🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
81 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-25db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 13% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
9%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
8%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
7%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
11%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
52%




Discover songs similar to Jephte: XVIII. Coro a 6


O pulcherrima mulierum a 5 cover art
Jacques Arcadelt - O pulcherrima mulierum a 5
18% popularity • 81 bpm • A# min • 02:34 • 4/4
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu Domine cover art
Niccolò Jommelli - Missa pro Defunctis in E-Flat Major, Hoc...
13% popularity • 81 bpm • D Maj • 01:57 • 3/4
Surrexit Christus a 11 (C66) cover art
Giovanni Gabrieli - Surrexit Christus a 11 (C66)
25% popularity • 81 bpm • F Maj • 03:27 • 3/4
Jephte: XVIII. Coro a 6 cover art
Giacomo Carissimi - Jephte: XVIII. Coro a 6
14% popularity • 81 bpm • G min • 03:42 • 3/4
Introitus: II. Te decet hymnus Deus in Sion cover art
Cristobal de Morales - Introitus: II. Te decet hymnus Deus in S...
11% popularity • 81 bpm • F min • 01:26 • 3/4
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away cover art
Henry Purcell - Come, ye sons of art, away (1694) Ode fo...
8% popularity • 81 bpm • C# Maj • 01:41 • 4/4
Mass for Double Choir: Kyrie cover art
Frank Martin - Mass for Double Choir: Kyrie
14% popularity • 81 bpm • A min • 05:55 • 3/4
Messa Della Domenica: Kyrye II cover art
Girolamo Frescobaldi - Messa Della Domenica: Kyrye II
25% popularity • 81 bpm • C# min • 01:16 • 3/4
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux:
Francesco Cavalli - Le Concert royal de la Nuit, Troisième ...
9% popularity • 80 bpm • E Maj • 03:47 • 3/4
Stabat Mater: III. Quis est home cover art
Antonio Caldara - Stabat Mater: III. Quis est home
15% popularity • 82 bpm • F# min • 04:36 • 4/4
Misa a Buenos Aires
MartĂŤn Palmeri - Misa a Buenos Aires "Misatango": Agnus D...
8% popularity • 82 bpm • C Maj • 09:05 • 4/4
Jonas: Cum repleta esset Ninive (Historicus, Deus, Chorus) cover art
Giacomo Carissimi - Jonas: Cum repleta esset Ninive (Histori...
2% popularity • 80 bpm • B Maj • 02:34 • 4/4
Purcell: Blessed Are They That Fear the Lord, Z. 5 cover art
Henry Purcell - Purcell: Blessed Are They That Fear the ...
7% popularity • 80 bpm • G min • 09:45 • 4/4
Repons: Caligaverunt oculi mei cover art
Emilio de' Cavalieri - Repons: Caligaverunt oculi mei
9% popularity • 80 bpm • G# Maj • 02:41 • 3/4
Jephte: XVIII. Coro a 6 is a song by Giacomo Carissimi, released on 2005-03-01. It is track number 18 in the album Carissimi: Jephte / Jonas. Jephte: XVIII. Coro a 6 has a BPM/tempo of 81 beats per minute, is in the key of G min and has a duration of 3 minutes, 42 seconds.

Jephte: XVIII. Coro a 6 is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Jephte: XVIII. Coro a 6 info

Name
Jephte: XVIII. Coro a 6
Release Date
1st March 2005
ISRC
HKI190417918
Key
G min
Tempo
81
Loudness (db)
-25db
Time signature
3/4
Length
03:42
Song Number
18 of 40
Explicit
No