Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Es muß was Wunderbares sein cover art

Wiener Operettenorchester, Chor

Es muß was Wunderbares sein

Glanzvolle Operetten: Der Vogelhändler / Im weißen Rössl
Preview
Home >> Wiener Operettenorchester >> Es muß was Wunderbares sein

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
105 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-9.27db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 3% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
3%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
42%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
26%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
36%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
3%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
34%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
1%




Discover songs similar to Es muß was Wunderbares sein


Margarethe - Faustwalzer cover art
Ricci Ferra - Margarethe - Faustwalzer
19% popularity • 105 bpm • D Maj • 03:41 • 1/4
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: O jag' dem Glück nicht nach (Sylva - Edwin - Boni) cover art
Emmerich Kálmán - Die Csárdásfürstin · Operette in 3 A...
7% popularity • 105 bpm • B Maj • 05:58 • 4/4
Es muß was Wunderbares sein cover art
Wiener Operettenorchester - Es muß was Wunderbares sein
3% popularity • 105 bpm • A# Maj • 03:14 • 4/4
Aus den schlesischen Bergen, Op. 260 cover art
Eduard Strauss - Aus den schlesischen Bergen, Op. 260
8% popularity • 105 bpm • D Maj • 04:19 • 3/4
Kapitel 3 - Hänsel und Gretel cover art
Oper für die Kleinsten - Kapitel 3 - Hänsel und Gretel
9% popularity • 105 bpm • F Maj • 03:00 • 4/4
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Mulier, ecce filius tuus cover art
César Franck - Die sieben Worte Christi am Kreuz für S...
8% popularity • 105 bpm • D# Maj • 06:55 • 5/4
Die Lorelei: Loreley cover art
Friedrich Silcher - Die Lorelei: Loreley
18% popularity • 105 bpm • F Maj • 02:48 • 3/4
Akt I: Titurel, der fromme Held cover art
Richard Wagner - Akt I: Titurel, der fromme Held
13% popularity • 104 bpm • G# min • 07:02 • 4/4
Im süßen Traum, Op. 31 (Version for Orchestra) cover art
Julius Fučík - Im süßen Traum, Op. 31 (Version for Or...
9% popularity • 106 bpm • D Maj • 02:39 • 4/4
Ins blaue Leben: Das Leben ist so schon cover art
Franz Grothe - Ins blaue Leben: Das Leben ist so schon
10% popularity • 106 bpm • F Maj • 02:20 • 4/4
Wer hat die Liebe uns ins Herz gesenkt cover art
Anneliese Rothenberger - Wer hat die Liebe uns ins Herz gesenkt
8% popularity • 106 bpm • D Maj • 04:32 • 3/4
Napoleon-Marsch, OP. 145 cover art
Carl Michael Ziehrer - Napoleon-Marsch, OP. 145
9% popularity • 104 bpm • F Maj • 02:02 • 4/4
Es geht alles vorüber, es geht alles vorbei cover art
Lale Andersen - Es geht alles vorüber, es geht alles vo...
18% popularity • 106 bpm • F Maj • 03:20 • 1/4
Jung san ma, fesch san ma cover art
Lolita und Alfons Bauer mit seinen Grinzing Schrammeln - Jung san ma, fesch san ma
10% popularity • 106 bpm • F Maj • 02:51 • 4/4
Click to view more similar songs to Es muß was Wunderbares sein
Discover more songs by Wiener Operettenorchester
Es muß was Wunderbares sein is a song by Wiener Operettenorchester, released on 1976. It is track number 7 in the album Glanzvolle Operetten: Der Vogelhändler / Im weißen Rössl. Es muß was Wunderbares sein has a BPM/tempo of 105 beats per minute, is in the key of A# Maj and has a duration of 3 minutes, 14 seconds.

Es muß was Wunderbares sein is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Es muß was Wunderbares sein info

Name
Es muß was Wunderbares sein
Artist(s)
Wiener Operettenorchester, Chor
Album
Glanzvolle Operetten: Der Vogelhändler / Im weißen Rössl
Release Date
1st May 1976
ISRC
ATB057600356
Key
A# Maj
Tempo
105
Loudness (db)
-9.27db
Time signature
4/4
Length
03:14
Song Number
7 of 11
Explicit
No