Songs like Zigeunerweisen, Op. 20 by Pablo de Sarasate
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: Ib. Mé...
99 bpm • A# Maj • 09:30 • -16.83db
22% Popularity • 19% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 19% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Henryk Wieniawski
Polonaise brillante No. 1 in D Major, Op...
99 bpm • D Maj • 05:26 • -18.42db
21% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
21% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Pablo de Sarasate
Spanish Dances, Op. 26: Danza espanola N...
99 bpm • G Maj • 04:53 • -19.22db
6% Popularity • 48% Danceability • 13% Energy • 22% Liveness
58% Instrumentalness • 60% Positiveness
6% Popularity • 48% Danceability • 13% Energy • 22% Liveness
58% Instrumentalness • 60% Positiveness
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Niccolò Paganini
Variations on "God Save The King" for So...
99 bpm • G Maj • 05:56 • -18.61db
22% Popularity • 51% Danceability • 16% Energy • 6% Liveness
58% Instrumentalness • 44% Positiveness
22% Popularity • 51% Danceability • 16% Energy • 6% Liveness
58% Instrumentalness • 44% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
52% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
52% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
46% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
46% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Yehudi Menuhin
Violin Concerto in B Minor, Op. 3 No. 10...
98 bpm • B min • 04:14 • -18.41db
30% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: Introduction. Al...
100 bpm • D min • 03:13 • -24db
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Moses Fantasy
100 bpm • C Maj • 06:57 • -23.4db
32% Popularity • 36% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
32% Popularity • 36% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
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Gabriel Fauré
3 Songs, Op. 7: I. Après un rêve (Vers...
98 bpm • F min • 03:13 • -15.26db
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Henryk Wieniawski
Polonaise de Concert in D Major, Op. 4
98 bpm • D Maj • 05:44 • -13.74db
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
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Max Bruch
Double Concerto for Clarinet, Viola and ...
100 bpm • G Maj • 05:34 • -25db
13% Popularity • 16% Danceability • 7% Energy • 8% Liveness
11% Instrumentalness • 14% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 8% Liveness
11% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: Introduction. Al...
98 bpm • A# Maj • 03:22 • -21.72db
20% Popularity • 37% Danceability • 13% Energy • 7% Liveness
59% Instrumentalness • 32% Positiveness
20% Popularity • 37% Danceability • 13% Energy • 7% Liveness
59% Instrumentalness • 32% Positiveness
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Erno Rozsa
Violin Concerto No. 3 In E Major, MS 50:...
98 bpm • A Maj • 07:25 • -31db
34% Popularity • 26% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
99 bpm • D Maj • 10:26 • -22.37db
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
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Franz Liszt
Liszt: Piano Concerto No. 2 in A Major, ...
98 bpm • A Maj • 01:37 • -14.84db
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
98 bpm • G Maj • 06:59 • -16.74db
16% Popularity • 40% Danceability • 21% Energy • 7% Liveness
11% Instrumentalness • 50% Positiveness
16% Popularity • 40% Danceability • 21% Energy • 7% Liveness
11% Instrumentalness • 50% Positiveness
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Pablo de Sarasate
Navarra, Op. 33
101 bpm • A Maj • 06:11 • -15.08db
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
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Ilya Kaler
24 Caprices, Op. 1: No. 1 in E major
101 bpm • E Maj • 01:56 • -19.17db
39% Popularity • 57% Danceability • 28% Energy • 32% Liveness
85% Instrumentalness • 57% Positiveness
39% Popularity • 57% Danceability • 28% Energy • 32% Liveness
85% Instrumentalness • 57% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
97 bpm • A min • 03:49 • -16db
18% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
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Franz Liszt
6 Consolations, S. 172 - Transcription f...
97 bpm • C# Maj • 03:15 • -21.92db
13% Popularity • 23% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Spanish Dances, Op. 22: Danza espanola N...
101 bpm • D Maj • 05:22 • -21.45db
7% Popularity • 46% Danceability • 11% Energy • 11% Liveness
23% Instrumentalness • 41% Positiveness
7% Popularity • 46% Danceability • 11% Energy • 11% Liveness
23% Instrumentalness • 41% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Eugène Ysaÿe
Paganini variations: Variation 4
97 bpm • A min • 01:20 • -24db
36% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
36% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: I. Allegro mo...
96 bpm • C min • 03:27 • -14.45db
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
97 bpm • D# Maj • 08:38 • -11.04db
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Reverie, Op. 4
97 bpm • F# min • 04:47 • -24.53db
6% Popularity • 28% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 12% Positiveness
6% Popularity • 28% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 12% Positiveness
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David Popper
Elfentanz, Op. 39 - Dance of the Elves
96 bpm • G Maj • 02:32 • -17.32db
41% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
41% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
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Pyotr Ilyich Tchaikovsky
Sérénade mélancolique, Op. 26, TH 56:...
96 bpm • A# min • 09:26 • -23.26db
33% Popularity • 17% Danceability • 7% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 7% Liveness
15% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22:...
96 bpm • G min • 07:14 • -22.09db
8% Popularity • 39% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 26% Positiveness
8% Popularity • 39% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 26% Positiveness
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Giovanni Bottesini
Bottesini: Double Bass Concerto in B Min...
102 bpm • E min • 06:06 • -16.36db
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Romance et Gavotte de Mignon, Op. 16
100 bpm • D Maj • 06:45 • -21.02db
5% Popularity • 40% Danceability • 12% Energy • 5% Liveness
55% Instrumentalness • 13% Positiveness
5% Popularity • 40% Danceability • 12% Energy • 5% Liveness
55% Instrumentalness • 13% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: II. Sch...
96 bpm • C min • 03:41 • -18.31db
12% Popularity • 42% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 45% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 45% Positiveness
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AntonÃn Dvořák
Rondo in G Minor, Op. 94, B. 181: Rondo ...
103 bpm • D Maj • 06:15 • -17.28db
24% Popularity • 33% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
24% Popularity • 33% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 In E Major, BWV 10...
96 bpm • E Maj • 07:49 • -12db
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
103 bpm • D Maj • 09:52 • -23.9db
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
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Pablo de Sarasate
Balada, Op. 31
102 bpm • C Maj • 10:22 • -28.62db
7% Popularity • 26% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
7% Popularity • 26% Danceability • 3% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: I. Allegro
95 bpm • C Maj • 10:32 • -22.14db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Mela Tenenbaum
Mozart Menuetto from Divertimento in D, ...
103 bpm • D Maj • 04:10 • -24.37db
17% Popularity • 41% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
17% Popularity • 41% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
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Pablo de Sarasate
Melodie roumaine, Op. 47
96 bpm • F# min • 03:06 • -25.94db
5% Popularity • 16% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
5% Popularity • 16% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Pablo de Sarasate
Spanish Dances, Op. 26: Danza espanola N...
96 bpm • A Maj • 06:29 • -27.16db
6% Popularity • 27% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
6% Popularity • 27% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Mela Tenenbaum
Albeniz Tango from España OP. 165 No.2:...
104 bpm • G Maj • 02:34 • -22.93db
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
► Preview
Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
94 bpm • D min • 02:49 • -23.34db
15% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
94 bpm • G min • 10:14 • -17.97db
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
François Schubert
12 Bagatelles, Op. 13: No. 9. L'abeille ...
104 bpm • E min • 01:19 • -22db
18% Popularity • 43% Danceability • 20% Energy • 5% Liveness
14% Instrumentalness • 14% Positiveness
18% Popularity • 43% Danceability • 20% Energy • 5% Liveness
14% Instrumentalness • 14% Positiveness
► Preview
Pablo de Sarasate
Bolero, Op. 30
96 bpm • A Maj • 05:34 • -22.44db
5% Popularity • 48% Danceability • 8% Energy • 9% Liveness
12% Instrumentalness • 34% Positiveness
5% Popularity • 48% Danceability • 8% Energy • 9% Liveness
12% Instrumentalness • 34% Positiveness
► Preview
Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Nathan Milstein
Paganiniana (Variations) For Violin Solo
104 bpm • A min • 07:32 • -22.02db
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
► Preview
Leopold Godowsky
Triakontameron: No. 11, Alt-Wien (Arr. J...
104 bpm • G Maj • 02:16 • -17db
26% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
26% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Violin Sonata No. 3 in D Minor, Op. 108:...
94 bpm • A Maj • 05:14 • -29.31db
30% Popularity • 12% Danceability • 3% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Pablo de Sarasate
Concert fantasie on La forza del destino...
95 bpm • B Maj • 09:14 • -19.48db
6% Popularity • 38% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 24% Positiveness
6% Popularity • 38% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 24% Positiveness
► Preview
Pietro Locatelli
Caprice 1 in D-Sharp Major
105 bpm • D Maj • 02:31 • -18.81db
23% Popularity • 45% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 67% Positiveness
23% Popularity • 45% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 67% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
105 bpm • D Maj • 07:50 • -21.29db
12% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
12% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Pablo de Sarasate
Introduction et fandango, Op. 40
95 bpm • D min • 08:06 • -23.4db
4% Popularity • 45% Danceability • 10% Energy • 7% Liveness
25% Instrumentalness • 30% Positiveness
4% Popularity • 45% Danceability • 10% Energy • 7% Liveness
25% Instrumentalness • 30% Positiveness
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Eugène Ysaÿe
Sonata for Solo Violin No. 6 in E Major,...
105 bpm • A Maj • 06:31 • -17.51db
20% Popularity • 41% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 34% Positiveness
20% Popularity • 41% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 34% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
105 bpm • A min • 03:23 • -14.4db
36% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
36% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Concerto Grosso In G Minor, Op. 3, No. 2...
105 bpm • G min • 04:24 • -15.13db
44% Popularity • 41% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 9% Positiveness
44% Popularity • 41% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: III. Allegro mod...
95 bpm • D Maj • 02:06 • -20.08db
24% Popularity • 36% Danceability • 17% Energy • 40% Liveness
7% Instrumentalness • 22% Positiveness
24% Popularity • 36% Danceability • 17% Energy • 40% Liveness
7% Instrumentalness • 22% Positiveness
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Antonio Bazzini
The Dance of the Goblins. Op. 25
93 bpm • G Maj • 04:58 • -20.35db
29% Popularity • 60% Danceability • 26% Energy • 19% Liveness
14% Instrumentalness • 74% Positiveness
29% Popularity • 60% Danceability • 26% Energy • 19% Liveness
14% Instrumentalness • 74% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
41% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
41% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 in D Major, Op. 19...
106 bpm • G Maj • 09:36 • -26db
3% Popularity • 29% Danceability • 14% Energy • 38% Liveness
19% Instrumentalness • 8% Positiveness
3% Popularity • 29% Danceability • 14% Energy • 38% Liveness
19% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Godard
Suite in 3 Movements, Op. 116: I. Allegr...
92 bpm • A# Maj • 02:00 • -21db
23% Popularity • 33% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 36% Positiveness
23% Popularity • 33% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 36% Positiveness
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Mela Tenenbaum
Brahms Hungarian Dance No.6: Johannes Br...
92 bpm • G Maj • 03:13 • -18db
13% Popularity • 43% Danceability • 15% Energy • 7% Liveness
49% Instrumentalness • 60% Positiveness
13% Popularity • 43% Danceability • 15% Energy • 7% Liveness
49% Instrumentalness • 60% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Pablo de Sarasate
Jota aragonesa, Op. 27
95 bpm • D Maj • 05:13 • -20.72db
7% Popularity • 50% Danceability • 10% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
7% Popularity • 50% Danceability • 10% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 1 in G Minor, BWV 1001...
92 bpm • G min • 04:35 • -24.18db
33% Popularity • 20% Danceability • 4% Energy • 68% Liveness
45% Instrumentalness • 15% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 68% Liveness
45% Instrumentalness • 15% Positiveness
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Henryk Wieniawski
Scherzo-Tarantelle, Op. 16
107 bpm • D Maj • 04:40 • -17.52db
26% Popularity • 42% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 38% Positiveness
26% Popularity • 42% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In B Minor, Op. 3...
107 bpm • B min • 03:54 • -14.17db
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
