🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
106 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
D Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-12.21db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
41%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
47%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
54%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
9%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
91%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
91%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch


Macbeth: Soldiers' Chorus 'Or co'dadi, ma fra poco' cover art
Giuseppe Verdi - Macbeth: Soldiers' Chorus 'Or co'dadi, m...
9% popularity • 106 bpm • C Maj • 04:11 • 4/4
Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch cover art
Oscar Straus - Ein Walzertraum - Operetta in 3 Acts: Al...
0% popularity • 106 bpm • D Maj • 01:40 • 3/4
Dronning Louise Vals (1868) cover art
Hans Christian Lumbye - Dronning Louise Vals (1868)
13% popularity • 105 bpm • A Maj • 04:48 • 3/4
Aus den schlesischen Bergen, Op. 260 cover art
Eduard Strauss - Aus den schlesischen Bergen, Op. 260
9% popularity • 105 bpm • D Maj • 04:19 • 3/4
Kapitel 3 - Hänsel und Gretel cover art
Oper für die Kleinsten - Kapitel 3 - Hänsel und Gretel
12% popularity • 105 bpm • F Maj • 03:00 • 4/4
Ballerina Grazidsa cover art
London Philharmonic Orchestra - Ballerina Grazidsa
7% popularity • 105 bpm • C Maj • 02:16 • 4/4
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Mulier, ecce filius tuus cover art
César Franck - Die sieben Worte Christi am Kreuz für S...
12% popularity • 105 bpm • D# Maj • 06:55 • 5/4
Je t‘aime (Les Trois Valses) cover art
Oscar Straus - Je t‘aime (Les Trois Valses)
8% popularity • 106 bpm • E Maj • 03:59 • 3/4
Shchedrin: Carmen Suite: IX. Torero (after Bizet's opera) cover art
Rodion Shchedrin - Shchedrin: Carmen Suite: IX. Torero (aft...
9% popularity • 108 bpm • F Maj • 02:58 • 4/4
Akt I: Titurel, der fromme Held cover art
Richard Wagner - Akt I: Titurel, der fromme Held
15% popularity • 104 bpm • G# min • 07:02 • 4/4
El nino judio: Danza arabe cover art
Pablo Luna - El nino judio: Danza arabe
13% popularity • 108 bpm • D Maj • 02:04 • 4/4
Die Hochquelle, Polka mazur, Op. 114 cover art
Eduard Strauss - Die Hochquelle, Polka mazur, Op. 114
20% popularity • 108 bpm • D# Maj • 04:21 • 4/4
Verdi: Nabucco, Act 3: Coro di schiavi ebrei.
Riccardo Muti - Verdi: Nabucco, Act 3: Coro di schiavi e...
8% popularity • 104 bpm • C# Maj • 04:14 • 3/4
Die lustigen Nibelungen: Act I: Hymn: Recken von Alt-Burgund … (Volker, Ute, Dankwart, Giselher, Kriemhild, Hagen, Chorus) cover art
Oscar Straus - Die lustigen Nibelungen: Act I: Hymn: Re...
2% popularity • 107 bpm • F Maj • 01:44 • 4/4
Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch is a song by Oscar Straus, released on 1993-01-01. It is track number 16 in the album Die lustige Witwe - Ein Walzertraum - Der Graf von Luxemburg. Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch has a BPM/tempo of 106 beats per minute, is in the key of D Maj and has a duration of 1 minute, 40 seconds.

Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is somewhat easy to dance to.

Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch info

Name
Ein Walzertraum - Operetta in 3 Acts: Alles, was keck und fesch
Release Date
1st January 1993
ISRC
DEF066003020
Key
D Maj
Tempo
106
Loudness (db)
-12.21db
Time signature
3/4
Length
01:40
Song Number
16 of 34
Explicit
No