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泥の分際で私だけの大切を奪おうだなんて cover art

詩依

泥の分際で私だけの大切を奪おうだなんて

ツユ カバーズ ~レインボーアンブレラ~
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Home >> 詩依 >> 泥の分際で私だけの大切を奪おうだ�...

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
112 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
D# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-9.67db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 16% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
16%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
78%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
67%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
84%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
36%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
10%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




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Discover more songs by 詩依
泥の分際で私だけの大切を奪おうだなんて is a song by 詩依, released on 2022-08-31. It is track number 8 in the album ツユ カバーズ ~レインボーアンブレラ~. 泥の分際で私だけの大切を奪おうだなんて has a BPM/tempo of 112 beats per minute, is in the key of D# Maj and has a duration of 3 minutes, 18 seconds.

泥の分際で私だけの大切を奪おうだなんて is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is extremely energetic and most likely the sort of song you would hear in a club and is very easy to dance to.


泥の分際で私だけの大切を奪おうだなんて info

Name
泥の分際で私だけの大切を奪おうだなんて
Artist(s)
詩依
Album
ツユ カバーズ ~レインボーアンブレラ~
Release Date
31st August 2022
ISRC
JPL542200201
Key
D# Maj
Tempo
112
Loudness (db)
-9.67db
Time signature
4/4
Length
03:18
Song Number
8 of 10
Explicit
No