Songs like Yumeji's Theme by Shigeru Umebayashi - A cappella by Shigeru Umebayashi
Based on a tempo of (+/- 10%) and a similar genre
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Shigeru Umebayashi
Main Theme Of Shoujyo (An Adolescent)
128 bpm • A# Maj • 02:44 • -15.05db
12% Popularity • 38% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Lino Cannavacciuolo
Partenza
128 bpm • A min • 04:49 • -9.32db
29% Popularity • 32% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 32% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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John Playford
The English Dancing Master: An Italian R...
128 bpm • D# min • 01:42 • -20db
27% Popularity • 70% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Max Richter
Path 3 (7676) - Pt. 2
129 bpm • D min • 01:22 • -24db
45% Popularity • 17% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
45% Popularity • 17% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Karl Jenkins
Cantata Memoria: Lament for the Valley
127 bpm • D min • 04:38 • -14.6db
24% Popularity • 26% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
24% Popularity • 26% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
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Nicola Piovani
La vita è bella
129 bpm • D Maj • 01:23 • -27db
49% Popularity • 24% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
49% Popularity • 24% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Shigeru Umebayashi
Yumeji's Theme by Shigeru Umebayashi - A...
128 bpm • F min • 02:32 • -16.73db
37% Popularity • 48% Danceability • 11% Energy • 12% Liveness
5% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 11% Energy • 12% Liveness
5% Instrumentalness • 22% Positiveness
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Jean-Philippe Viret
Les barricades mystérieuses
129 bpm • A# Maj • 05:31 • -22.42db
12% Popularity • 53% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
12% Popularity • 53% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Rosemary Standley
Oh My Love
129 bpm • G Maj • 02:58 • -19.91db
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 46% Positiveness
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 46% Positiveness
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London Soundtrack Band
Yumeji's Theme
129 bpm • G# Maj • 02:28 • -15db
31% Popularity • 52% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 45% Positiveness
31% Popularity • 52% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 45% Positiveness
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Jóhann Jóhannsson
Camping
129 bpm • A min • 01:18 • -20db
67% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
67% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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梅林茂
「それから」メイン・テーマ
127 bpm • B min • 03:04 • -16db
15% Popularity • 42% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
15% Popularity • 42% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
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Shigeru Umebayashi
A Variation On Scotty Tails Madeline
127 bpm • C min • 01:52 • -12.75db
31% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
31% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
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Vassilis Tsabropoulos
Melos
130 bpm • G min • 05:23 • -21db
24% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
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Elliot Goldenthal
Solo tu
126 bpm • C min • 01:22 • -19db
38% Popularity • 51% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
38% Popularity • 51% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
46% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
46% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Mercuzio Pianist
La noyée - Amelie soundtrack
130 bpm • G Maj • 02:10 • -21.79db
50% Popularity • 57% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
50% Popularity • 57% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Johann Sebastian Bach
Minim
130 bpm • C min • 02:30 • -17db
31% Popularity • 49% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
31% Popularity • 49% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Shigeru Umebayashi
Trishna's Waltz 3
130 bpm • E min • 02:49 • -17db
25% Popularity • 43% Danceability • 17% Energy • 14% Liveness
58% Instrumentalness • 35% Positiveness
25% Popularity • 43% Danceability • 17% Energy • 14% Liveness
58% Instrumentalness • 35% Positiveness
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Max Richter
Path 3 (7676) - Pt. 4
126 bpm • D min • 03:12 • -26.47db
42% Popularity • 17% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
42% Popularity • 17% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Christophe Julien
Le temps d'une vie
130 bpm • D min • 01:03 • -19db
35% Popularity • 62% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
35% Popularity • 62% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Laurent Dury
Pizzicatism
126 bpm • E min • 01:42 • -12.85db
42% Popularity • 77% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
42% Popularity • 77% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
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Savina Yannatou
O Tahydromos Pethane
130 bpm • G min • 04:07 • -9.99db
25% Popularity • 35% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 35% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Abel Korzeniowski
Satin Birds
130 bpm • C min • 04:29 • -19db
39% Popularity • 42% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
39% Popularity • 42% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
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Shigeru Umebayashi
Trishna's Waltz
130 bpm • E min • 02:32 • -18.8db
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Come Ye Sons of A...
126 bpm • G min • 03:57 • -16.07db
29% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
29% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
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Dom La Nena
Last Day
126 bpm • D min • 02:23 • -13.38db
33% Popularity • 35% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 27% Positiveness
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Laurent Dury
Pointillism - Alternate Version 2
130 bpm • F Maj • 01:04 • -12.74db
47% Popularity • 59% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
47% Popularity • 59% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Arto Tunçboyacıyan
April 24
131 bpm • B Maj • 02:55 • -15.86db
33% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Elliot Goldenthal
Self-portrait With Hair Down
125 bpm • G min • 01:09 • -19.37db
38% Popularity • 47% Danceability • 11% Energy • 30% Liveness
50% Instrumentalness • 17% Positiveness
38% Popularity • 47% Danceability • 11% Energy • 30% Liveness
50% Instrumentalness • 17% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
50% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
50% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Julie Cooper
VANISHING
131 bpm • G min • 02:28 • -18.54db
19% Popularity • 54% Danceability • 11% Energy • 15% Liveness
58% Instrumentalness • 21% Positiveness
19% Popularity • 54% Danceability • 11% Energy • 15% Liveness
58% Instrumentalness • 21% Positiveness
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Laurent Dury
Cat's Whiskers
126 bpm • A# Maj • 02:04 • -14.05db
32% Popularity • 51% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 54% Positiveness
32% Popularity • 51% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 54% Positiveness
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Mohammadreza Aligholi
Towards Destiny
131 bpm • A min • 02:04 • -13db
33% Popularity • 32% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
33% Popularity • 32% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Shigeru Umebayashi
In the Mood for Love
131 bpm • C min • 03:58 • -16.72db
16% Popularity • 27% Danceability • 9% Energy • 9% Liveness
47% Instrumentalness • 29% Positiveness
16% Popularity • 27% Danceability • 9% Energy • 9% Liveness
47% Instrumentalness • 29% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Christophe Julien
Le jeu
132 bpm • A min • 04:12 • -12.04db
28% Popularity • 54% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 54% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Max Richter
Path 5 (delta)
132 bpm • D min • 11:14 • -24.67db
41% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Laurent Dury
Sinuosity
126 bpm • G# Maj • 01:32 • -11db
41% Popularity • 77% Danceability • 23% Energy • 17% Liveness
26% Instrumentalness • 46% Positiveness
41% Popularity • 77% Danceability • 23% Energy • 17% Liveness
26% Instrumentalness • 46% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
The Eastern Han Dynasty
132 bpm • G# min • 03:14 • -10db
7% Popularity • 21% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
7% Popularity • 21% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Joaquín Rodrigo
Adela
132 bpm • B min • 05:38 • -24.66db
34% Popularity • 31% Danceability • 3% Energy • 8% Liveness
14% Instrumentalness • 6% Positiveness
34% Popularity • 31% Danceability • 3% Energy • 8% Liveness
14% Instrumentalness • 6% Positiveness
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Renaud Garcia-Fons
Los Secretos
124 bpm • A min • 02:21 • -10.94db
37% Popularity • 30% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 30% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Max Richter
The Days Go By
132 bpm • C min • 02:43 • -23db
32% Popularity • 94% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
32% Popularity • 94% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
46% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
46% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Stevie Wishart
O Virtus Sapientie Alio Modo
124 bpm • D min • 02:15 • -16.32db
36% Popularity • 59% Danceability • 27% Energy • 8% Liveness
73% Instrumentalness • 52% Positiveness
36% Popularity • 59% Danceability • 27% Energy • 8% Liveness
73% Instrumentalness • 52% Positiveness
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Shigeru Umebayashi
Cities In Love
124 bpm • C min • 05:03 • -15.44db
9% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Brice Davoli
Petit Trianon
124 bpm • G min • 01:30 • -13.48db
46% Popularity • 60% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
46% Popularity • 60% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Oskar Schuster
Vleurgat
132 bpm • C min • 02:05 • -21db
56% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
56% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Christina Pluhar
Pluhar: Orfeo Chamán, Prologue: La selv...
132 bpm • D min • 02:21 • -18.07db
27% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Marin Marais
Sonnerie de Ste. Geneviève du Mont-de-P...
124 bpm • G# min • 07:52 • -15.87db
35% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
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Yann Tiersen
Dispute
133 bpm • C min • 04:14 • -18.1db
53% Popularity • 47% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
53% Popularity • 47% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
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Shigeru Umebayashi
George's Waltz
133 bpm • D min • 01:39 • -15.28db
44% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nemanja Radulović
Takeda Lullaby
123 bpm • D min • 02:51 • -25db
15% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Erik Satie
Gnossiennes: 1. Lent
133 bpm • F min • 03:22 • -35.49db
34% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
34% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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David Orlowsky
Ada
134 bpm • G min • 02:50 • -22.25db
33% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
33% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
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Khaled Mouzanar
Tango el Caramel
122 bpm • C# min • 02:25 • -10.47db
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Shigeru Umebayashi
Yumeji's Theme
123 bpm • F min • 02:44 • -25db
26% Popularity • 38% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 38% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lino Cannavacciuolo
Tanos
134 bpm • D Maj • 04:38 • -8.66db
18% Popularity • 40% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 20% Positiveness
18% Popularity • 40% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 20% Positiveness
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Yom
Journey of Life
122 bpm • B min • 05:51 • -12db
33% Popularity • 56% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 56% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Mountain Call
122 bpm • A Maj • 04:28 • -19.31db
14% Popularity • 24% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
We Hymn Thee
122 bpm • B min • 03:38 • -46.54db
32% Popularity • 17% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Adrien La Marca
La Bohème (Arr. for Viola & Piano)
135 bpm • C min • 02:24 • -20db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Shigeru Umebayashi
AYA Gondora
135 bpm • G Maj • 02:20 • -10.15db
10% Popularity • 52% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 52% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Yom
The Old Man
121 bpm • D min • 05:13 • -14db
37% Popularity • 51% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
37% Popularity • 51% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
28% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
28% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Shigeru Umebayashi
Yumeji's Theme
135 bpm • G# Maj • 02:25 • -20.06db
32% Popularity • 37% Danceability • 9% Energy • 11% Liveness
32% Instrumentalness • 7% Positiveness
32% Popularity • 37% Danceability • 9% Energy • 11% Liveness
32% Instrumentalness • 7% Positiveness
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Erik Satie
Gnossienne No. 1
136 bpm • F min • 05:39 • -34.19db
27% Popularity • 35% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Ibrahim Maalouf
Celle que vous croyez
121 bpm • G min • 06:36 • -18db
28% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
28% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Amine Bouhafa
Zabou
136 bpm • C Maj • 01:41 • -20.19db
41% Popularity • 48% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 48% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Max Richter
November - Single Edit
121 bpm • A min • 05:29 • -9.04db
34% Popularity • 45% Danceability • 52% Energy • 31% Liveness
23% Instrumentalness • 19% Positiveness
34% Popularity • 45% Danceability • 52% Energy • 31% Liveness
23% Instrumentalness • 19% Positiveness
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Alberto Iglesias
María Santísima de Araceli
136 bpm • A min • 02:12 • -25db
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Khaled Mouzanar
Yonas
120 bpm • C min • 01:35 • -24.88db
32% Popularity • 62% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
32% Popularity • 62% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Brice Davoli
Castle In The Sky
120 bpm • C# Maj • 03:38 • -13.16db
39% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
39% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Shigeru Umebayashi
Postman
120 bpm • C# Maj • 01:51 • -10.7db
13% Popularity • 82% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 39% Positiveness
13% Popularity • 82% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 39% Positiveness
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Amine Bouhafa
Shooting The Statues
136 bpm • F min • 01:13 • -21db
45% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
45% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Renaud Garcia-Fons
Fortaleza
120 bpm • C min • 04:43 • -7db
30% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
30% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
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Alberto Iglesias
El grito
136 bpm • A min • 03:29 • -22.64db
23% Popularity • 22% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Abel Korzeniowski
Duchess Of Windsor
120 bpm • A# Maj • 03:09 • -18.55db
32% Popularity • 73% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
32% Popularity • 73% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Guy Skornik
Source of Innovation
120 bpm • C min • 02:21 • -10.59db
38% Popularity • 64% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
38% Popularity • 64% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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Shigeru Umebayashi
Come il vento
120 bpm • D min • 02:39 • -14.18db
24% Popularity • 57% Danceability • 17% Energy • 13% Liveness
25% Instrumentalness • 60% Positiveness
24% Popularity • 57% Danceability • 17% Energy • 13% Liveness
25% Instrumentalness • 60% Positiveness
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Dom La Nena
Universo
120 bpm • G min • 03:55 • -13db
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Laurent Dury
Inflexibility
120 bpm • D min • 01:55 • -12.57db
33% Popularity • 99% Danceability • 41% Energy • 12% Liveness
80% Instrumentalness • 93% Positiveness
33% Popularity • 99% Danceability • 41% Energy • 12% Liveness
80% Instrumentalness • 93% Positiveness
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Renaud Garcia-Fons
Il Confino
120 bpm • A min • 02:52 • -7.27db
38% Popularity • 69% Danceability • 46% Energy • 7% Liveness
11% Instrumentalness • 27% Positiveness
38% Popularity • 69% Danceability • 46% Energy • 7% Liveness
11% Instrumentalness • 27% Positiveness
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Khaled Mouzanar
L'éveil de Rose
120 bpm • C min • 01:14 • -31.11db
33% Popularity • 75% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
33% Popularity • 75% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Oedipus, Z. 583: ...
137 bpm • F min • 05:54 • -23.32db
32% Popularity • 36% Danceability • 5% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
32% Popularity • 36% Danceability • 5% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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Shigeru Umebayashi
Farewell No. 1
120 bpm • G# Maj • 02:42 • -11.37db
25% Popularity • 43% Danceability • 25% Energy • 19% Liveness
95% Instrumentalness • 24% Positiveness
25% Popularity • 43% Danceability • 25% Energy • 19% Liveness
95% Instrumentalness • 24% Positiveness
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Orchestra of the Swan
Gnossiennes No. 1 - Arr. David le Page
137 bpm • F min • 03:26 • -22db
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Max Richter
Path 3 (7676) - Pt. 3
138 bpm • D min • 01:49 • -23db
42% Popularity • 15% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 15% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Yann Tiersen
Le moulin
138 bpm • A# min • 04:27 • -16db
55% Popularity • 57% Danceability • 6% Energy • 8% Liveness
54% Instrumentalness • 21% Positiveness
55% Popularity • 57% Danceability • 6% Energy • 8% Liveness
54% Instrumentalness • 21% Positiveness
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Khaled Mouzanar
Mreyte Ya Mreyte
118 bpm • F min • 05:12 • -18.37db
37% Popularity • 31% Danceability • 14% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
37% Popularity • 31% Danceability • 14% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness