🔥Growing Artists | Pitch your song |
6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo cover art

Jean Sibelius, Salvatore Accardo, London Symphony Orchestra, Sir Colin Davis

6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
97 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-16.91db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 1% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
15%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
35%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
9%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
16%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
98%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
34%




Discover songs similar to 6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo


Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] cover art
Carl Philipp Emanuel Bach - Notebook for Anna Magdalena Bach (1725) ...
44% popularity • 97 bpm • G min • 01:06 • 3/4
Nocturne in B Flat Major, H. 37 (Version for Harp) cover art
John Field - Nocturne in B Flat Major, H. 37 (Version...
47% popularity • 97 bpm • A# Maj • 02:58 • 1/4
Sylvia: Act III: Divertissement: Variation - Valse cover art
Léo Delibes - Sylvia: Act III: Divertissement: Variati...
61% popularity • 97 bpm • D# Maj • 01:15 • 3/4
Paganini variations: Variation 4 cover art
Eugène Ysaÿe - Paganini variations: Variation 4
36% popularity • 97 bpm • A min • 01:20 • 4/4
Songs My Mother Taught Me, Op. 55 No. 4 cover art
Antonín Dvořák - Songs My Mother Taught Me, Op. 55 No. 4
42% popularity • 96 bpm • D Maj • 02:14 • 1/4
Après un rêve, Op. 7, No. 1 (Arr. Piano) cover art
Gabriel Fauré - Après un rêve, Op. 7, No. 1 (Arr. Pian...
34% popularity • 98 bpm • F min • 03:18 • 3/4
The Lark Ascending: I. Andante sostenuto cover art
Ralph Vaughan Williams - The Lark Ascending: I. Andante sostenuto
39% popularity • 98 bpm • B min • 06:12 • 4/4
Heavenly Romanticism cover art
Béla Bartók - Heavenly Romanticism
48% popularity • 96 bpm • F Maj • 01:02 • 4/4
Karelia, JS 115: Intermezzo (I) cover art
Jean Sibelius - Karelia, JS 115: Intermezzo (I)
16% popularity • 96 bpm • D# Maj • 03:49 • 4/4
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art
Franz Liszt - 6 Chants polonais, S. 480: No. 2, Frühl...
63% popularity • 96 bpm • G min • 02:11 • 1/4
5 Anniversaries: No. 5, For Susanna Kyle cover art
Leonard Bernstein - 5 Anniversaries: No. 5, For Susanna Kyle
49% popularity • 98 bpm • C Maj • 01:56 • 4/4
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) cover art
Gabriel Fauré - Après un rêve, Op. 7, No. 1 (Arr. for ...
50% popularity • 98 bpm • F min • 03:01 • 4/4
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato cover art
Max Bruch - Violin Concerto No. 1 in G Minor, Op. 26...
31% popularity • 99 bpm • D# Maj • 08:21 • 4/4
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio cover art
Carl Maria von Weber - Piano Concerto No. 1 in C Major, Op. 11,...
41% popularity • 95 bpm • G# Maj • 04:17 • 4/4
6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo is a song by Jean Sibelius, released on 2016-09-16. It is track number 4 in the album Sibelius: Violin Concerto; Six Humoresques. 6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo has a BPM/tempo of 97 beats per minute, is in the key of A# Maj and has a duration of 3 minutes, 55 seconds.

6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is somewhat easy to dance to.

6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo info

Name
6 Humoresques for Violin and Orchestra: No. 1, Op. 87, No. 1 - Commodo
Release Date
16th September 2016
ISRC
NLA507801504
Key
A# Maj
Tempo
97
Loudness (db)
-16.91db
Time signature
4/4
Length
03:55
Song Number
4 of 9
Explicit
No