Songs like Zamba para Olvidarte (with Diego Torres) by Mercedes Sosa
Based on a tempo of (+/- 10%) and a similar genre
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Mercedes Sosa
Zamba para Olvidarte
123 bpm • C# min • 05:02 • -11.65db
52% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pablo Routin
Murga Madre
123 bpm • D min • 06:03 • -5.76db
23% Popularity • 58% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 58% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Los Jaivas
Mira Niñita (Versión 1996)
123 bpm • C Maj • 06:27 • -11.86db
48% Popularity • 36% Danceability • 70% Energy • 31% Liveness
4% Instrumentalness • 36% Positiveness
48% Popularity • 36% Danceability • 70% Energy • 31% Liveness
4% Instrumentalness • 36% Positiveness
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Jorge Fandermole
El Presagio
123 bpm • B min • 05:10 • -13.15db
18% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Campedrinos
Folklore Romántico: Nada Tengo de Ti / ...
123 bpm • G min • 07:55 • -10.18db
43% Popularity • 52% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Los Del SuquÃa
Canción Para Una Mentira
123 bpm • G# min • 03:11 • -19.63db
39% Popularity • 54% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
39% Popularity • 54% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Luis Alberto Spinetta
Barro Tal Vez
122 bpm • D min • 03:17 • -15db
52% Popularity • 39% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 39% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Manuel GarcÃa
La Danza de las Libelulas
122 bpm • F Maj • 03:48 • -10.12db
48% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Falta y Resto
Adiós Juventud
122 bpm • E Maj • 05:15 • -8.83db
27% Popularity • 37% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 37% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Carlos Gardel
Caminito
124 bpm • F min • 02:29 • -13db
40% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Viglietti
Dale Tu Mano al Indio (Canción para Mi ...
122 bpm • C Maj • 01:58 • -13.6db
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Piero
Soy Pan, Soy Paz, Soy Más
122 bpm • C Maj • 04:22 • -10.5db
36% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin Johansen
Es Como el DÃa
122 bpm • D Maj • 03:15 • -8db
47% Popularity • 61% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 61% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Vicentico
Solo un Momento
124 bpm • G Maj • 03:55 • -6db
58% Popularity • 53% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 53% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Hermano Hormiga
Mariana
122 bpm • G Maj • 04:03 • -22.88db
36% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Carlos Gardel
Mano A Mano
122 bpm • E min • 03:07 • -11.16db
36% Popularity • 70% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 70% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Milena Salamanca
Vidala del Sol
124 bpm • D# min • 04:34 • -11.64db
22% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Los Olimareños
Nuestro Camino - Canción
121 bpm • C min • 03:25 • -8.8db
33% Popularity • 60% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 60% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Violeta Parra
Arauco Tiene una Pena
125 bpm • E Maj • 02:57 • -5.54db
39% Popularity • 84% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 84% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Mercedes Sosa
Duerme, Negrito
121 bpm • C Maj • 02:25 • -19.32db
50% Popularity • 74% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 45% Positiveness
50% Popularity • 74% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 45% Positiveness
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Eduardo Gatti
Navegante
125 bpm • B Maj • 03:37 • -15.64db
46% Popularity • 66% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 66% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Gabo Ferro
Soy todo lo que recuerdo
125 bpm • D Maj • 02:57 • -9db
42% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rodrigo de la Serna y El Yotivenco
Pucherito de gallina
125 bpm • F# Maj • 02:27 • -17.46db
29% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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AnÃbal Sampayo
RÃo de los Pájaros
125 bpm • E Maj • 02:21 • -12.66db
27% Popularity • 50% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Julio Sosa
Cambalache
121 bpm • C Maj • 03:04 • -9.16db
48% Popularity • 55% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 55% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
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Mercedes Sosa
Canción Para Mi América
121 bpm • F Maj • 02:10 • -11.87db
35% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chaqueño Palavecino
Amor Salvaje
121 bpm • C Maj • 03:15 • -7.73db
56% Popularity • 76% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 76% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Milena Salamanca
Esperando a mi Madre
126 bpm • E Maj • 03:23 • -12.38db
29% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hernan Figueroa Reyes
Que Mala Suerte
120 bpm • A min • 02:23 • -12db
39% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Luis Alberto Spinetta
Muchacha Ojos De Papel - Live
126 bpm • G Maj • 03:59 • -14.28db
39% Popularity • 30% Danceability • 20% Energy • 95% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 30% Danceability • 20% Energy • 95% Liveness
0% Instrumentalness • 18% Positiveness
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Serú Girán
Seminare (Remasterizado 2021)
126 bpm • G Maj • 03:22 • -12.97db
64% Popularity • 50% Danceability • 30% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
64% Popularity • 50% Danceability • 30% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Sui Generis
Estación
126 bpm • E min • 01:30 • -16.23db
52% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Carlos Gardel
Yira, Yira
120 bpm • D# Maj • 02:47 • -10.1db
31% Popularity • 74% Danceability • 32% Energy • 26% Liveness
7% Instrumentalness • 62% Positiveness
31% Popularity • 74% Danceability • 32% Energy • 26% Liveness
7% Instrumentalness • 62% Positiveness
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Jose Larralde
Permiso
126 bpm • D Maj • 04:22 • -10db
37% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Milena Salamanca
Florcita Del Monte
120 bpm • F# min • 03:18 • -11db
36% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pedro Aznar
MarÃa Lando
126 bpm • A# Maj • 04:31 • -11.09db
20% Popularity • 88% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 88% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Tonolec
El Cosechero
126 bpm • B min • 04:14 • -16.32db
31% Popularity • 69% Danceability • 27% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 69% Danceability • 27% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
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Soledad
Agua, Fuego, Tierra y Viento (En Vivo)
126 bpm • E min • 03:43 • -7.65db
25% Popularity • 49% Danceability • 51% Energy • 96% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 49% Danceability • 51% Energy • 96% Liveness
0% Instrumentalness • 42% Positiveness
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Los Cuatro De Cordoba
La Oma
120 bpm • G min • 03:13 • -6db
45% Popularity • 65% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
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Edmundo Rivero
CafetÃn De Buenos Aires
120 bpm • B Maj • 02:54 • -8.91db
38% Popularity • 54% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 54% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Alejandro Balbis
El Lugar
120 bpm • F# min • 03:37 • -5.72db
33% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gabo Ferro
En el fondo del mal
126 bpm • G# min • 02:46 • -10.46db
26% Popularity • 66% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 66% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Ana Prada
Soy pecadora
126 bpm • A min • 04:07 • -11db
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Milena Salamanca
Pal Tiempo Del Carnaval
126 bpm • C# min • 02:06 • -9.28db
44% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Luis Eduardo Aute
Sin Tu Latido - Remasterizado
120 bpm • A Maj • 05:02 • -8db
50% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Sui Generis
Cuando Ya Me Empiece a Quedar Solo
120 bpm • G min • 03:37 • -15.86db
41% Popularity • 34% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 34% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Julio Sosa
Cambalache
120 bpm • C Maj • 03:06 • -10.53db
29% Popularity • 46% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 46% Danceability • 57% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
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Mauricio Ubal
Una Canción a Montevideo
126 bpm • F# Maj • 05:22 • -11.13db
24% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Los Manseros Santiagueños
Canto a Monte Quemado
119 bpm • F# min • 02:29 • -10.2db
53% Popularity • 69% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 69% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jorge Fandermole
Marina
127 bpm • F Maj • 04:34 • -9.9db
26% Popularity • 71% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 71% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Horacio Guarany
La Villerita
127 bpm • E min • 04:10 • -12.34db
46% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Violeta Parra
Gracias a la Vida
119 bpm • C Maj • 04:38 • -16.81db
49% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Daniel Viglietti
Allende / Por Todo Chile
119 bpm • D Maj • 04:26 • -18.61db
17% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Raly Barrionuevo
Zamba y Acuarela
127 bpm • G Maj • 04:32 • -11db
49% Popularity • 58% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 58% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tita Merello
Arrabalera
127 bpm • A# Maj • 02:16 • -10.13db
36% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 62% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Pedro Guerra
Toda una Vida
119 bpm • B min • 01:55 • -12.28db
56% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Gabo Ferro
Lo que te da terror
128 bpm • G# Maj • 04:17 • -11db
32% Popularity • 48% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Carlos Gardel
Mi Buenos Aires Querido
128 bpm • F# Maj • 02:40 • -9.92db
34% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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León Gieco
Cinco Siglos Igual
128 bpm • B min • 04:13 • -6.01db
37% Popularity • 49% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 49% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
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Mercedes Sosa
Barro Tal Vez
118 bpm • E min • 03:45 • -12.88db
48% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Milena Salamanca
El Surco
118 bpm • B min • 04:00 • -11db
27% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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No Te Va Gustar
A Las Nueve
128 bpm • D min • 03:22 • -8.04db
65% Popularity • 63% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
65% Popularity • 63% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
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Jaime Roos
Siga el Baile
128 bpm • B Maj • 02:26 • -8.92db
25% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Tata Barahona
Te vas de mi
118 bpm • G Maj • 03:20 • -9.76db
49% Popularity • 69% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 69% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Serú Girán
Desarma Y Sangra - Remastered 2012
118 bpm • D# Maj • 03:42 • -20.73db
47% Popularity • 36% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
47% Popularity • 36% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Mercedes Sosa
Misionera
118 bpm • A min • 05:09 • -10.9db
28% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sui Generis
Aprendizaje
117 bpm • G Maj • 03:45 • -17.23db
47% Popularity • 41% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 41% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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José Luis Aguirre
Bailecito para Iluminar
129 bpm • E min • 02:32 • -9db
27% Popularity • 55% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
27% Popularity • 55% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
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Perotá Chingó
Rie Chinito
117 bpm • A Maj • 05:09 • -10db
49% Popularity • 58% Danceability • 18% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 58% Danceability • 18% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
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Quilapayún
La Muralla
117 bpm • D Maj • 04:39 • -7db
29% Popularity • 39% Danceability • 77% Energy • 90% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 39% Danceability • 77% Energy • 90% Liveness
0% Instrumentalness • 58% Positiveness
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Raly Barrionuevo
Zamba de Usted
130 bpm • F# min • 04:18 • -11.53db
43% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Memphis La Blusera
La Última Lágrima
117 bpm • G Maj • 04:36 • -9.31db
51% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Horacio Guarany
El Corralero
117 bpm • C min • 02:50 • -7.76db
21% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Los Olimareños
Milonga del Fusilado
130 bpm • E min • 03:46 • -9.96db
26% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hermano Hormiga
Duerme
117 bpm • D Maj • 02:37 • -24.19db
39% Popularity • 70% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 70% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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David Lebón
Seminare
130 bpm • G Maj • 04:03 • -5.45db
38% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Macha Y El Bloque Depresivo
Procuro Olvidarte / Pásalo Bien
130 bpm • A min • 03:38 • -8.01db
50% Popularity • 76% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 76% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Alejandro Balbis
Lo Que Espero de Ti
130 bpm • A Maj • 03:36 • -7.06db
30% Popularity • 73% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 73% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Carlos Gardel
Cambalache
116 bpm • D Maj • 03:02 • -8db
30% Popularity • 62% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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Quilapayún
Qué Dirá el Santo Padre - En Vivo
116 bpm • F min • 02:49 • -7.69db
36% Popularity • 70% Danceability • 70% Energy • 91% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 70% Danceability • 70% Energy • 91% Liveness
0% Instrumentalness • 58% Positiveness
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Mercedes Sosa
Canción Con Todos
130 bpm • E min • 03:03 • -21.64db
44% Popularity • 55% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
44% Popularity • 55% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Manuel GarcÃa
La Danza de las Libélulas
116 bpm • F Maj • 03:40 • -12.75db
46% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Horacio Guarany
Pescador Y Guitarrero
116 bpm • G min • 02:54 • -7.66db
37% Popularity • 63% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 63% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Sui Generis
Canción para Mi Muerte
131 bpm • C Maj • 03:35 • -18.02db
59% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Los Manseros Santiagueños
Eterno Amor
131 bpm • A Maj • 03:41 • -7db
60% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Milena Salamanca
Jujuy Mujer
115 bpm • D min • 04:54 • -12db
32% Popularity • 60% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 60% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Mercedes Sosa
Todo Cambia
116 bpm • C Maj • 04:44 • -13.94db
57% Popularity • 51% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 51% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Victor Jara
El Arado
115 bpm • D# min • 03:26 • -12.23db
37% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Horacio Guarany
A Don Ata
116 bpm • A min • 03:09 • -8.76db
38% Popularity • 68% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 68% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Julio Sosa
Mano a Mano
115 bpm • C min • 03:12 • -6.5db
41% Popularity • 52% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 52% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Violeta Parra
La Jardinera
115 bpm • E Maj • 02:49 • -10db
46% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Néstor Garnica
El Olvidao
115 bpm • A min • 03:00 • -9db
52% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mercedes Sosa
Razón de Vivir
116 bpm • A min • 04:18 • -9.18db
49% Popularity • 64% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 64% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Jara
El Amor Es Un Camino Que De Repente Apar...
115 bpm • G# Maj • 02:28 • -9.18db
33% Popularity • 62% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
33% Popularity • 62% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Campedrinos
Dueña de Mi Alma
132 bpm • B Maj • 04:09 • -5.41db
34% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Julio Sosa
Nada
115 bpm • F min • 02:47 • -7db
32% Popularity • 35% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 35% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Joan Baez
Gracias a la Vida
132 bpm • B min • 06:05 • -6.03db
23% Popularity • 44% Danceability • 73% Energy • 98% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 44% Danceability • 73% Energy • 98% Liveness
0% Instrumentalness • 23% Positiveness
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Pepe Guerra
Cuando Empieza a Amanecer
132 bpm • C Maj • 03:29 • -8.57db
34% Popularity • 54% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 54% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
