Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos cover art

Psaltiki

Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetra...

Korones / Koukouzeles / Kladas
Preview
Home >> Psaltiki >> Aineite (Praise the Lord from the Heavens - Psalm ...

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
135 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F# min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-14.81db
Time signature(?)
How many beats there are per measure/bar.
5/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 14% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
14%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
26%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
20%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
8%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
21%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
96%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos


Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos cover art
Psaltiki - Aineite (Praise the Lord from the Heaven...
15% popularity • 135 bpm • F# min • 09:09 • 5/4
Hymn for Lent: Tebe odeyushchagosia svetom (Thou, who art clothed in light). For male choir cover art
Traditional - Hymn for Lent: Tebe odeyushchagosia svet...
31% popularity • 135 bpm • B min • 09:13 • 4/4
The Creed - Psalm Tone cover art
St. Tikhon's Monastery Choir - The Creed - Psalm Tone
27% popularity • 135 bpm • C Maj • 01:51 • 3/4
Simeron krematai cover art
Fr. Nikodimos Kabarnos - Simeron krematai
25% popularity • 135 bpm • A Maj • 04:31 • 3/4
Holy Saturday C Stasis (At Lauds) cover art
Various Artists - Holy Saturday C Stasis (At Lauds)
2% popularity • 135 bpm • D Maj • 06:55 • 3/4
Exapostilarion Of The Transfiguration Of The Lord cover art
Men's Choir of the Valaam ... - Exapostilarion Of The Transfiguration Of...
12% popularity • 135 bpm • A Maj • 01:31 • 5/4
Amen Mode II cover art
Psaltiki - Amen Mode II
1% popularity • 135 bpm • E Maj • 00:46 • 1/4
All Creation Rejoices cover art
Rana Nassour-Derbaly - All Creation Rejoices
22% popularity • 135 bpm • F# Maj • 04:09 • 3/4
J'élèverai la coupe du salut cover art
Traditional - J'élèverai la coupe du salut
18% popularity • 134 bpm • A# min • 08:42 • 4/4
Great Doxology (Third Mode) cover art
Eikona - Great Doxology (Third Mode)
16% popularity • 134 bpm • A# Maj • 05:14 • 5/4
Bénissez le Seigneur... cover art
Ioannis Koukouzèlis - Bénissez le Seigneur...
15% popularity • 134 bpm • F# min • 07:04 • 4/4
Stihira Enon cover art
Choir of Vatopedi Fathers - Stihira Enon
18% popularity • 136 bpm • C# Maj • 04:09 • 4/4
Simeron kremate epi xylou cover art
Sotiris Doganis - Simeron kremate epi xylou
15% popularity • 136 bpm • G Maj • 08:44 • 4/4
المسيح قام للإيصودن، باللحن الخامس cover art
جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس - المسيح قام للإيصودن، �...
14% popularity • 134 bpm • A min • 01:03 • 3/4
Click to view more similar songs to Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos
Discover more songs by Psaltiki
Aineite (Praise the Lord ) in Mode I Tetraphonos is a song by Psaltiki, released on 2013-03-07. It is track number 3 in the album Korones / Koukouzeles / Kladas. Aineite (Praise the Lord ) in Mode I Tetraphonos has a BPM/tempo of 135 beats per minute, is in the key of F# min and has a duration of 9 minutes, 9 seconds.

Aineite (Praise the Lord ) in Mode I Tetraphonos is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos info

Name
Aineite (Praise the Lord from the Heavens - Psalm 148) in Mode I Tetraphonos
Artist(s)
Psaltiki
Album
Korones / Koukouzeles / Kladas
Release Date
7th March 2013
ISRC
uscgj1321422
Key
F# min
Tempo
135
Loudness (db)
-14.81db
Time signature
5/4
Length
09:09
Song Number
3 of 3
Explicit
No