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Concerto Grosso No. 9 in A Minor after "Lessons for the Harpsichord" by Domenico Scarlatti: II. Con spirito - Andante - Con spirito cover art

Charles Avison, The English Concert, Trevor Pinnock

Concerto Grosso No. 9 in A Minor after "Lessons for the Harpsicho...

Pachelbel: Canon & Gigue / Handel: The Arrival of the Queen of Sheba
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Home >> Charles Avison >> Concerto Grosso No. 9 in A Minor after "Lessons fo...

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
122 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G# min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-20db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 13% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
13%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
18%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
55%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
57%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
13%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
83%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
68%




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Discover more songs by Charles Avison
Concerto Grosso No. 9 in A Minor a is a song by Charles Avison, released on 1985-01-01. It is track number 12 in the album Pachelbel: Canon & Gigue / Handel: The Arrival of the Queen of Sheba. Concerto Grosso No. 9 in A Minor a has a BPM/tempo of 122 beats per minute, is in the key of G# min and has a duration of 3 minutes, 7 seconds.

Concerto Grosso No. 9 in A Minor a is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is pretty easy to dance to.


Concerto Grosso No. 9 in A Minor after "Lessons for the Harpsichord" by Domenico Scarlatti: II. Con spirito - Andante - Con spirito info

Name
Concerto Grosso No. 9 in A Minor after "Lessons for the Harpsichord" by Domenico Scarlatti: II. Con spirito - Andante - Con spirito
Artist(s)
Charles Avison, The English Concert, Trevor Pinnock
Album
Pachelbel: Canon & Gigue / Handel: The Arrival of the Queen of Sheba
Release Date
1st January 1985
ISRC
DEF058500082
Key
G# min
Tempo
122
Loudness (db)
-20db
Time signature
4/4
Length
03:07
Song Number
12 of 17
Explicit
No