Songs like Zar und Zimmermann: Den hohen Herrscher würdig zu empfangen by Bavarian Radio Chorus
Based on a tempo of (+/- 10%) and a similar genre
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Werner Egk
Furchtlosigkeit und Wohlwollen: Der von ...
91 bpm • A Maj • 05:54 • -17.76db
0% Popularity • 45% Danceability • 37% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
0% Popularity • 45% Danceability • 37% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: Et miser...
91 bpm • G# min • 03:28 • -27.29db
14% Popularity • 14% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Cantata, Op. 42, MWV A15: Wie der Hirsch...
91 bpm • F Maj • 05:37 • -20.26db
8% Popularity • 12% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
8% Popularity • 12% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
92 bpm • C min • 06:09 • -20.59db
15% Popularity • 19% Danceability • 14% Energy • 9% Liveness
53% Instrumentalness • 15% Positiveness
15% Popularity • 19% Danceability • 14% Energy • 9% Liveness
53% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Tecum principium:...
90 bpm • G# min • 01:51 • -23.68db
29% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: In fernem Lan...
92 bpm • A Maj • 06:20 • -19db
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Cuius animam gementem…. ...
90 bpm • D min • 02:01 • -15db
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Maometto II: Giusto ciel, in tal perigli...
90 bpm • F# min • 03:28 • -22.43db
4% Popularity • 19% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
92 bpm • C Maj • 03:13 • -27.69db
11% Popularity • 16% Danceability • 1% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Orquesta de Cámara de BerlÃn
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 07:16 • -16.84db
9% Popularity • 13% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 13% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 7. Chor: ...
92 bpm • F Maj • 11:37 • -24db
26% Popularity • 11% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 11% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe": ...
89 bpm • C Maj • 04:03 • -17.53db
18% Popularity • 44% Danceability • 23% Energy • 12% Liveness
54% Instrumentalness • 28% Positiveness
18% Popularity • 44% Danceability • 23% Energy • 12% Liveness
54% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25 (Excerpts): No....
89 bpm • C Maj • 01:19 • -21.86db
7% Popularity • 18% Danceability • 12% Energy • 24% Liveness
7% Instrumentalness • 11% Positiveness
7% Popularity • 18% Danceability • 12% Energy • 24% Liveness
7% Instrumentalness • 11% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Communion: L...
89 bpm • A# Maj • 05:48 • -21db
28% Popularity • 16% Danceability • 17% Energy • 8% Liveness
22% Instrumentalness • 12% Positiveness
28% Popularity • 16% Danceability • 17% Energy • 8% Liveness
22% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Credo in unum ...
93 bpm • C# Maj • 01:59 • -18.52db
1% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Igor Stravinsky
Symphony of Psalms: I. Exaudi orationem ...
93 bpm • C Maj • 03:13 • -19.87db
1% Popularity • 25% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 17% Positiveness
1% Popularity • 25% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
I due Foscari, Act III: Introduzione e b...
89 bpm • F Maj • 04:40 • -12.8db
3% Popularity • 36% Danceability • 30% Energy • 28% Liveness
2% Instrumentalness • 40% Positiveness
3% Popularity • 36% Danceability • 30% Energy • 28% Liveness
2% Instrumentalness • 40% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90, Act I Scene ...
89 bpm • C Maj • 08:31 • -14.95db
7% Popularity • 16% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dixit Dominus
93 bpm • F# min • 06:10 • -16.55db
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F major, Op. 96...
88 bpm • D min • 07:11 • -26db
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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![Requiem in D Minor, K. 626 (Completed by H. Arman & F.X. Süssmayr): VII. Agnus Dei [Live] cover art](https://i.scdn.co/image/ab67616d00001e025b63ca5edf7daddf656f2219)
Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Completed by...
94 bpm • F Maj • 02:44 • -19.23db
0% Popularity • 24% Danceability • 10% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Shostakovich: Symphony No. 13 in B-Flat ...
94 bpm • D# Maj • 12:05 • -26db
5% Popularity • 30% Danceability • 4% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
5% Popularity • 30% Danceability • 4% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part I: Their b...
93 bpm • E min • 05:23 • -23.69db
5% Popularity • 16% Danceability • 2% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 2% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Stabat mater, Op. 58, B. 71: Quando corp...
88 bpm • D Maj • 08:43 • -17.18db
6% Popularity • 13% Danceability • 30% Energy • 68% Liveness
40% Instrumentalness • 5% Positiveness
6% Popularity • 13% Danceability • 30% Energy • 68% Liveness
40% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Patrem omnipot...
95 bpm • C# Maj • 01:55 • -16.95db
2% Popularity • 38% Danceability • 38% Energy • 20% Liveness
15% Instrumentalness • 68% Positiveness
2% Popularity • 38% Danceability • 38% Energy • 20% Liveness
15% Instrumentalness • 68% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nightingale, TH 84 (Live)
95 bpm • F# Maj • 05:29 • -22.26db
2% Popularity • 13% Danceability • 13% Energy • 67% Liveness
4% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 13% Energy • 67% Liveness
4% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: IVa. Domine Jesu (Orch....
95 bpm • C min • 03:40 • -17db
11% Popularity • 30% Danceability • 29% Energy • 32% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 30% Danceability • 29% Energy • 32% Liveness
1% Instrumentalness • 18% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II: He reb...
94 bpm • D Maj • 03:06 • -15.81db
5% Popularity • 29% Danceability • 36% Energy • 30% Liveness
5% Instrumentalness • 35% Positiveness
5% Popularity • 29% Danceability • 36% Energy • 30% Liveness
5% Instrumentalness • 35% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Introit
87 bpm • F Maj • 03:35 • -24.75db
10% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Magnificat anima mea (Chorus)
95 bpm • C# Maj • 02:56 • -18.5db
5% Popularity • 44% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 56% Positiveness
5% Popularity • 44% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 56% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Completed by...
95 bpm • C min • 03:27 • -18.03db
0% Popularity • 39% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
0% Popularity • 39% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
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![Berliner Messe (Version for Choir & String Orchestra): II. Gloria [Live] cover art](https://i.scdn.co/image/ab67616d00001e0275078b8ddb24e02a19677d45)
Arvo Pärt
Berliner Messe (Version for Choir & Stri...
86 bpm • G min • 03:53 • -20.26db
2% Popularity • 12% Danceability • 19% Energy • 19% Liveness
28% Instrumentalness • 14% Positiveness
2% Popularity • 12% Danceability • 19% Energy • 19% Liveness
28% Instrumentalness • 14% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Inter...
96 bpm • C# Maj • 01:23 • -27db
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • C Maj • 01:57 • -17.09db
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
86 bpm • C min • 08:51 • -17.93db
10% Popularity • 19% Danceability • 18% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
86 bpm • D# Maj • 05:29 • -21.92db
11% Popularity • 12% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 7% Positiveness
11% Popularity • 12% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Psalm 115, Op. 31, MWV A9 (Sung in Latin...
96 bpm • G min • 04:33 • -18.26db
7% Popularity • 31% Danceability • 20% Energy • 14% Liveness
70% Instrumentalness • 35% Positiveness
7% Popularity • 31% Danceability • 20% Energy • 14% Liveness
70% Instrumentalness • 35% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# Maj • 03:01 • -21db
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
86 bpm • F Maj • 03:40 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Franz Schubert
Schubert: Mass in G Major, D. 167: Sanct...
97 bpm • D Maj • 01:15 • -16.19db
8% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Anton Bruckner
Requiem in D Minor, WAB 39: I. Introitus...
97 bpm • G min • 04:58 • -22.76db
14% Popularity • 14% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Luigi Boccherini
Symphony No.4 in D Minor, Op.12 No.4, G....
97 bpm • C min • 01:11 • -24db
45% Popularity • 56% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 3, A Sa...
86 bpm • C Maj • 06:20 • -17db
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 3. Solo (...
85 bpm • G Maj • 11:12 • -23.39db
29% Popularity • 10% Danceability • 11% Energy • 6% Liveness
32% Instrumentalness • 5% Positiveness
29% Popularity • 10% Danceability • 11% Energy • 6% Liveness
32% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
► Preview
Christoph Willibald Gluck
Alceste (Sung in French): Overture
97 bpm • D min • 06:25 • -20db
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Slovak Philharmonic
Requiem In D Minor, K. 626: Offertory: I...
98 bpm • A# Maj • 04:39 • -22db
30% Popularity • 16% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
► Preview
Wolfgang Amadeus Mozart
Messe in C-Moll, K. 427 "Große Messe" (...
98 bpm • C Maj • 03:26 • -17db
7% Popularity • 29% Danceability • 28% Energy • 25% Liveness
63% Instrumentalness • 17% Positiveness
7% Popularity • 29% Danceability • 28% Energy • 25% Liveness
63% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232: Et resurrexit ...
98 bpm • C# Maj • 04:11 • -19.44db
0% Popularity • 47% Danceability • 28% Energy • 11% Liveness
26% Instrumentalness • 54% Positiveness
0% Popularity • 47% Danceability • 28% Energy • 11% Liveness
26% Instrumentalness • 54% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
► Preview
Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Te Deum, WAB 45: V. In te, Domine, spera...
98 bpm • F Maj • 05:54 • -16.85db
13% Popularity • 21% Danceability • 17% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 17% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
98 bpm • G Maj • 07:38 • -23.35db
5% Popularity • 41% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 41% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Messe in C-Moll, K. 427 "Große Messe" (...
98 bpm • C Maj • 05:07 • -20.51db
6% Popularity • 39% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 39% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Philipp Krieger
Die ausgesöhnte Eifersucht oder Cephalu...
98 bpm • C# Maj • 08:37 • -20.86db
19% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
19% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Franz Schubert
Schubert: Mass in G Major, D. 167: Bened...
84 bpm • G Maj • 04:44 • -24.34db
6% Popularity • 19% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
6% Popularity • 19% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Symphonie No. 2 en Si Bemol Majeur, Op. ...
98 bpm • A# Maj • 05:16 • -10.8db
6% Popularity • 28% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 26% Positiveness
6% Popularity • 28% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: II. Kyrie (Orch. Beyer)...
85 bpm • D min • 02:44 • -13.44db
12% Popularity • 38% Danceability • 46% Energy • 20% Liveness
28% Instrumentalness • 40% Positiveness
12% Popularity • 38% Danceability • 46% Energy • 20% Liveness
28% Instrumentalness • 40% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: XIII. Sequentia:...
84 bpm • G min • 03:34 • -17.15db
12% Popularity • 38% Danceability • 22% Energy • 16% Liveness
5% Instrumentalness • 17% Positiveness
12% Popularity • 38% Danceability • 22% Energy • 16% Liveness
5% Instrumentalness • 17% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: II. Christe eleison
98 bpm • D# Maj • 01:07 • -27.43db
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Et incarnatus ...
99 bpm • A# min • 02:55 • -27.59db
2% Popularity • 13% Danceability • 4% Energy • 13% Liveness
66% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 4% Energy • 13% Liveness
66% Instrumentalness • 3% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Messe in C-Moll, K. 427 "Große Messe" (...
84 bpm • G min • 05:08 • -18.84db
8% Popularity • 13% Danceability • 20% Energy • 19% Liveness
72% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 20% Energy • 19% Liveness
72% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: IV. Salvum fac populum ...
83 bpm • F min • 06:38 • -25.34db
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Joseph Haydn
Missa in angustiis "Nelson Mass", Hob. X...
99 bpm • D min • 05:02 • -19.1db
21% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II: He spa...
83 bpm • A Maj • 02:12 • -16.97db
6% Popularity • 36% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
6% Popularity • 36% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Gioachino Rossini
Stabat Mater: 9. Quando corpus morietur
83 bpm • D# Maj • 05:48 • -30.08db
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Completed by...
83 bpm • D min • 04:39 • -18.64db
5% Popularity • 10% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus - (Motet)
83 bpm • G min • 04:24 • -26.53db
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse - Motet for 4 voice Chorus a...
83 bpm • D Maj • 04:00 • -23.33db
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626: Overtu...
100 bpm • B min • 02:13 • -22.03db
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Charles Gounod
Gounod: St. Cecilia Mass in G Major: IV....
83 bpm • F Maj • 05:29 • -24.78db
12% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
