🔥Growing Artists | Pitch your song |
Swan Lake Suite, Op. 20a, Act II, 10. Scene cover art

London Festival Orchestra, Henry Adolph

Swan Lake Suite, Op. 20a, Act II, 10. Scene

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
119 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-20.28db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 1% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
12%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
20%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
9%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
93%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
92%




Discover songs similar to Swan Lake Suite, Op. 20a, Act II, 10. Scene


Sinfonia in C major, RV 112: I. Allegro cover art
Karoly Botvay - Sinfonia in C major, RV 112: I. Allegro
58% popularity • 119 bpm • G Maj • 01:56 • 4/4
Lawrence Of Arabia: Theme - From
London Festival Orchestra - Lawrence Of Arabia: Theme
3% popularity • 120 bpm • D Maj • 03:29 • 3/4
The Great Escape cover art
Al Stillman - The Great Escape
10% popularity • 118 bpm • F Maj • 05:32 • 4/4
Suite N1. En LA Gruta Del Rey De La Montaña cover art
Orquesta Sinfónica De Radio Hamburgo - Suite N1. En LA Gruta Del Rey De La Mont...
31% popularity • 118 bpm • F# min • 02:35 • 4/4
Carnival of the Animals, R. 125: The Swan cover art
Camille Saint-Saëns - Carnival of the Animals, R. 125: The Swa...
59% popularity • 118 bpm • G Maj • 03:04 • 4/4
Nocturne en Mi Bémol Majeur, Op. 9 No. 2 cover art
Frédéric Chopin - Nocturne en Mi Bémol Majeur, Op. 9 No. ...
60% popularity • 120 bpm • D# Maj • 04:28 • 3/4
Shine Jesus Shine cover art
Linda McKechnie - Shine Jesus Shine
3% popularity • 118 bpm • F Maj • 03:46 • 4/4
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 cover art
London Festival Orchestra - Carmen, Opera Suite No. 1: II. Les Drago...
29% popularity • 120 bpm • G Maj • 01:37 • 4/4
Espana, Waltz, Op. 236 cover art
Émile Waldteufel - Espana, Waltz, Op. 236
20% popularity • 118 bpm • F Maj • 06:25 • 1/4
Scheherazade: The Tale of the Kalendar Prince cover art
Nikolai Rimsky-Korsakov - Scheherazade: The Tale of the Kalendar P...
59% popularity • 121 bpm • B min • 03:20 • 3/4
El sombrero de tres picos, Pt. 1: III. Danza de la molinera cover art
Manuel de Falla - El sombrero de tres picos, Pt. 1: III. D...
34% popularity • 121 bpm • D Maj • 03:34 • 3/4
Symphony No. 9 in E Minor, Op. 95
Antonín Dvořák - Symphony No. 9 in E Minor, Op. 95 "From ...
38% popularity • 121 bpm • C Maj • 07:50 • 4/4
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) cover art
Jacques Offenbach - Les Contes d'Hoffmann / Act 4: Entr'acte...
41% popularity • 121 bpm • D Maj • 03:50 • 5/4
Grieg: Piano Concerto In A Minor cover art
London Festival Orchestra - Grieg: Piano Concerto In A Minor
21% popularity • 121 bpm • A min • 05:19 • 4/4
Swan Lake Suite, Op. 20a, Act II, 10. Scene (From Billy Elliot) is a song by London Festival Orchestra, released on 2014-10-17. It is track number 2 in the album Opera Goes to Movies Vol. 1. Swan Lake Suite, Op. 20a, Act II, 10. Scene (From Billy Elliot) has a BPM/tempo of 119 beats per minute, is in the key of E min and has a duration of 3 minutes, 8 seconds.

Swan Lake Suite, Op. 20a, Act II, 10. Scene (From Billy Elliot) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Swan Lake Suite, Op. 20a, Act II, 10. Scene info

Name
Swan Lake Suite, Op. 20a, Act II, 10. Scene (From Billy Elliot)
Release Date
17th October 2014
ISRC
QM6N21404702
Key
E min
Tempo
119
Loudness (db)
-20.28db
Time signature
4/4
Length
03:08
Song Number
2 of 12
Explicit
No