🔥Growing Artists | Pitch your song |
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A cover art

Various artists

Purcell: Funeral Sentences: In the Midst of Life, Z. 17A

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
77 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-23db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 12% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
11%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
16%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
10%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
66%




Discover songs similar to Purcell: Funeral Sentences: In the Midst of Life, Z. 17A


Lamentations of Jeremiah I cover art
Thomas Tallis - Lamentations of Jeremiah I
15% popularity • 77 bpm • D min • 07:35 • 3/4
Dona Nobis Pacem: O Man Greatly Beloved cover art
Ralph Vaughan Williams - Dona Nobis Pacem: O Man Greatly Beloved
14% popularity • 77 bpm • A# Maj • 07:32 • 3/4
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A cover art
Henry Purcell - Purcell: Funeral Sentences: In the Midst...
13% popularity • 77 bpm • C Maj • 04:37 • 4/4
Allegri: Miserere - 06. Cor Mundum Crea in Me cover art
The Tallis Scholars - Allegri: Miserere - 06. Cor Mundum Crea ...
35% popularity • 77 bpm • G Maj • 01:14 • 1/4
Sancta Maria, mater Dei, K. 273 cover art
Wolfgang Amadeus Mozart - Sancta Maria, mater Dei, K. 273
10% popularity • 77 bpm • F Maj • 04:02 • 4/4
Stabat Mater, P. 77: XI. Inflammatus cover art
Giovanni Battista Pergolesi - Stabat Mater, P. 77: XI. Inflammatus
34% popularity • 78 bpm • A# Maj • 02:49 • 4/4
Magnificat in B flat major: Et misericordia cover art
Francesco Durante - Magnificat in B flat major: Et misericor...
21% popularity • 78 bpm • F# min • 01:51 • 4/4
Five Mystical Songs: No. 5, Antiphon cover art
Ralph Vaughan Williams - Five Mystical Songs: No. 5, Antiphon
10% popularity • 78 bpm • D Maj • 03:29 • 4/4
Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches.
Henry Purcell - Purcell: Dido and Aeneas, Z. 626, Act II...
13% popularity • 78 bpm • E Maj • 02:19 • 4/4
Frescobaldi: Messa sopra l'aria della monica: I. Kyrie cover art
Girolamo Frescobaldi - Frescobaldi: Messa sopra l'aria della mo...
13% popularity • 76 bpm • G min • 02:45 • 4/4
Missa si Deus pro nobis, a 16 voci: II. Christe eleison cover art
Orazio Benevoli - Missa si Deus pro nobis, a 16 voci: II. ...
23% popularity • 78 bpm • A min • 02:57 • 1/4
Rachmaninov: Vespers, Op. 37: I. Priidite, poklonimsya cover art
Sergei Rachmaninoff - Rachmaninov: Vespers, Op. 37: I. Priidit...
21% popularity • 76 bpm • C Maj • 01:52 • 4/4
Messe solennelle pour deux orgues et choeur, Op. 16: II. Gloria cover art
Louis Vierne - Messe solennelle pour deux orgues et cho...
12% popularity • 76 bpm • A Maj • 07:06 • 4/4
Missa O lumen ecclesie: Kyrie cover art
Jacob Obrecht - Missa O lumen ecclesie: Kyrie
39% popularity • 76 bpm • F Maj • 01:15 • 3/4
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A is a song by Henry Purcell, released on 1977-01-01. It is track number 4 in the album Purcell: Funeral Music for Queen Mary & Anthems. Purcell: Funeral Sentences: In the Midst of Life, Z. 17A has a BPM/tempo of 77 beats per minute, is in the key of C Maj and has a duration of 4 minutes, 37 seconds.

Purcell: Funeral Sentences: In the Midst of Life, Z. 17A is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

Purcell: Funeral Sentences: In the Midst of Life, Z. 17A info

Name
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A
Release Date
1st January 1977
ISRC
GBAYC9103807
Key
C Maj
Tempo
77
Loudness (db)
-23db
Time signature
4/4
Length
04:37
Song Number
4 of 12
Explicit
No