🔥Growing Artists | Pitch your song |
Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum cover art

Orlande de Lassus, Torsten Nielsen, Musica Ficta, Bo Holten

Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
88 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-26.1db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
5%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
26%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
23%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
16%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum


Binchois: Amours mercy de trespout non pooir cover art
Gilles Binchois - Binchois: Amours mercy de trespout non p...
9% popularity • 88 bpm • C# min • 03:55 • 4/4
Guerrero: Dios los extremos condena cover art
A5 Vocal Ensemble - Guerrero: Dios los extremos condena
11% popularity • 88 bpm • E Maj • 02:12 • 4/4
Lagrime di San Pietro: VIII. Nessún fedél trovai, nessún cortese cover art
Orlande de Lassus - Lagrime di San Pietro: VIII. Nessún fe...
5% popularity • 88 bpm • F Maj • 02:48 • 4/4
Introitus: I. Requiem aeternam cover art
Cristobal de Morales - Introitus: I. Requiem aeternam
14% popularity • 88 bpm • G# Maj • 02:43 • 4/4
Burial Sentences: III. We Brought Nothing Into This World cover art
William Croft - Burial Sentences: III. We Brought Nothin...
32% popularity • 88 bpm • F min • 01:12 • 3/4
Ach Vlaendere vrie cover art
Thomas Fabri - Ach Vlaendere vrie
14% popularity • 89 bpm • A# Maj • 02:58 • 4/4
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare cover art
Adam de la Halle - Mout me fu grief li departir / Robin m'a...
21% popularity • 89 bpm • G Maj • 01:01 • 4/4
Jehova, quam multi sunt hostes mei, Z. 135 cover art
Henry Purcell - Jehova, quam multi sunt hostes mei, Z. 1...
7% popularity • 89 bpm • A min • 06:25 • 4/4
Prophetiae Sibyllarum: No. 3, Sibylla Delphica
Orlande de Lassus - Prophetiae Sibyllarum: No. 3, Sibylla De...
4% popularity • 88 bpm • D Maj • 02:15 • 4/4
Kyrie: III. Kyrie cover art
Cristobal de Morales - Kyrie: III. Kyrie
18% popularity • 88 bpm • G# Maj • 01:10 • 4/4
Messe de Notre-Dame: X. Agnus Dei cover art
Guillaume de Machaut - Messe de Notre-Dame: X. Agnus Dei
22% popularity • 87 bpm • F# Maj • 03:27 • 3/4
Adesto dolori meo cover art
Jacob Clemens non Papa - Adesto dolori meo
18% popularity • 87 bpm • A# Maj • 06:23 • 4/4
Prima die Lectio prima: III. Quomodo sedet sola cover art
Emilio de' Cavalieri - Prima die Lectio prima: III. Quomodo sed...
22% popularity • 89 bpm • F# min • 01:11 • 4/4
Hymn To The Mother Of God (Bogoroditse Devo) cover art
Victor Kalinnikov - Hymn To The Mother Of God (Bogoroditse D...
30% popularity • 87 bpm • D min • 01:23 • 4/4
Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum is a song by Orlande de Lassus, released on 2018-02-09. It is track number 42 in the album Lassus: St. Matthew Passion. Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum has a BPM/tempo of 88 beats per minute, is in the key of F Maj and has a duration of 37 seconds.

Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum info

Name
Passio Domini nostri Jesu Christi secundum Matthaeum: Innocens ego sum
Release Date
9th February 2018
ISRC
HKI191726342
Key
F Maj
Tempo
88
Loudness (db)
-26.1db
Time signature
3/4
Length
00:37
Song Number
42 of 54
Explicit
No