Songs like Zwei Matrosen aus Shanghai by Gerhard Wendland
Based on a tempo of (+/- 10%) and a similar genre
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Gerhard Wendland
Zwei Matrosen aus Shanghai
73 bpm • C Maj • 03:02 • -8db
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Caterina Valente
Einen Ring Mit Zwei Blutroten Steinen
73 bpm • F Maj • 02:54 • -6.81db
9% Popularity • 36% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 36% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Ralf Bendix
Sie hiess Mary Ann
73 bpm • A Maj • 02:38 • -9db
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Gerd Böttcher
Oh, Billy Billy Black
73 bpm • G Maj • 02:10 • -14db
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Lale Andersen
Wenn du heimkommst
72 bpm • C# Maj • 02:36 • -11.59db
15% Popularity • 33% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 33% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Gitte Hænning
Süß wie Schokolade - Remastered 2005
75 bpm • A# Maj • 02:28 • -9.37db
10% Popularity • 57% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 57% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Gerhard Wendland
Nein, das kann nicht sein
73 bpm • F# Maj • 03:10 • -12.18db
0% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Caterina Valente
Tschau, Tschau, Bambina...!
74 bpm • B Maj • 02:54 • -11.06db
17% Popularity • 29% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 29% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
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Conny Froboess
Midi-Midinette
75 bpm • F# Maj • 03:01 • -14.9db
27% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Willy Schneider
Mutterl Unterm Dach ist Ein Nesterl Geba...
71 bpm • F Maj • 03:26 • -11db
8% Popularity • 35% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 35% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Manuela
Schwimmen lernt man im See
71 bpm • F Maj • 02:13 • -4.57db
13% Popularity • 50% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 50% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Gerhard Wendland
Man kann sein Herz nur einmal verschenke...
71 bpm • G Maj • 03:02 • -12.16db
0% Popularity • 36% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 36% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Mona Baptiste
Es liegt was in der Luft
77 bpm • G# Maj • 03:24 • -12.09db
2% Popularity • 77% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 77% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Caterina Valente
Ganz Paris träumt von der Liebe
73 bpm • A Maj • 02:53 • -9.97db
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Rita Paul
Spiel mir eine alte Melodie (Play A Simp...
77 bpm • F Maj • 02:35 • -11db
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Willy Schneider
Vor meinem Vaterhaus steht eine Linde
77 bpm • G# Maj • 03:09 • -10db
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Gerhard Wendland
Von Liebe reden wir später
77 bpm • D# min • 03:18 • -6.44db
0% Popularity • 22% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 22% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Jacqueline Boyer
Mitsou
79 bpm • D min • 03:15 • -12.95db
20% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Holm
Happy Birthday, Josefin
79 bpm • A# min • 02:38 • -8.32db
3% Popularity • 64% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 64% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 60% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Gerhard Wendland
Danke schön
78 bpm • C# Maj • 02:25 • -14.7db
6% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Katja Ebstein
Ein Indio-Junge aus Peru
80 bpm • C min • 03:10 • -6.44db
24% Popularity • 33% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 33% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Lale Andersen
Spiel mir eine alte Melodie
81 bpm • G Maj • 02:44 • -6.6db
16% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Heidi Brühl
Chico-Chico-Charly
83 bpm • C# min • 02:38 • -2db
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Gerhard Wendland
Ich weiß auf der Wieden ein kleines Hot...
79 bpm • C Maj • 03:09 • -13.19db
3% Popularity • 26% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 26% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Lale Andersen
Blaue Nacht am Hafen
82 bpm • D# Maj • 02:23 • -12db
28% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Elfi Graf
Herzen haben keine Fenster
83 bpm • F Maj • 03:03 • -6.16db
28% Popularity • 45% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 45% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Heidi Brühl
Chico Chico Charlie
83 bpm • B Maj • 02:41 • -6db
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Conny Froboess
Lippenstift am Jackett
83 bpm • G Maj • 02:22 • -14db
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Gerhard Wendland
Bei uns in Laramie
81 bpm • C Maj • 02:25 • -8.17db
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ulli Martin
Du musst nicht weinen
84 bpm • D Maj • 03:41 • -12db
27% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Ivo Robic
Ein ganzes Leben lang (I Can't Stop Lovi...
84 bpm • D# Maj • 02:30 • -12db
12% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Lale Andersen
Lili Marleen
84 bpm • A Maj • 02:53 • -7db
37% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Heinz Rühmann
O Bello
84 bpm • C Maj • 02:25 • -8db
19% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Gerhard Wendland
Ich bin bei Dir (Gestern abend ging ganz...
80 bpm • C# Maj • 02:15 • -10db
4% Popularity • 44% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 44% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Lolita
Tulpen aus Amsterdam
85 bpm • C Maj • 02:20 • -10db
20% Popularity • 53% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 53% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Kölner Rundfunkorchester
Die Teresina: Act I - " Ade du blaue Kü...
85 bpm • B Maj • 01:02 • -8.76db
2% Popularity • 38% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 38% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Lale Andersen
Unter einem Regenschirm am Abend
84 bpm • G# Maj • 03:15 • -11.34db
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Bärbel Wachholz
Sole, Sole
86 bpm • D# Maj • 02:54 • -7db
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Gerhard Wendland
Bleib so, wie du bist
82 bpm • G Maj • 02:15 • -8.22db
5% Popularity • 42% Danceability • 33% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 42% Danceability • 33% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Chubby Checker
Troola Troola Troolala
86 bpm • D min • 02:45 • -4.42db
9% Popularity • 54% Danceability • 99% Energy • 20% Liveness
9% Instrumentalness • 86% Positiveness
9% Popularity • 54% Danceability • 99% Energy • 20% Liveness
9% Instrumentalness • 86% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Lolita
Der weiße Mond von Maratonga
86 bpm • G Maj • 02:34 • -15db
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Ulli Martin
So kann es hundert Jahre weitergeh'n
87 bpm • D Maj • 03:01 • -11.19db
15% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Gerhard Wendland
Du bist das süßeste Mädel der Welt
83 bpm • C Maj • 02:22 • -9.58db
3% Popularity • 52% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 52% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Hans Albers
Komm' Auf Die Schaukel, Luise.
87 bpm • G Maj • 02:45 • -9.39db
6% Popularity • 57% Danceability • 30% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 57% Danceability • 30% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Ralf Bendix
100 bunte Bänder (Tie A Yellow Ribbon R...
87 bpm • C Maj • 03:00 • -8.11db
15% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rex Gildo
Wenn es sein muss, kann ich treu sein (I...
88 bpm • G# Maj • 02:07 • -15.05db
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Ulli Martin
Ich liebe dich
87 bpm • B Maj • 03:23 • -8db
14% Popularity • 38% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 38% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Ralf Paulsen
Tränen in deinen Augen (Chi Chi)
88 bpm • A Maj • 02:02 • -9.46db
11% Popularity • 31% Danceability • 76% Energy • 33% Liveness
6% Instrumentalness • 79% Positiveness
11% Popularity • 31% Danceability • 76% Energy • 33% Liveness
6% Instrumentalness • 79% Positiveness
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Gerhard Wendland
Im weiten blauen Meer
85 bpm • D Maj • 02:32 • -7.56db
2% Popularity • 52% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 52% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Caterina Valente
Popocatepetl-Twist
88 bpm • G min • 01:56 • -11.57db
23% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Vicky Leandros
Die Bouzouki klang durch die Sommernacht
89 bpm • G Maj • 03:26 • -10db
41% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Andreas Holm
Bin schon vergeben
89 bpm • A# Maj • 02:12 • -6db
10% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Gerhard Wendland
Du fehlst mir so sehr
86 bpm • G# Maj • 02:36 • -12db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Makulis
Sieben Berge - sieben Täler
90 bpm • A# Maj • 02:35 • -8.07db
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Elfi Graf
herzen haben keine fenster
90 bpm • E Maj • 03:26 • -8db
18% Popularity • 40% Danceability • 65% Energy • 31% Liveness
3% Instrumentalness • 68% Positiveness
18% Popularity • 40% Danceability • 65% Energy • 31% Liveness
3% Instrumentalness • 68% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Renate und Werner Leismann
Im kleinen Dorf am Rio Grande
91 bpm • C Maj • 02:25 • -6.87db
14% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Wencke Myhre
Beiß nicht gleich in jeden Apfel
91 bpm • D Maj • 02:12 • -4.5db
32% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Gerhard Wendland
Wenn die Glocken hell erklingen
90 bpm • F# Maj • 03:13 • -10.18db
3% Popularity • 49% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 49% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Nina & Mike
Deine Liebe
91 bpm • F Maj • 02:58 • -12.75db
27% Popularity • 36% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 36% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Lale Andersen
Im roten Licht der Hafenbar
91 bpm • G min • 01:57 • -11db
21% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Geraldine Olivier
Der weiße Mond von Maratonga
91 bpm • G Maj • 02:25 • -6.03db
7% Popularity • 31% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 31% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lys Assia
Wenn die Glocken erklingen
92 bpm • D Maj • 02:51 • -5.9db
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Kölner Rundfunkorchester
Die Teresina: Act I - " Besucht mich mal...
92 bpm • C Maj • 02:49 • -7.25db
0% Popularity • 63% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 63% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 82% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Rocco Granata
Buona Notte bambino (German Version)
92 bpm • C# Maj • 03:05 • -14db
35% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Buck Ram
MEMORIES OF THE SIXTIES
92 bpm • A# Maj • 09:27 • -15.22db
1% Popularity • 34% Danceability • 28% Energy • 25% Liveness
50% Instrumentalness • 52% Positiveness
1% Popularity • 34% Danceability • 28% Energy • 25% Liveness
50% Instrumentalness • 52% Positiveness
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Gerhard Wendland
Vagabundenlied
93 bpm • G# Maj • 03:46 • -9.38db
4% Popularity • 43% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 43% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dorthe
Wärst du doch in Düsseldorf geblieben
93 bpm • E Maj • 02:34 • -9db
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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Geraldine Olivier
Fahr mich in die Ferne, mein blonder Mat...
93 bpm • F Maj • 03:06 • -5.81db
20% Popularity • 34% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 34% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lys Assia
Sucu Sucu
93 bpm • E Maj • 02:10 • -7db
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Lolita
Schön ist die Liebe im Hafen
95 bpm • D# Maj • 02:54 • -8.73db
9% Popularity • 57% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 57% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Freddy Breck
Eine Frau ist so schön, wenn sie liebt
94 bpm • B Maj • 02:50 • -9db
16% Popularity • 32% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 32% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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René Carol
La-Le-Lu
95 bpm • G Maj • 03:04 • -10.52db
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dorthe
Sind Sie der Graf von Luxemburg?
94 bpm • F min • 02:51 • -11db
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Conny Froboess
Lady Sunshine und Mr. Moon
95 bpm • D# Maj • 02:20 • -11db
37% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Lys Assia
Tammy
94 bpm • G# Maj • 02:25 • -6db
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Judith & Mel
Ein Leben lang lieben
95 bpm • C Maj • 02:59 • -9db
28% Popularity • 69% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 69% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Jacqueline Boyer
Mucho Amore
96 bpm • A# Maj • 03:17 • -12.57db
9% Popularity • 56% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 56% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Die James Brothers
Wenn
96 bpm • D# Maj • 02:22 • -12.09db
17% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Melitta Berg
Nur Du, Du, Du Allein
96 bpm • A Maj • 02:28 • -7.37db
17% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
