🔥Growing Artists | Pitch your song |
Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto) cover art

Benjamin Britten, Jean-Guihen Queyras

Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto)

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
101 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-22.24db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
13%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
42%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
19%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
6%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
11%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
94%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
56%




Discover songs similar to Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto)


Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm cover art
Benjamin Britten - Britten: Four Sea Interludes from Peter ...
11% popularity • 101 bpm • E Maj • 04:35 • 4/4
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto cover art
Samuel Coleridge-Taylor - Ballade in A Minor, Op. 33: I. Allegro e...
30% popularity • 101 bpm • A min • 05:48 • 4/4
Béatrice et Bénédict, Op. 27, H 138: Ouverture cover art
Hector Berlioz - Béatrice et Bénédict, Op. 27, H 138: ...
14% popularity • 101 bpm • G Maj • 08:13 • 4/4
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves cover art
Gustav Holst - Japanese Suite, Op. 33: VI. Finale: Danc...
37% popularity • 101 bpm • C min • 01:46 • 4/4
Capriccio, Op. 85, TrV 279: Mondscheinmusik cover art
Richard Strauss - Capriccio, Op. 85, TrV 279: Mondscheinmu...
32% popularity • 100 bpm • A Maj • 03:40 • 1/4
Mahler: Blumine cover art
Gustav Mahler - Mahler: Blumine
29% popularity • 100 bpm • C Maj • 08:26 • 4/4
War Requiem, Op. 66: VI. Libera me: c. Let Us Sleep Now...In Paradisum cover art
Benjamin Britten - War Requiem, Op. 66: VI. Libera me: c. L...
7% popularity • 101 bpm • A Maj • 05:37 • 3/4
5 Military Marches, Op. 39,
Edward Elgar - 5 Military Marches, Op. 39, "Pomp and Ci...
20% popularity • 102 bpm • C Maj • 06:15 • 3/4
Concerto for Viola and Orchestra: I. Andante comodo cover art
William Walton - Concerto for Viola and Orchestra: I. And...
14% popularity • 102 bpm • A min • 07:50 • 4/4
Symphony No. 4 in A Major, Op. 90, MWV N16
Felix Mendelssohn - Symphony No. 4 in A Major, Op. 90, MWV N...
22% popularity • 100 bpm • A min • 05:20 • 4/4
Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied cover art
Richard Strauss - Also sprach Zarathustra, Op. 30: VIII. D...
23% popularity • 100 bpm • C Maj • 07:59 • 4/4
Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese cover art
Ottorino Respighi - Pines Of Rome, P. 141: 1. The Pines Of V...
24% popularity • 102 bpm • F Maj • 02:56 • 4/4
The Young Person's Guide to the Orchestra, Op. 34: V. Variations J-L, Brass. L'istesso tempo - Vivace - Allegro pomposo cover art
Benjamin Britten - The Young Person's Guide to the Orchestr...
18% popularity • 101 bpm • E Maj • 02:31 • 4/4
A Walk To The Paradise Garden cover art
Frederick Delius - A Walk To The Paradise Garden
10% popularity • 103 bpm • E Maj • 10:14 • 1/4
Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto) is a song by Benjamin Britten, released on 1998-10-09. It is track number 12 in the album Britten: Suites for Cello Solo. Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto) has a BPM/tempo of 101 beats per minute, is in the key of C Maj and has a duration of 1 minute, 55 seconds.

Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is somewhat easy to dance to.

Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto) info

Name
Cello suites, Suite No. 2, Op. 80: III. Scherzo (Allegro molto)
Release Date
9th October 1998
ISRC
FRZ149806120
Key
C Maj
Tempo
101
Loudness (db)
-22.24db
Time signature
3/4
Length
01:55
Song Number
12 of 23
Explicit
No