Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
American Triptych: No. 3, Come to the Woods cover art

Jake Runestad, Conspirare, Craig Hella Johnson

American Triptych: No. 3, Come to the Woods

The Hope of Loving
Preview
Home >> Jake Runestad >> American Triptych: No. 3, Come to the Woods

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
76 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
D Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-22db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 8% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
8%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
8%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
12%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
22%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
84%




Discover songs similar to American Triptych: No. 3, Come to the Woods


Tabula Rasa cover art
Don MacDonald - Tabula Rasa
15% popularity • 76 bpm • D Maj • 03:54 • 3/4
Ave verum corpus in E-Flat Major cover art
Camille Saint-Saëns - Ave verum corpus in E-Flat Major
18% popularity • 76 bpm • D# Maj • 02:48 • 4/4
The Lily and the Rose - SATB cover art
Bob Chilcott - The Lily and the Rose - SATB
10% popularity • 76 bpm • A min • 04:08 • 4/4
Oculi omnium cover art
Charles Wood - Oculi omnium
22% popularity • 76 bpm • E Maj • 01:13 • 3/4
Behold How Good (with The Singers) cover art
Michael John Trotta - Behold How Good
16% popularity • 76 bpm • G Maj • 03:28 • 3/4
To Be Sung Of A Summer Night On The Water cover art
Frederick Delius - To Be Sung Of A Summer Night On The Wate...
18% popularity • 76 bpm • A# Maj • 02:41 • 4/4
Finlandia-Hymni cover art
Cantus - Finlandia-Hymni
20% popularity • 76 bpm • A Maj • 02:08 • 3/4
American Triptych: No. 3, Come to the Woods cover art
Jake Runestad - American Triptych: No. 3, Come to the Wo...
8% popularity • 76 bpm • D Maj • 11:21 • 4/4
My Spirit Sang All Day cover art
Gerald Finzi - My Spirit Sang All Day
17% popularity • 76 bpm • G Maj • 02:18 • 3/4
Revelation cover art
Z. Randall Stroope - Revelation
9% popularity • 76 bpm • A# min • 05:27 • 4/4
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus cover art
Bob Chilcott - A Little Jazz Mass (version for mixed ch...
33% popularity • 76 bpm • G# Maj • 01:31 • 4/4
Under the Willow Tree cover art
Samuel Barber - Under the Willow Tree
7% popularity • 76 bpm • A Maj • 03:09 • 4/4
Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) cover art
Alfred Schnittke - Choir Concerto: IV. Sej trud, shto natch...
9% popularity • 76 bpm • G Maj • 05:20 • 4/4
Stopping By Woods On a Snowy Evening - Randall Thompson cover art
Randall Thompson - Stopping By Woods On a Snowy Evening - R...
9% popularity • 76 bpm • F min • 04:12 • 4/4
Click to view more similar songs to American Triptych: No. 3, Come to the Woods
Discover more songs by Jake Runestad
American Triptych: No. 3, Come to the Woods is a song by Jake Runestad, released on 2019-08-09. It is track number 4 in the album The Hope of Loving. American Triptych: No. 3, Come to the Woods has a BPM/tempo of 76 beats per minute, is in the key of D Maj and has a duration of 11 minutes, 21 seconds.

American Triptych: No. 3, Come to the Woods is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

American Triptych: No. 3, Come to the Woods info

Name
American Triptych: No. 3, Come to the Woods
Artist(s)
Jake Runestad, Conspirare, Craig Hella Johnson
Album
The Hope of Loving
Release Date
9th August 2019
ISRC
USASX1957804
Key
D Maj
Tempo
76
Loudness (db)
-22db
Time signature
4/4
Length
11:21
Song Number
4 of 15
Explicit
No