🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
116 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-23.79db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
5%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
31%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
31%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
25%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
94%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Christ lag in Todesbanden: II. Alleluja, es ist Victoria


Sonata No. 8 in G Minor: IV. Allegro cover art
Francesco Mancini - Sonata No. 8 in G Minor: IV. Allegro
16% popularity • 116 bpm • G min • 01:28 • 1/4
Christ lag in Todesbanden: II. Alleluja, es ist Victoria cover art
Johann Kuhnau - Christ lag in Todesbanden: II. Alleluja,...
0% popularity • 116 bpm • F# Maj • 03:42 • 3/4
Missa Sancti Spiritus, ZWV 4: Kyrie eleison II cover art
Jan Dismas Zelenka - Missa Sancti Spiritus, ZWV 4: Kyrie elei...
17% popularity • 116 bpm • C# Maj • 01:21 • 4/4
Airs for the Winter: Golden Rod: I. Pastorale: Andante cover art
James Oswald - Airs for the Winter: Golden Rod: I. Past...
16% popularity • 116 bpm • A Maj • 01:28 • 5/4
Requiem, Kyrie: III. Kyrie eleison cover art
Niccolò Jommelli - Requiem, Kyrie: III. Kyrie eleison
16% popularity • 116 bpm • D# Maj • 01:06 • 4/4
Christ lag in Todes Banden, BWV 4: VII. Duetto
Johann Sebastian Bach - Christ lag in Todes Banden, BWV 4: VII. ...
10% popularity • 116 bpm • D# min • 01:34 • 4/4
Sonata in C Minor, Jung III.2.B: II. Allegro cover art
Johann Georg Pisendel - Sonata in C Minor, Jung III.2.B: II. All...
10% popularity • 116 bpm • A Maj • 02:25 • 4/4
Iphigenie en Aulide, Act II: Gavotte (arr. J. Brahms): Gavotte cover art
Christoph Willibald Gluck - Iphigenie en Aulide, Act II: Gavotte (ar...
11% popularity • 117 bpm • D Maj • 02:57 • 4/4
Alegria cover art
Green Nature - Alegria
7% popularity • 117 bpm • G# Maj • 03:50 • 4/4
Symphony in D Major, H. 651, Wq. 176: I. Allegro assai cover art
Carl Philipp Emanuel Bach - Symphony in D Major, H. 651, Wq. 176: I....
22% popularity • 115 bpm • C# Maj • 03:34 • 4/4
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine cover art
Niccolò Jommelli - Missa pro Defunctis in E-Flat Major, Hoc...
10% popularity • 116 bpm • B min • 01:20 • 3/4
Was Gott tut, das ist wohlgetan: Versus 1, Chorale cover art
Johann Kuhnau - Was Gott tut, das ist wohlgetan: Versus ...
0% popularity • 117 bpm • F# Maj • 03:35 • 4/4
Est-ce Mars, SwWV 321: Variation 7 cover art
Jan Pieterszoon Sweelinck - Est-ce Mars, SwWV 321: Variation 7
17% popularity • 117 bpm • B Maj • 00:51 • 4/4
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 cover art
Jan Dismas Zelenka - Dixit Dominus, ZWV 66: Sicut erat in pri...
22% popularity • 117 bpm • F# Maj • 02:04 • 4/4
Christ lag in Todesbanden: II. Alleluja, es ist Victoria is a song by Johann Kuhnau, released on 2017-02-24. It is track number 13 in the album Complete Sacred Works, Vol. 2. Christ lag in Todesbanden: II. Alleluja, es ist Victoria has a BPM/tempo of 116 beats per minute, is in the key of F# Maj and has a duration of 3 minutes, 42 seconds.

Christ lag in Todesbanden: II. Alleluja, es ist Victoria is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is somewhat easy to dance to.

Christ lag in Todesbanden: II. Alleluja, es ist Victoria info

Name
Christ lag in Todesbanden: II. Alleluja, es ist Victoria
Release Date
24th February 2017
ISRC
DEB201502013
Key
F# Maj
Tempo
116
Loudness (db)
-23.79db
Time signature
3/4
Length
03:42
Song Number
13 of 36
Explicit
No