popularity • 39% Danceability • 21% Energy • 36% Liveness
43% Instrumentalness • 25% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Takeo Moriyama
East Plants
112 bpm • G min • 10:22 • -12.91db
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
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Ahmed Abdul-Malik
African Bossa Nova - Instrumental
98 bpm • A# min • 05:57 • -13.84db
23% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Herbie Hancock
Mimosa
98 bpm • F min • 08:38 • -17db
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Archie Shepp
O. C.
112 bpm • C# Maj • 06:34 • -11.22db
0% Popularity • 45% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 45% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 60% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Peter Giger's Family Of Percussion
Trans Tanz
98 bpm • C min • 05:33 • -10.48db
2% Popularity • 33% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
2% Popularity • 33% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
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Grant Green
Jean De Fleur - Rudy Van Gelder Edition ...
112 bpm • C# min • 06:49 • -10db
32% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Clifford Jordan Quartet
John Coltrane
112 bpm • E min • 06:48 • -15.51db
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
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Keith Jarrett
Common Mama
98 bpm • D Maj • 08:11 • -9.82db
13% Popularity • 56% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
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Raw Poetic
Anthem
98 bpm • C Maj • 07:30 • -10.68db
3% Popularity • 55% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 55% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 10% Positiveness
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Weather Report
American Tango
98 bpm • A Maj • 03:39 • -11.57db
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
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Gary Bartz
Nommo- The Majick Song
98 bpm • F Maj • 04:16 • -17.7db
12% Popularity • 49% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 49% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Leon Thomas
One
113 bpm • G Maj • 03:09 • -13.34db
11% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
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Bill Evans Trio
Jade Visions - Take 2 / Live At The Vill...
98 bpm • D min • 03:46 • -28.29db
26% Popularity • 43% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Bley Trio
Ida Lupino
113 bpm • G# Maj • 02:57 • -28.64db
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
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Vince Guaraldi
Misirlou
98 bpm • G Maj • 04:29 • -15.75db
21% Popularity • 38% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
21% Popularity • 38% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Damu The Fudgemunk
Professor Shepp's Agenda 2
97 bpm • A# min • 02:28 • -17.35db
9% Popularity • 53% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 53% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lonnie Liston Smith
Astral Traveling
113 bpm • F Maj • 05:30 • -11db
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
