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Album

Sunday Morning Classical

By Various Artists

18th November 2016

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Title

Tempo

Key

Length

Ave Maria, D. 839
Franz Schubert, Jane Parker-Smith, Maurice André

Herz und Mund und Tat und Leben, BWV. 147: X. Jesu, joy of man's desiring
Johann Sebastian Bach, Alfred Mitterhoffer, Maurice André

Messiah, HWV. 56, Part 2: He was despised (alto air: Largo)
George Frideric Handel, Ambrosian Singers, Janet Baker, Elizabeth Harwood, English Chamber Orchestra, Paul Esswood, Raimund Herincx, Robert Tear, Sir Charles Mackerras, John McCarthy

Messiah, HWV. 56, Part 2: Hallelujah (chorus: Allegro)
George Frideric Handel, Ambrosian Singers, Janet Baker, Elizabeth Harwood, English Chamber Orchestra, Paul Esswood, Raimund Herincx, Robert Tear, Sir Charles Mackerras, John McCarthy

Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. II: Più vivace
Johannes Brahms, London Philharmonic Orchestra, Sir Adrian Boult

Wachet auf, ruft uns die Stimme, BWV. 140: IV. Zion hört die Wächter singen
Johann Sebastian Bach, Consortium Musicum, Elly Ameling, Hans Sotin, Suddeutscher Madrigalchor, Theo Altmeyer, Wolfgang Gönnenwein

Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto
Ludwig van Beethoven, Chor des Städt. Musikvereins zu Düsseldorf, Jan-Hendrik Rootering, Margaret Price, Marjana Lipovsek, Peter Seiffert, Royal Concertgebouw Orchestra, Wolfgang Sawallisch

Mass No. 18 in C Minor, K. 427: I. Kyrie
Wolfgang Amadeus Mozart, Edith Wiens, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra, Richard Cooke

Mass No. 18 in C Minor, K. 427: II. Gloria, Jesu Christe - Cum Sancto Spiritu
Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra, Richard Cooke

Mass No. 18 in C Minor, K. 427: III. Credo, Et incarnatus est
Wolfgang Amadeus Mozart, Edith Wiens, Franz Welser-Möst, London Philharmonic Orchestra

Jesu, der du meine Seele, BWV. 78: II. Wir eilen mit schwachen, doch emsigen Schritten
Johann Sebastian Bach, Consortium Musicum, Edith Mathis, Sybil Michelow, Wolfgang Gönnenwein

Matthäuspassion, BWV. 244, Part I: Ich will bei meinem Jesu wachen
Johann Sebastian Bach, Consortium Musicum, Franz Crass, Hermann Prey, Julia Hamari, Nicolai Gedda, Suddeutscher Madrigalchor, Teresa Żylis-Gara, Theo Altmeyer, Wolfgang Gönnenwein

Requiem in C Minor: VI. Pie Jesu
Luigi Cherubini, Ambrosian Chorus, John McCarthy, Philharmonia Orchestra, Riccardo Muti

Requiem, Op. 9: V. Pie Jesu
Maurice Duruflé, Janet Baker, John Butt, Choir of King's College, Cambridge, Philip Ledger, Stephen Roberts

The Crucifixion: No. 19, Recit. and chorus, After this, Jesus knowing that all things were now accomplished (tenor, choir)
John Stainer, Barry Rose, Guildford Cathedral Choir

Requiem, Op. 48: VII. In Paradisum
Gabriel Fauré, Ensemble Vocal Et Instrumental De Lausan, Michel Corboz

Mass in B Minor, BWV. 232: IV. Gloria in excelsis (chorus)
Johann Sebastian Bach, Collegium Vocale Gent, Orchestra Of Collegium Vocale, Philippe Herreweghe

Requiem in D Minor, K. 626: VIII. Seq. Lacrimosa dies illa
Wolfgang Amadeus Mozart, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst

Messa da Requiem: IV. Sanctus
Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti

Orfeo ed Euridice, Wq. 30, Act II Scene 2: Dance of the Blessed Spirits
Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti, New Philharmonia Orchestra

Messa da Requiem: II. Seq. Recordare
Giuseppe Verdi, Jon Vickers, New Philharmonia Chorus, New Philharmonia Orchestra, Sir John Barbirolli

Requiem: I. Requiem aeternam
John Rutter, Choir of King's College, Cambridge, Sinfonia Of London, Stephen Cleobury

Elijah, Op. 70: No. 31, O rest in the Lord (Angel I)
Felix Mendelssohn, Gwyneth Jones, Janet Baker, Dietrich Fischer-Dieskau, New Philharmonia Chorus, Nicolai Gedda, Rafael Frühbeck de Burgos, Russell Burgess, Simon Woolf, Wandsworth School Boys Choir, Wilhelm Pitz, New Philharmonia Orchestra

The Mikado, Act I: Behold the Lord High Executioner! (Nobles, Ko-Ko)
Arthur Sullivan, Glyndebourne Chorus, Pro Arte Orchestra, Geraint Evans, Sir Malcolm Sargent, Peter Gellhorn

La Favorita, Act IV: Favorita del Re!....Spirito gentil
Gaetano Donizetti, Franco Corelli, Franco Ferraris, Philharmonia Orchestra

Iolanthe, Act II: Love, unrequited, robs me of my rest ... When you're lying awake (Lord Chancellor)
Arthur Sullivan, George Baker, Pro Arte Orchestra, Sir Malcolm Sargent

Lord, what is man?, Z. 192
Henry Purcell, Ambrose Gauntlett, Janet Baker, Martin Isepp

The Dream of Gerontius Op. 38, Part II: There was a mortal...Praise to the Holiest (semi-chorus, chorus)
Edward Elgar, Anthony Rolfe Johnson, Brian Kay, Catherine Wyn-Rogers, Huddersfield Choral Society, Ian Tracey, Malcolm Stewart, Michael George, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Stephen Disley, Vernon Handley

Wie der Hirsch schreit nach frischem Wasser, Op. 42: I. Chorus, Wie der Hirsch schreit (Psalm 42)
Felix Mendelssohn, City of London Sinfonia, Janet Baker, London Symphony Chorus, Richard Hickox

The Wise Virgins: VI. Praise be to God (Moderato)
Johann Sebastian Bach, William Walton, City Of Birmingham Symphony Orchestra, Louis Frémaux

The Dream of Gerontius, Op. 38, Part II: Praise to the Holiest (chorus)
Edward Elgar, Anthony Rolfe Johnson, Brian Kay, Catherine Wyn-Rogers, Huddersfield Choral Society, Ian Tracey, Malcolm Stewart, Michael George, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Stephen Disley, Vernon Handley

The Lord is my shepherd, Op. 91 No. 1
Lennox Berkeley, Christopher Hughes, Choir of King's College, Cambridge, Stephen Cleobury, Thomas Rose

Agnus Dei, Op. 11 "Adagio for Strings"
Samuel Barber, David Hill, Winchester Cathedral Choir

How blest are they that fear the Lord (words from Psalm 128)
Stephen Oliver, St. Paul's Cathedral Choir, John Scott, Richard Moorhouse

Olivet to Calvary, Part II: X. Droop, sacred head (chorus)
John Henry Maunder, Barry Rose, Frederick Harvey, Guildford Cathedral Choir, John Mitchinson

Like as the hart Desireth the Waterbrooks (Psalm 42, vv. 1-3)
Herbert Howells, Christopher Hughes, Choir of King's College, Cambridge, Leonard Pearcey, Stephen Cleobury

Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme (Andante)
Johannes Brahms, London Philharmonic Orchestra, Sir Adrian Boult

Suite from King Christian II, Op. 27: II. Élégie
Jean Sibelius, Bournemouth Symphony Orchestra, Paavo Berglund

Five Mystical Songs: IV. The Call
Ralph Vaughan Williams, St. Paul's Cathedral Choir, City of London Sinfonia, John Scott

The Dream of Gerontius Op. 38, Part I: So pray for me...Kyrie eleison...Holy Mary, pray for him (semi-chorus, chorus)
Edward Elgar, Anthony Rolfe Johnson, Brian Kay, Catherine Wyn-Rogers, Huddersfield Choral Society, Ian Tracey, Malcolm Stewart, Michael George, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Stephen Disley, Vernon Handley

Trial by Jury: X. Oh, gentlemen, listen, I pray (Defendant and Chorus of Bridesmaids)
Arthur Sullivan, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Richard Lewis, Sir Malcolm Sargent

The Lord's my shepherd (Brother James' Air)
James Leith Macbeth Bain, Andrew Lucas, St. Paul's Cathedral Choir, City of London Sinfonia, John Scott

I love the Lord (words from Psalm 116, vv. 1-4, 7-9)
Jonathan Harvey, Choir of King's College, Cambridge, Stephen Cleobury

Dear Lord and Father of mankind (Repton)
Hubert Parry, Benjamin Bayl, Choir of King's College, Cambridge, Stephen Cleobury, Thomas Bullard

Russian Easter Festival, Op. 36
Nikolai Rimsky-Korsakov, Hallé, Vernon Handley