🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
132 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-10.62db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 14% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
30%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
70%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
40%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
90%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
7%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
49%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM


Kapitel 127 - Anywhere - Dunbridge Academy, Teil 1 cover art
Sarah Sprinz - Kapitel 127 - Anywhere - Dunbridge Acade...
21% popularity • 132 bpm • B min • 03:10 • 4/4
Kapitel 3, Teil 4 -
Tupoka Ogette - Kapitel 3, Teil 4 - "Willkommen in Happy...
14% popularity • 132 bpm • A min • 02:45 • 3/4
Kapitel 14 - Der witzigste Vorleseabend der Welt cover art
Jürgen von der Lippe - Kapitel 14 - Der witzigste Vorleseabend ...
25% popularity • 132 bpm • B min • 03:22 • 3/4
Fische, die auf Bäume klettern - Ein Kompass für das große Abenteuer namens Leben, Kapitel 13 cover art
Sebastian Fitzek - Fische, die auf Bäume klettern - Ein Ko...
18% popularity • 132 bpm • F# min • 03:25 • 5/4
Tschick, Kapitel 24 cover art
Wolfgang Herrndorf - Tschick, Kapitel 24
16% popularity • 133 bpm • C# Maj • 08:57 • 3/4
Kapitel 27.2 & Kapitel 28.1 - Obsidian 0: Oblivion 2. Lichtflimmern cover art
Jennifer L. Armentrout - Kapitel 27.2 & Kapitel 28.1 - Obsidian 0...
9% popularity • 131 bpm • D Maj • 04:05 • 3/4
Kapitel 146 - Anywhere - Dunbridge Academy, Teil 1 cover art
Sarah Sprinz - Kapitel 146 - Anywhere - Dunbridge Acade...
21% popularity • 132 bpm • F min • 03:09 • 5/4
Kapitel 15.2 - Nachtschwester - Ein Norwegen-Krimi cover art
Unni Lindell - Kapitel 15.2 - Nachtschwester - Ein Norw...
17% popularity • 131 bpm • A# min • 03:14 • 3/4
Kapitel 111 - Save Me - Maxton Hall Reihe, Band 1 cover art
Mona Kasten - Kapitel 111 - Save Me - Maxton Hall Reih...
28% popularity • 131 bpm • E Maj • 03:04 • 3/4
Kapitel 6 - Miss Merkel - Mord in der Uckermark cover art
David Safier - Kapitel 6 - Miss Merkel - Mord in der Uc...
14% popularity • 133 bpm • D Maj • 03:45 • 5/4
The Wife Between Us - Wer ist sie wirklich?, Kapitel 3 cover art
Sarah Pekkanen - The Wife Between Us - Wer ist sie wirkli...
11% popularity • 133 bpm • E Maj • 04:42 • 3/4
Kapitel 4, Teil 3 -
Tupoka Ogette - Kapitel 4, Teil 3 - "Abwehrmechanismen v...
15% popularity • 131 bpm • G Maj • 03:03 • 3/4
Frauen in neuen Geschichten - Redeanteil, Teil2 cover art
Carolin Kebekus - Frauen in neuen Geschichten - Redeanteil...
21% popularity • 133 bpm • G# Maj • 03:34 • 3/4
Kapitel 137.2 - Der Flüstermann (Ein Fall für Laura Kern 3) cover art
Catherine Shepherd - Kapitel 137.2 - Der Flüstermann (Ein Fa...
11% popularity • 133 bpm • G# Maj • 03:49 • 5/4
Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM is a song by Tupoka Ogette, released on 2020-04-08. It is track number 10 in the album EXIT RACISM (rassismuskritisch denken lernen). Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM has a BPM/tempo of 132 beats per minute, is in the key of A min and has a duration of 2 minutes, 45 seconds.

Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is very easy to dance to.


Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM info

Name
Kapitel 3, Teil 4 - "Willkommen in Happyland" - EXIT RACISM
Release Date
8th April 2020
ISRC
DEVU52054834
Key
A min
Tempo
132
Loudness (db)
-10.62db
Time signature
3/4
Length
02:45
Song Number
10 of 86
Explicit
No