Songs like You've Got That Thing by Bobby Short
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Short
You've Got That Thing
151 bpm • A# Maj • 03:23 • -16db
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Boilermaker Jazz Band
Sunday
151 bpm • C Maj • 03:37 • -7.92db
21% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Julia Lee And Her Boyfriends
I'm Forever Blowing Bubbles
150 bpm • C# Maj • 02:50 • -10.43db
18% Popularity • 76% Danceability • 24% Energy • 4% Liveness
1% Instrumentalness • 84% Positiveness
18% Popularity • 76% Danceability • 24% Energy • 4% Liveness
1% Instrumentalness • 84% Positiveness
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Mabel Mercer
From This Moment On
152 bpm • F min • 05:08 • -11.6db
2% Popularity • 51% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
2% Popularity • 51% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Short
Flying Down to Rio
151 bpm • G min • 04:00 • -15.59db
2% Popularity • 50% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 50% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Susannah McCorkle
Says My Heart
153 bpm • F Maj • 01:54 • -10db
21% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Boilermaker Jazz Band
It's De-Lovely
153 bpm • E min • 04:04 • -6.7db
20% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Julia Lee And Her Boyfriends
King Size Papa
149 bpm • G# Maj • 02:40 • -12db
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
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Duke Heitger & His Swing Band
Watch Out
148 bpm • F Maj • 02:33 • -10db
22% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Girls from Mars
Stompin' At The Savoy
148 bpm • C# Maj • 03:42 • -7.52db
18% Popularity • 57% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 57% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
24% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
27% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Brooks Prumo Orchestra
Swing, Brother, Swing
147 bpm • A min • 02:47 • -8.19db
25% Popularity • 56% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Bill Elliott Swing Orchestra
When We Dance
155 bpm • C# Maj • 03:10 • -7.87db
25% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Behia Jazz Band
Blue Swing
147 bpm • G Maj • 04:41 • -15db
19% Popularity • 56% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 56% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
22% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
22% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Brooks Prumo Orchestra
What's Your Name?
147 bpm • G min • 03:50 • -7.52db
23% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Shirley Horn
I Just Found Out About Love
147 bpm • C Maj • 02:25 • -15.51db
16% Popularity • 51% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 51% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Short
I Hate You, Darling
146 bpm • C Maj • 03:08 • -19.88db
4% Popularity • 56% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 56% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Barbara Morrison
I Am Beginning to See the Light
146 bpm • D# Maj • 02:13 • -19.43db
22% Popularity • 55% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
22% Popularity • 55% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Jimmie Lunceford
Life Is Fine
146 bpm • G min • 02:43 • -9db
22% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Gordon Webster
Blitzkrieg Baby (You Can't Bomb Me)
156 bpm • A# Maj • 02:57 • -7.26db
25% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Shine
145 bpm • D Maj • 02:50 • -10.51db
14% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Earl Hines
Jelly Roll
157 bpm • G# Maj • 02:51 • -9.04db
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmie Lunceford
Le jazz hot
146 bpm • G Maj • 02:42 • -8.65db
23% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
23% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
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Brooks Prumo Orchestra
Pass The Bounce
144 bpm • G Maj • 03:16 • -7.42db
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Short
The Best Is yet to Come
158 bpm • A# min • 03:46 • -12.72db
0% Popularity • 51% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 51% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Connor
All About Ronnie
144 bpm • G min • 03:00 • -12.4db
39% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lucky Millinder
Apollo Jump
143 bpm • D min • 03:27 • -4db
3% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
3% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Twenty Four Robbers
144 bpm • D# Maj • 03:07 • -11.45db
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Annie Ross
Gipsy in My Soul
143 bpm • G# Maj • 02:38 • -12db
13% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Short
Sand in My Shoes
144 bpm • C Maj • 01:41 • -9.83db
9% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Big 18
Hors D'oeuvre
143 bpm • D# Maj • 04:40 • -18.27db
8% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
8% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
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Catherine Russell
I'm Shooting High
143 bpm • C# Maj • 02:31 • -9.15db
24% Popularity • 75% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 75% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Honey Pie
143 bpm • G# Maj • 04:10 • -9db
25% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Morgana King
Body And Soul
142 bpm • F min • 04:05 • -18.75db
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Glenn Crytzer
You Don't Say
142 bpm • G# Maj • 03:51 • -16db
15% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Bill Elliott Swing Orchestra
At the Coconut
160 bpm • F Maj • 02:16 • -9.1db
23% Popularity • 59% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 59% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Perry Como
In the Still of the Night
142 bpm • E Maj • 02:45 • -15.83db
21% Popularity • 25% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 25% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Mabel Mercer
Just One of Those Things
142 bpm • G# Maj • 02:51 • -14.65db
0% Popularity • 69% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 69% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Hoagy Carmichael
Lazy River
142 bpm • C min • 02:48 • -11.44db
25% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
19% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart
142 bpm • G Maj • 03:41 • -11.14db
45% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Short
Bewitched
142 bpm • C Maj • 03:27 • -20.67db
2% Popularity • 46% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 46% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
19% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
19% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Jimmie Lunceford
Margie
142 bpm • B min • 03:06 • -8.17db
15% Popularity • 70% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 70% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Naomi & Her Handsome Devils
Pennies from Heaven
141 bpm • C min • 03:51 • -12db
23% Popularity • 72% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 72% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Shirley Bassey
If I Were a Bell
141 bpm • G# Maj • 02:54 • -10db
34% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Short
Heebie Jeebies
162 bpm • A min • 02:43 • -8.56db
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Boilermaker Jazz Band
No Regrets
162 bpm • G# Maj • 03:43 • -9.3db
21% Popularity • 56% Danceability • 44% Energy • 12% Liveness
5% Instrumentalness • 78% Positiveness
21% Popularity • 56% Danceability • 44% Energy • 12% Liveness
5% Instrumentalness • 78% Positiveness
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Sue Raney
Here's That Rainy Day
140 bpm • C Maj • 04:14 • -14.96db
8% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Lorez Alexandria
I've Never Been In Love Before
140 bpm • G# Maj • 02:18 • -16db
47% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Wingy Manone
Sister Kate
163 bpm • A# Maj • 02:48 • -8.36db
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Annie Ross
'tain't What You Do
140 bpm • A# Maj • 02:46 • -13.49db
13% Popularity • 67% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 67% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Bobby Short
Picture Me Without You
139 bpm • G min • 02:29 • -18.47db
3% Popularity • 49% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 49% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Gordon Webster
How D'ya Like to Love Me?
138 bpm • D# Maj • 02:40 • -8.85db
21% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Naomi & Her Handsome Devils
This Can't Be Love
164 bpm • G# Maj • 03:28 • -8.77db
20% Popularity • 58% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 58% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Slim Gaillard
Thunderbird
165 bpm • C Maj • 02:07 • -16.35db
28% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Lorez Alexandria
I'm Through With Love
165 bpm • A# Maj • 05:25 • -17.64db
37% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
37% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Bobby Short
That Society Bear
164 bpm • F Maj • 02:29 • -9.39db
5% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Everyone's Wrong But Me
138 bpm • A# Maj • 03:04 • -10.4db
10% Popularity • 70% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 70% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Maxine Sullivan
Betsy: Blue Skies
138 bpm • G Maj • 03:02 • -18.46db
31% Popularity • 62% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Mabel Mercer
Ours
138 bpm • F Maj • 02:49 • -12db
18% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Naomi & Her Handsome Devils
Is You Is or Is You Ain't My Baby
137 bpm • A min • 04:03 • -8.04db
25% Popularity • 73% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Troup
Snootie Little Curtie
166 bpm • G# Maj • 02:12 • -11.28db
24% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Short
I Can't Get Started
138 bpm • E min • 02:30 • -13.17db
0% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
26% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Ann Hampton Callaway
Let's Fall In Love
137 bpm • G# Maj • 02:46 • -13.81db
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Brooks Prumo Orchestra
Nothing To Do But Hang With You
137 bpm • D# Maj • 03:18 • -7.68db
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
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Sidney Bechet
Blues My Naughty Sweetie Gives To Me
136 bpm • G min • 05:43 • -9.46db
39% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 82% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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George Gershwin, Buddy Clark & Dinah Shore
Wonderful
136 bpm • A# Maj • 02:37 • -11db
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
24% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
24% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Bobby Short
So Near And Yet So Far
136 bpm • C Maj • 04:03 • -14.61db
0% Popularity • 61% Danceability • 21% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 61% Danceability • 21% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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Behia Jazz Band
Conversation Blues
135 bpm • C# Maj • 03:54 • -13.69db
19% Popularity • 60% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 60% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
