🔥Growing Artists | Pitch your song |
As Vesta was from Latmos hill descending cover art

Thomas Weelkes, I Fagiolini, Robert Hollingworth

As Vesta was from Latmos hill descending

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
84 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-22db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 10% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
10%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
20%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
34%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
8%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to As Vesta was from Latmos hill descending


The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant cover art
Jan Dismas Zelenka - The Lamentations of Jeremiah the Prophet...
7% popularity • 84 bpm • G# min • 03:31 • 4/4
Mother of God Here I Stand cover art
John Taverner - Mother of God Here I Stand
18% popularity • 84 bpm • F# Maj • 03:10 • 4/4
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 cover art
The Tallis Scholars - Palestrina: Missa Papae Marcelli - 1c. K...
38% popularity • 84 bpm • B Maj • 01:15 • 3/4
Le Bourgeois Gentilhomme, LWV 43: 2ème Air des Espagnols - Gigue (1670) cover art
Jean-Baptiste Lully - Le Bourgeois Gentilhomme, LWV 43: 2ème ...
20% popularity • 84 bpm • G# Maj • 01:12 • 4/4
Caro dolce ben mio, perche fuggire cover art
Andrea Gabrieli - Caro dolce ben mio, perche fuggire
0% popularity • 84 bpm • F min • 02:28 • 4/4
Stabat Mater: VI. Fac me tecum cover art
Antonio Caldara - Stabat Mater: VI. Fac me tecum
39% popularity • 84 bpm • A min • 01:01 • 5/4
As Vesta was from Latmos hill descending cover art
Thomas Weelkes - As Vesta was from Latmos hill descending
11% popularity • 84 bpm • F Maj • 03:03 • 4/4
Vespers, Op. 37: Bless The Lord, O My Soul cover art
Yevhen Savchuk - Vespers, Op. 37: Bless The Lord, O My So...
5% popularity • 83 bpm • C# Maj • 04:51 • 4/4
Altri canti d'amor cover art
Claudio Monteverdi - Altri canti d'amor
13% popularity • 83 bpm • B min • 03:27 • 3/4
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) cover art
Jean-Baptiste Lully - Le Bourgeois Gentilhomme, LWV 43: Canari...
19% popularity • 84 bpm • D min • 01:16 • 4/4
Te Deum, H. 146: II.
Marc-Antoine Charpentier - Te Deum, H. 146: II. "Te Deum laudamus"
28% popularity • 83 bpm • C# Maj • 01:04 • 4/4
Ockeghem: Missa pro Defunctis: I. Requiem aeternam cover art
Johannes Ockeghem - Ockeghem: Missa pro Defunctis: I. Requie...
17% popularity • 83 bpm • F Maj • 05:37 • 3/4
Ninth Evening Service: I. Magnificat cover art
Thomas Weelkes - Ninth Evening Service: I. Magnificat
2% popularity • 84 bpm • C# Maj • 08:31 • 3/4
Herr, wenn ich nur dich habe, SWV 280 cover art
Heinrich Schütz - Herr, wenn ich nur dich habe, SWV 280
24% popularity • 85 bpm • A min • 03:27 • 3/4
As Vesta was is a song by Thomas Weelkes, released on 2002-02-01. It is track number 30 in the album The Triumphs of Oriana. As Vesta was has a BPM/tempo of 84 beats per minute, is in the key of F Maj and has a duration of 3 minutes, 3 seconds.

As Vesta was is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


As Vesta was from Latmos hill descending info

Name
As Vesta was from Latmos hill descending
Release Date
1st February 2002
ISRC
GBLWD0202030
Key
F Maj
Tempo
84
Loudness (db)
-22db
Time signature
4/4
Length
03:03
Song Number
30 of 30
Explicit
No