#
Title
Tempo
Key
Length
1
Freedman documentary: In the summer of 1955…
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
76 bpm
G min
07:20
2
Freedman documentary: And then one day I heard a program called Let's Dance.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
106 bpm
A# min
04:38
3
Freedman documentary: There's only one thing that you can learn.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
96 bpm
G Maj
05:40
4
Freedman documentary: If you listen to the First Symphony, the echo of Bela Bartok is there.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
170 bpm
G# Maj
05:14
5
Freedman documentary: He needs his own space, and he needs to have absolute quite.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
132 bpm
A Maj
05:19
6
Freedman documentary: Most of the ballets I did were with Brian Macdonald.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
81 bpm
A min
08:05
7
Freedman documentary: Up to that point there wasn't very much chance of earning your living…
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
133 bpm
F# Maj
10:31
8
Freedman documentary: There's a certain sparseness, or angularity that I would recognize.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
77 bpm
F Maj
03:20
9
Freedman documentary: You know, it's a very strong habit that he ha.
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
124 bpm
G min
05:40
1
Tableau
Harry Freedman, CBC Vancouver Orchestra, Mario Bernardi
Harry Freedman, CBC Vancouver Orchestra, Mario Bernardi
69 bpm
D# Maj
08:55
2
Tangents, "Symphonic Variations"
Harry Freedman, Vancouver Symphony Orchestra, Kazuyoshi Akiyama
Harry Freedman, Vancouver Symphony Orchestra, Kazuyoshi Akiyama
75 bpm
G# min
16:13
3
Touching
Harry Freedman, Nexus, Esprit Orchestra, Alex Pauk
Harry Freedman, Nexus, Esprit Orchestra, Alex Pauk
126 bpm
C Maj
22:28
4
Town, "A Musical Impression of Harold Town, the Man and his Art"
Harry Freedman, Esprit Orchestra, Alex Pauk
Harry Freedman, Esprit Orchestra, Alex Pauk
94 bpm
C# Maj
13:52