🔥Growing Artists | Pitch your song |
Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) cover art

Richard Strauss, Los Angeles Philharmonic, Zubin Mehta

Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
140 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-13.32db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 19% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
22%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
17%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
3%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
16%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
41%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
93%




Discover songs similar to Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)


Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) cover art
Richard Strauss - Also sprach Zarathustra, Op. 30: Prelude...
19% popularity • 140 bpm • C Maj • 02:00 • 4/4
Symphony No. 9 in E Minor (New World Symphony), Op. 95, B. 178: IV. Allegro con fuoco cover art
Berliner Symphoniker Orchestra - Symphony No. 9 in E Minor (New World Sym...
8% popularity • 139 bpm • E min • 11:09 • 4/4
Toccata & Fugue in D Minor, BWV 565: Toccata cover art
Johann Sebastian Bach - Toccata & Fugue in D Minor, BWV 565: Toc...
35% popularity • 141 bpm • D min • 02:28 • 5/4
Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto cover art
Sergei Rachmaninoff - Rhapsody on a Theme of Paganini, Op. 43:...
28% popularity • 139 bpm • D min • 01:28 • 4/4
The Birds, P. 154: 1. Prelude cover art
Ottorino Respighi - The Birds, P. 154: 1. Prelude
19% popularity • 142 bpm • A Maj • 02:45 • 4/4
Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio cover art
Antonín Dvořák - Symphony No. 8 in G Major, Op. 88, B. 16...
25% popularity • 138 bpm • G Maj • 09:51 • 4/4
Intermezzo, Op. 72, TrV 246a, 4 Symphonic Interludes: Intermezzo, Op. 72, TrV 246a: Träumerei am Kamin (Dreaming by the Fireside) cover art
Richard Strauss - Intermezzo, Op. 72, TrV 246a, 4 Symphoni...
6% popularity • 140 bpm • G# Maj • 07:22 • 4/4
Variations on an Original Theme, Op. 36
Edward Elgar - Variations on an Original Theme, Op. 36 ...
21% popularity • 142 bpm • D# Maj • 03:45 • 4/4
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre cover art
Franz von Suppé - Ein Morgen, ein Mittag, ein Abend in Wie...
16% popularity • 142 bpm • F Maj • 08:35 • 4/4
La belle Hélène: Overture cover art
Jacques Offenbach - La belle Hélène: Overture
20% popularity • 138 bpm • E Maj • 08:31 • 4/4
Capriccio Espagnol, Op. 34: I. Alborada cover art
Nikolai Rimsky-Korsakov - Capriccio Espagnol, Op. 34: I. Alborada
10% popularity • 137 bpm • A Maj • 01:09 • 4/4
Sylvia - Suite (2002 - Remaster): Pizzicati cover art
Léo Delibes - Sylvia - Suite (2002 - Remaster): Pizzic...
21% popularity • 143 bpm • C min • 01:50 • 5/4
Country Gardens: English Morris Dance Tune (Stokowski version, 1950) cover art
Percy Grainger - Country Gardens: English Morris Dance Tu...
11% popularity • 137 bpm • D# Maj • 02:36 • 4/4
Elektra: Xii. Was sagen sie ihr denn? cover art
Hugo von Hofmannsthal - Elektra: Xii. Was sagen sie ihr denn?
1% popularity • 136 bpm • B Maj • 02:13 • 3/4
Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) is a song by Richard Strauss, released on 2002-01-01. It is track number 5 in the album Strauss, Richard: The Tone Poems. Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) has a BPM/tempo of 140 beats per minute, is in the key of C Maj and has a duration of 2 minutes, 706 milliseconds.

Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) info

Name
Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)
Release Date
1st January 2002
ISRC
GBF076810811
Key
C Maj
Tempo
140
Loudness (db)
-13.32db
Time signature
4/4
Length
02:00
Song Number
5 of 72
Explicit
No