Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
110 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
D# min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-24.47db
Time signature(?)
How many beats there are per measure/bar.
4/4
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 23% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
Discover songs similar to Matthäus-Passion, BWV 244 / Erster Teil: No. 27 "So ist mein Jesus nun gefangen" - "Sind Blitze, sind Donner"
Johann Sebastian Bach -
Wer Dank opfert, der preiset mich, BWV 1...
17% popularity • 110 bpm • G# Maj • 02:33 • 3/4
Lisa Milne -
Magnificat in D, BWV 243: Suscepit Israe...
9% popularity • 111 bpm • A# min • 02:06 • 4/4
Arts Music Recording, Rotterdam -
Concerto In F Major, F Dur BWV978, After...
30% popularity • 111 bpm • E Maj • 02:23 • 3/4
Antonio Vivaldi -
Gloria: Qui sedes ad dexteram Patris
30% popularity • 109 bpm • A# min • 02:10 • 1/4
Henry Purcell -
The Fairy Queen, Z. 629 / Act 1: Scene O...
16% popularity • 112 bpm • E Maj • 06:39 • 4/4
Pieter Jan Leusink -
I. Mache Dich, Mein Geist, Bereit BWV 11...
25% popularity • 112 bpm • F# Maj • 04:11 • 3/4
Johann Sebastian Bach -
Matthäus-Passion, BWV 244, Pt. 2: No. 6...
9% popularity • 111 bpm • C min • 06:53 • 3/4
Lisa Milne -
Magnificat in D, BWV 243: Deposuit poten...
9% popularity • 111 bpm • F min • 01:54 • 3/4
Cologne Chamber Orchestra -
Concerto For 2 Keyboards In C Minor, BWV...
44% popularity • 107 bpm • F min • 04:29 • 3/4
Arts Music Recording, Rotterdam -
Concerto In F Major, F Dur BWV978, After...
33% popularity • 106 bpm • B Maj • 02:31 • 4/4
Henry Purcell -
The Fairy Queen, Z. 629 / Act 2: Prelude...
22% popularity • 104 bpm • B Maj • 01:53 • 4/4
Antonio Vivaldi -
Vivaldi: Magnificat in G Minor, RV 610: ...
20% popularity • 104 bpm • E Maj • 02:17 • 4/4
Johann Sebastian Bach -
Matthäus-Passion, BWV 244 / Erster Teil...
24% popularity • 110 bpm • D# min • 05:27 • 4/4
Lisa Milne -
Magnificat in D, BWV 243: Esurientes (co...
8% popularity • 114 bpm • D# Maj • 03:08 • 4/4
Matthäus-Passion, BWV 244 / Erster Teil: No. 27 "So ist mein Jesus nun gefangen" - "Sind Blitze, sind Donner" is a song by Johann Sebastian Bach, released on 1989-01-01. It is track number 27 in the album Bach, J.S.: St. Matthew Passion, BWV 244. Matthäus-Passion, BWV 244 / Erster Teil: No. 27 "So ist mein Jesus nun gefangen" - "Sind Blitze, sind Donner" has a BPM/tempo of 110 beats per minute, is in the key of D# min and has a duration of 5 minutes, 27 seconds.
Matthäus-Passion, BWV 244 / Erster Teil: No. 27 "So ist mein Jesus nun gefangen" - "Sind Blitze, sind Donner" is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.
