🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
60 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-13.64db
Time signature(?)
How many beats there are per measure/bar.
5/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
37%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
78%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
93%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
90%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
18%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
44%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Ferrara bis Rom - Teil 27


Kapitel 13.2 - Ostfriesenblut [Ostfriesenkrimis, Band 2] cover art
Ostfriesenkrimis - Kapitel 13.2 - Ostfriesenblut [Ostfriese...
11% popularity • 59 bpm • A min • 03:12 • 3/4
Kapitel 109 - New York Bad Boys - Liam: Verliebt in ein Model - Yearn for, Band 4 cover art
Allie Kinsley - Kapitel 109 - New York Bad Boys - Liam: ...
8% popularity • 58 bpm • A Maj • 03:01 • 4/4
Kapitel 9.5 - Letzter Knödel cover art
Herbert Dutzler - Kapitel 9.5 - Letzter Knödel
8% popularity • 62 bpm • A# Maj • 03:18 • 4/4
Kapitel 39 - Möwenfraß - Luka Kroczek, Band 1 cover art
Klara Holm - Kapitel 39 - Möwenfraß - Luka Kroczek,...
13% popularity • 61 bpm • C min • 03:30 • 4/4
Alte Liebe rostet! - Teil 8 cover art
Inspector Moore - Alte Liebe rostet! - Teil 8
10% popularity • 64 bpm • D min • 04:04 • 5/4
Kapitel 2 - Die vier Versprechen - Ein Weg zur Freiheit und Wu?rde cover art
Don Miguel Ruiz - Kapitel 2 - Die vier Versprechen - Ein W...
11% popularity • 56 bpm • C# Maj • 03:05 • 3/4
Kapitel 2.2 - Der große Entwurf cover art
Stephen Hawking - Kapitel 2.2 - Der große Entwurf
8% popularity • 64 bpm • A# min • 05:10 • 3/4
Kapitel 198 - Das dritte Herz des Oktopus cover art
Dirk Rossmann - Kapitel 198 - Das dritte Herz des Oktopu...
10% popularity • 55 bpm • C# Maj • 03:20 • 3/4
Kapitel 4.14 & Kapitel 5A.1 - Letztes Zuckerl cover art
Herbert Dutzler - Kapitel 4.14 & Kapitel 5A.1 - Letztes Zu...
9% popularity • 64 bpm • B min • 03:26 • 4/4
Kapitel 47 - Wie durch ein dunkles Glas - Commissario Brunetti 15 cover art
Donna Leon - Kapitel 47 - Wie durch ein dunkles Glas ...
9% popularity • 64 bpm • D Maj • 03:02 • 3/4
1.3 Die verschwundenen Pausenbrote - Lotta und Luis und der Kaninchendieb cover art
Bibellesebund Verlag - 1.3 Die verschwundenen Pausenbrote - Lot...
16% popularity • 55 bpm • D Maj • 03:06 • 4/4
Kapitel 80 - New York Bad Boys - Deacon: Verliebt in einen Nerd - Yearn for, Band 3 cover art
Allie Kinsley - Kapitel 80 - New York Bad Boys - Deacon:...
10% popularity • 55 bpm • F min • 03:01 • 4/4
Kapitel 16.3 & Kapitel 17.1 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2 cover art
Val McDermid - Kapitel 16.3 & Kapitel 17.1 - Schlussble...
27% popularity • 65 bpm • F# Maj • 03:12 • 4/4
Kapitel 4.3 & Kapitel 5.1 - Der große Entwurf cover art
Stephen Hawking - Kapitel 4.3 & Kapitel 5.1 - Der große E...
9% popularity • 65 bpm • A# min • 03:21 • 3/4
Ferrara bis Rom - Teil 27 is a song by Johann Wolfgang von Goethe, released on 2018-11-30. It is track number 27 in the album Italienische Reise (5: Ferrara bis Rom). Ferrara bis Rom - Teil 27 has a BPM/tempo of 60 beats per minute, is in the key of E Maj and has a duration of 33 seconds, 132 milliseconds.

Ferrara bis Rom - Teil 27 is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is very easy to dance to.


Ferrara bis Rom - Teil 27 info

Name
Ferrara bis Rom - Teil 27
Release Date
30th November 2018
ISRC
ATER11813425
Key
E Maj
Tempo
60
Loudness (db)
-13.64db
Time signature
5/4
Length
00:33
Song Number
27 of 97
Explicit
No