🔥Growing Artists | Pitch your song |
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum cover art

Jean-Baptiste Lully, Stephane Fuget, Les Épopées

Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
78 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-15.86db
Time signature(?)
How many beats there are per measure/bar.
1/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 15% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
18%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
24%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
12%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
87%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum


John Come Kiss Me Now cover art
Traditional - John Come Kiss Me Now
9% popularity • 78 bpm • F# Maj • 03:56 • 4/4
Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare cover art
Dietrich Buxtehude - Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
19% popularity • 78 bpm • C min • 01:07 • 3/4
Missa Paschalis, ZWV 7: Gloria. Qui tollis cover art
Jan Dismas Zelenka - Missa Paschalis, ZWV 7: Gloria. Qui toll...
10% popularity • 78 bpm • D# min • 02:13 • 4/4
Isis, LWV 54, Acte 4, Scène 6:
Jean-Baptiste Lully - Isis, LWV 54, Acte 4, Scène 6: "C'est c...
0% popularity • 78 bpm • C min • 01:13 • 5/4
Oratorio a 4 voci: “Chi mi priega” cover art
Leonardo Vinci - Oratorio a 4 voci: “Chi mi priega”
15% popularity • 78 bpm • F# Maj • 08:14 • 3/4
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno
Antonio Caldara - Maddalena ai piedi di Cristo: No. 2 Aria...
12% popularity • 78 bpm • C# Maj • 02:00 • 4/4
Céphale et Procris, Act III Scene 3: Passacaille cover art
Élisabeth Jacquet de La Guerre - Céphale et Procris, Act III Scene 3: Pa...
18% popularity • 78 bpm • C Maj • 02:44 • 5/4
III. Grave cover art
Carlo Arrigoni - III. Grave
12% popularity • 79 bpm • C# Maj • 01:55 • 4/4
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo cover art
Francesco Bartolomeo Conti - Languet anima mea BWV deest 1006: III. R...
13% popularity • 79 bpm • E Maj • 00:44 • 3/4
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum cover art
Jean-Baptiste Lully - Exaudiat te Dominus, LWV 77 No. 15: II. ...
15% popularity • 78 bpm • F min • 03:01 • 1/4
Gott Hilf Mir, BuxWV 34: Gott, hilf mir cover art
Dietrich Buxtehude - Gott Hilf Mir, BuxWV 34: Gott, hilf mir
11% popularity • 77 bpm • C min • 03:01 • 4/4
Ave Regina Caelorum: II. Gaude Virgo cover art
Antonio Caldara - Ave Regina Caelorum: II. Gaude Virgo
18% popularity • 78 bpm • F# Maj • 01:21 • 4/4
Télémaque & Calypso, Act III Scene 6: Prince, enfin je ne crains plus rien (Calypso, Télémaque) cover art
Andre Cardinal Destouches - Télémaque & Calypso, Act III Scene 6: ...
20% popularity • 79 bpm • F min • 02:09 • 4/4
Dixit Dominus, HWV 232: VII. De torrente cover art
George Frideric Handel - Dixit Dominus, HWV 232: VII. De torrente
7% popularity • 77 bpm • B min • 04:08 • 4/4
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum is a song by Jean-Baptiste Lully, released on 2024-03-08. It is track number 19 in the album Lully: Te Deum. Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum has a BPM/tempo of 78 beats per minute, is in the key of F min and has a duration of 3 minutes, 1 second.

Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum info

Name
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum
Release Date
8th March 2024
ISRC
FXR522311719
Key
F min
Tempo
78
Loudness (db)
-15.86db
Time signature
1/4
Length
03:01
Song Number
19 of 25
Explicit
No