Songs like Zeitgeist by Kirill Richter
Based on a tempo of (+/- 10%) and a similar genre
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Kirill Richter
Zeitgeist
118 bpm • F Maj • 04:46 • -19.37db
15% Popularity • 30% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Beauty
118 bpm • C min • 01:58 • -19.14db
14% Popularity • 43% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
14% Popularity • 43% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Mattia Vlad Morleo
Sinless
119 bpm • A min • 02:27 • -27.86db
48% Popularity • 48% Danceability • 7% Energy • 19% Liveness
93% Instrumentalness • 12% Positiveness
48% Popularity • 48% Danceability • 7% Energy • 19% Liveness
93% Instrumentalness • 12% Positiveness
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Manos Milonakis
Giardini Di Boboli
119 bpm • F min • 01:52 • -22.96db
42% Popularity • 23% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
42% Popularity • 23% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
50% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
50% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Sjors Weijermars
Ik Heb Een Hekel Aan
119 bpm • C min • 01:11 • -23.67db
45% Popularity • 40% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 19% Positiveness
45% Popularity • 40% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 19% Positiveness
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Kirill Richter
Chronos
118 bpm • D min • 05:37 • -20.22db
28% Popularity • 66% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
28% Popularity • 66% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Yehezkel Raz
Coming Back
116 bpm • D Maj • 01:56 • -36.61db
38% Popularity • 40% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
38% Popularity • 40% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Low Mist Var...
116 bpm • A min • 05:43 • -19.9db
38% Popularity • 43% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
37% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
37% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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José Manuel Ortega Caballo
Vivace con Fuoco
120 bpm • G min • 01:25 • -10.2db
36% Popularity • 47% Danceability • 40% Energy • 19% Liveness
76% Instrumentalness • 46% Positiveness
36% Popularity • 47% Danceability • 40% Energy • 19% Liveness
76% Instrumentalness • 46% Positiveness
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Anne Chmelewsky
That Voice
120 bpm • E min • 01:57 • -17.49db
23% Popularity • 51% Danceability • 13% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 51% Danceability • 13% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Kirill Richter
The Songs of Distant Earth
118 bpm • C Maj • 03:40 • -20.47db
14% Popularity • 37% Danceability • 22% Energy • 33% Liveness
82% Instrumentalness • 11% Positiveness
14% Popularity • 37% Danceability • 22% Energy • 33% Liveness
82% Instrumentalness • 11% Positiveness
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Paul Haslinger
Mishkin
120 bpm • A Maj • 03:15 • -24.21db
18% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Francesca Guccione
On Liquid Stones
120 bpm • G min • 04:25 • -15.11db
18% Popularity • 55% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
18% Popularity • 55% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Gabriel Saban
Prime Suspect
120 bpm • F min • 02:37 • -9.05db
22% Popularity • 70% Danceability • 53% Energy • 9% Liveness
74% Instrumentalness • 74% Positiveness
22% Popularity • 70% Danceability • 53% Energy • 9% Liveness
74% Instrumentalness • 74% Positiveness
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Laurent Dury
Illustrious Prince
120 bpm • C min • 01:45 • -13.2db
22% Popularity • 82% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
22% Popularity • 82% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
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Elisabeth Skornik
Time Is on the Move
120 bpm • G# Maj • 02:37 • -16.24db
36% Popularity • 78% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 65% Positiveness
36% Popularity • 78% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 65% Positiveness
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Christian Reindl
Helios
120 bpm • A# Maj • 02:16 • -11.8db
22% Popularity • 38% Danceability • 70% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
22% Popularity • 38% Danceability • 70% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
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Erik Satie
Gnossienne N°3 (Variation)
120 bpm • A min • 03:35 • -12.96db
26% Popularity • 36% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 36% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Zoë Keating
The Last Bird
120 bpm • G# Maj • 01:56 • -10db
40% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
40% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Velt
Odin Dwa
120 bpm • F# min • 04:16 • -25.89db
10% Popularity • 25% Danceability • 21% Energy • 9% Liveness
83% Instrumentalness • 29% Positiveness
10% Popularity • 25% Danceability • 21% Energy • 9% Liveness
83% Instrumentalness • 29% Positiveness
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Louis-Étienne Santais
Kawa no Kami
120 bpm • C Maj • 03:20 • -19.85db
28% Popularity • 42% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
28% Popularity • 42% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Nainita Desai
For Sama End Credits
120 bpm • C min • 01:54 • -22.08db
22% Popularity • 46% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 46% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Christian Reindl
Cernunnos
120 bpm • D min • 02:14 • -9.01db
32% Popularity • 51% Danceability • 43% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
32% Popularity • 51% Danceability • 43% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
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Natalia Tsupryk
Lonely Girls
120 bpm • D# min • 02:49 • -16.1db
10% Popularity • 42% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Electa
116 bpm • A min • 04:24 • -19.35db
29% Popularity • 51% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
29% Popularity • 51% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Angus MacRae
Spring Nocturne
116 bpm • G min • 04:32 • -18.92db
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Andrea Farri
La Papesse
121 bpm • C Maj • 03:32 • -22.63db
18% Popularity • 29% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Tyufyakin Konstantin
Okay donc... L'histoire c'est
120 bpm • G# Maj • 03:35 • -22.1db
25% Popularity • 67% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
25% Popularity • 67% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Chafa
Luminescence
115 bpm • F min • 03:55 • -12.53db
16% Popularity • 44% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness
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Philip Glass
Metamorphosis No. 2
121 bpm • A min • 06:32 • -21.46db
13% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Federico Albanese
The Lantern
115 bpm • C min • 04:27 • -25.68db
31% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
31% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Saycet
La nuit
115 bpm • D# min • 01:43 • -20.63db
9% Popularity • 89% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
9% Popularity • 89% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
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Mike Lazarev
Footsteps
122 bpm • E min • 02:12 • -24db
37% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Kerry Muzzey
Broken People
114 bpm • A# Maj • 05:55 • -13.59db
36% Popularity • 24% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
36% Popularity • 24% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:01 • -17.76db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Sebastian Plano
One & One
122 bpm • G# Maj • 02:26 • -21db
27% Popularity • 17% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Power-Haus
Dragonfly
122 bpm • A min • 02:34 • -14.98db
13% Popularity • 22% Danceability • 30% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 30% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Asaf Avidan
The Ball
122 bpm • F min • 05:00 • -18.86db
18% Popularity • 27% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
18% Popularity • 27% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Ezio Bosso
Seasong 1 To 4 and Other Little Stories:...
114 bpm • B min • 09:51 • -18.49db
9% Popularity • 28% Danceability • 12% Energy • 6% Liveness
66% Instrumentalness • 5% Positiveness
9% Popularity • 28% Danceability • 12% Energy • 6% Liveness
66% Instrumentalness • 5% Positiveness
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Patrik Berg Almkvisth
Strävan
122 bpm • C# min • 05:22 • -24.59db
12% Popularity • 37% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 37% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Redi Hasa
Dajti Mountain
113 bpm • D min • 04:18 • -14.88db
28% Popularity • 30% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Philip Glass
Metamorphosis Two - Arr. for Piano and C...
113 bpm • A min • 06:59 • -16.86db
11% Popularity • 24% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Alice Baldwin
Was am Ende
123 bpm • A# min • 04:52 • -26.25db
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Kirill Richter
Trio 2 in D
112 bpm • D min • 03:29 • -14.5db
18% Popularity • 74% Danceability • 46% Energy • 20% Liveness
86% Instrumentalness • 72% Positiveness
18% Popularity • 74% Danceability • 46% Energy • 20% Liveness
86% Instrumentalness • 72% Positiveness
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Brice Davoli
Petit Trianon
124 bpm • G min • 01:30 • -13.48db
45% Popularity • 60% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
45% Popularity • 60% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Ilya Beshevli
City at Night
124 bpm • G min • 03:39 • -19.81db
26% Popularity • 29% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
26% Popularity • 29% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Hendyamps Studios
Finding Everest
124 bpm • D min • 06:57 • -13.95db
14% Popularity • 31% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
14% Popularity • 31% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Roberto Cacciapaglia
Atlantis (Solo Piano)
124 bpm • G min • 03:40 • -18.6db
17% Popularity • 60% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
17% Popularity • 60% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Venceslas Catz
Hazy Day
112 bpm • G min • 04:17 • -16db
15% Popularity • 42% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 42% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 6: Cold Wind
124 bpm • A min • 07:06 • -18.33db
19% Popularity • 30% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Reminiscence
112 bpm • C# min • 04:28 • -17.79db
53% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
53% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Alex Baranowski
Thoughts of Home
125 bpm • C min • 01:12 • -17.82db
32% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Federico Albanese
The Stars We Follow
125 bpm • A min • 03:54 • -24.91db
48% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
48% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Job Roggeveen
Uma
125 bpm • A# min • 03:12 • -13.85db
32% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
32% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Kerry Muzzey
Broken People (String Quintet Version)
111 bpm • A# Maj • 05:57 • -13.61db
22% Popularity • 19% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 19% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Ezio Bosso
Music for Weather Elements: Thunders and...
111 bpm • A min • 06:04 • -14db
29% Popularity • 34% Danceability • 44% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
29% Popularity • 34% Danceability • 44% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Alex Baranowski
Escape to the Woods
125 bpm • B min • 01:16 • -15.56db
20% Popularity • 18% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Josh Cohen
Everything in Its Right Place
126 bpm • F min • 06:16 • -19.61db
35% Popularity • 43% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Stimming x Lambert
Laura (Piano Vision)
111 bpm • G min • 01:51 • -19.21db
21% Popularity • 28% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
21% Popularity • 28% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
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Jacob Shea
VI. Sea Ice Melting
111 bpm • C Maj • 03:44 • -14.63db
35% Popularity • 23% Danceability • 14% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
35% Popularity • 23% Danceability • 14% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
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Laurent Dury
Sinuosity
126 bpm • G# Maj • 01:32 • -11db
40% Popularity • 77% Danceability • 23% Energy • 17% Liveness
26% Instrumentalness • 46% Positiveness
40% Popularity • 77% Danceability • 23% Energy • 17% Liveness
26% Instrumentalness • 46% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Alex Baranowski
A Life Lived
126 bpm • G min • 01:26 • -21.53db
34% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
34% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Khaled Mouzanar
Zeyn
110 bpm • G# Maj • 03:43 • -17db
26% Popularity • 21% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 21% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Tom Hillock
Vivace
110 bpm • C min • 02:29 • -13db
37% Popularity • 61% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
37% Popularity • 61% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Bryce Dessner
Pulsing
126 bpm • G min • 09:27 • -14.65db
14% Popularity • 48% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Iskra String Quartet
Blue Notebook
110 bpm • C min • 01:57 • -17.5db
36% Popularity • 44% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
36% Popularity • 44% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Kirill Richter
Grand Finale
110 bpm • G min • 02:16 • -36.34db
11% Popularity • 72% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
11% Popularity • 72% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Federico Albanese
The Diary
110 bpm • E Maj • 03:20 • -24.71db
23% Popularity • 58% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
23% Popularity • 58% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Francesco D'andrea
Moon Waltz: I. —
110 bpm • B min • 02:33 • -13.39db
24% Popularity • 46% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
24% Popularity • 46% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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James Heather
Biomes
127 bpm • D# Maj • 02:42 • -24.42db
61% Popularity • 25% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
61% Popularity • 25% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
► Preview
Chelsea McGough
Hold This Place
110 bpm • A min • 04:47 • -18.05db
30% Popularity • 28% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 28% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Laurent Dury
Flutterings
110 bpm • C min • 01:46 • -12db
53% Popularity • 70% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
53% Popularity • 70% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête (Variation 1)
109 bpm • A min • 01:15 • -10.3db
51% Popularity • 16% Danceability • 30% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 30% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
Truman Sleeps
127 bpm • G# Maj • 03:05 • -24db
24% Popularity • 35% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
24% Popularity • 35% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Federico Albanese
Migrants
128 bpm • G# Maj • 03:58 • -21db
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Mike Lazarev
Portrait of a Lady with a Fan
128 bpm • C min • 01:58 • -22.52db
33% Popularity • 30% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Dawn is Near
128 bpm • G# min • 04:52 • -19.84db
25% Popularity • 26% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Denys Rybkin
Beautiful Sadness
109 bpm • C# min • 02:11 • -24.51db
44% Popularity • 49% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
44% Popularity • 49% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Ilya Beshevli
Silent Sky
128 bpm • A min • 03:07 • -16.75db
24% Popularity • 26% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
24% Popularity • 26% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Logos
128 bpm • D Maj • 06:23 • -18db
31% Popularity • 50% Danceability • 19% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 50% Danceability • 19% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Architect
128 bpm • D min • 05:33 • -12.93db
42% Popularity • 57% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
42% Popularity • 57% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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Philip Glass
Prophecies
108 bpm • D min • 09:07 • -24.33db
11% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Anna Phoebe
Matter
128 bpm • F# min • 02:12 • -9.69db
12% Popularity • 37% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 37% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ilya Beshevli
Dissonance
108 bpm • B min • 03:56 • -13.81db
15% Popularity • 22% Danceability • 28% Energy • 12% Liveness
63% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 28% Energy • 12% Liveness
63% Instrumentalness • 4% Positiveness
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Belinda Gehlert
Femme fatale: II. Hedda Gabler
108 bpm • E min • 03:52 • -15.86db
23% Popularity • 38% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
23% Popularity • 38% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
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Sebastian Plano
Soul III (Ylem)
108 bpm • G min • 05:42 • -15.15db
24% Popularity • 75% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
24% Popularity • 75% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Saycet
La révolution - Main Theme
108 bpm • A min • 03:00 • -14.7db
32% Popularity • 22% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 22% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Roberto Attanasio
Isolated III
129 bpm • D# min • 04:42 • -10.53db
21% Popularity • 45% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 45% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Angus MacRae
Tides
129 bpm • C# min • 03:56 • -18.55db
17% Popularity • 24% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Tyufyakin Konstantin
Lizzie Had Been a Little Fussy Earlier
130 bpm • C min • 01:17 • -20.95db
27% Popularity • 45% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
27% Popularity • 45% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Alice In Winter
Don't Let Go
130 bpm • A min • 04:06 • -14db
33% Popularity • 53% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 53% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
