Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
It's All A Lie cover art

Harry Gregson-Williams

It's All A Lie

The Equalizer (Original Motion Picture Soundtrack)
Preview
Home >> Harry Gregson-Williams >> It's All A Lie

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
95 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-14.83db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 23% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
23%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
41%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
29%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
21%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
18%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
83%




Discover songs similar to It's All A Lie


It's All A Lie cover art
Harry Gregson-Williams - It's All A Lie
22% popularity • 95 bpm • E min • 10:36 • 4/4
All We Did Is Eat The Pellets cover art
Cliff Martinez - All We Did Is Eat The Pellets
7% popularity • 95 bpm • C Maj • 01:37 • 4/4
Heading To Elysium cover art
Ryan Amon - Heading To Elysium
24% popularity • 95 bpm • C# Maj • 01:54 • 4/4
Operation Fortune cover art
Chris Benstead - Operation Fortune
21% popularity • 95 bpm • G# Maj • 02:39 • 3/4
Volcano Springs cover art
James Horner - Volcano Springs
13% popularity • 96 bpm • G Maj • 02:56 • 4/4
Tokyo Vice Main Titles cover art
Danny Bensi and Saunder Jurriaans - Tokyo Vice Main Titles
32% popularity • 95 bpm • G min • 01:20 • 4/4
Enemy Territory cover art
Harry Gregson-Williams - Enemy Territory
13% popularity • 95 bpm • F min • 01:47 • 4/4
Flying High/Sgt. MacKenzie cover art
Joseph Kilna MacKenzie - Flying High/Sgt. MacKenzie
35% popularity • 94 bpm • F Maj • 02:51 • 4/4
Dock Shootout cover art
Tyler Bates - Dock Shootout
20% popularity • 94 bpm • A Maj • 02:42 • 4/4
Superhuman cover art
Jon Ekstrand - Superhuman
11% popularity • 96 bpm • A# Maj • 02:20 • 4/4
The Stars – End Credits cover art
Stephen Barton - The Stars – End Credits
25% popularity • 96 bpm • G Maj • 02:59 • 4/4
What Do You Need to Know? cover art
Steven Price - What Do You Need to Know?
8% popularity • 96 bpm • D min • 07:25 • 3/4
Training Montage - Original Motion Picture Soundtrack cover art
Harry Gregson-Williams - Training Montage - Original Motion Pictu...
23% popularity • 94 bpm • C# Maj • 02:34 • 4/4
Knives And Bullets (And Cannons Too) cover art
Dario Marianelli - Knives And Bullets (And Cannons Too)
20% popularity • 94 bpm • A# Maj • 07:33 • 4/4
Click to view more similar songs to It's All A Lie
Discover more songs by Harry Gregson-Williams
It's All A Lie is a song by Harry Gregson-Williams, released on 2014-01-01. It is track number 7 in the album The Equalizer (Original Motion Picture Soundtrack). It's All A Lie has a BPM/tempo of 95 beats per minute, is in the key of E min and has a duration of 10 minutes, 36 seconds.

It's All A Lie is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

It's All A Lie info

Name
It's All A Lie
Artist(s)
Harry Gregson-Williams
Album
The Equalizer (Original Motion Picture Soundtrack)
Release Date
1st January 2014
ISRC
US3M51429407
Key
E min
Tempo
95
Loudness (db)
-14.83db
Time signature
4/4
Length
10:36
Song Number
7 of 11
Explicit
No