Songs like 24 Caprichos de Goya Op. 195: I. Francisco Goya y Lucientes, Pintor by Mario Castelnuovo-Tedesco
Based on a tempo of (+/- 10%) and a similar genre
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Celedonio Romero
Tango Angelita
96 bpm • A Maj • 02:20 • -25db
20% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
20% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
96 bpm • A min • 02:17 • -31db
12% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
12% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 3 (Vals c...
96 bpm • E Maj • 01:36 • -30.31db
36% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
36% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Renata Tarragó
Fernando Sor : Estudio en si menor, no. ...
96 bpm • C min • 02:23 • -21db
13% Popularity • 44% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
13% Popularity • 44% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Hector Ayala
Serie Americana: Preludio
96 bpm • E min • 02:36 • -33db
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Jason Vieaux
Recuerdos de viaje, Op. 71: No. 8. Rumor...
97 bpm • A min • 04:14 • -21db
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Joaquin Clerch
Preludios de primavera: I. Primavera
97 bpm • C Maj • 02:50 • -27.22db
11% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
35% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Prelude No 3
95 bpm • A min • 06:34 • -25.95db
11% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Joaquín Turina
Sonata, Op. 61: III. Allegro vivo
97 bpm • G Maj • 03:24 • -16.29db
14% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
14% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
13% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
13% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
95 bpm • G min • 04:53 • -29.8db
3% Popularity • 37% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
3% Popularity • 37% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
97 bpm • A min • 03:01 • -21.17db
11% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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Catharina Josepha Pratten
Spanish Dance
95 bpm • A min • 02:11 • -20.04db
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: IV. Allegretto
95 bpm • E Maj • 01:09 • -24db
28% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
28% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
95 bpm • A Maj • 04:47 • -23.06db
17% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
17% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
97 bpm • A min • 02:33 • -30.32db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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![Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 6, Heirat mit der Prinzessin [the Wedding with the Princess] cover art](https://i.scdn.co/image/ab67616d00001e02bbf058552cfadd190d26a4a3)
Carlo Domeniconi
Sindbad, ein Märchen (Sinbad, a Fairy T...
95 bpm • D Maj • 02:35 • -34.58db
19% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Leo Brouwer
Cancion de cuna
94 bpm • G Maj • 03:48 • -30db
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Jorge Morel
Prelude
94 bpm • E min • 03:08 • -31.65db
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Manos Hadjidakis
The Urchins Down in the Meadow (Arr. O. ...
98 bpm • A min • 06:32 • -23.06db
9% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
9% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Gaspar Sanz
Canarios - Arr. for Guitar
94 bpm • D Maj • 01:28 • -18db
20% Popularity • 51% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 94% Positiveness
20% Popularity • 51% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 94% Positiveness
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Jean-Philippe Rameau
Nouvelles suites de pièces de clavecin,...
94 bpm • D# min • 02:20 • -29db
30% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • G Maj • 02:55 • -29.88db
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Ferdinando Carulli
École de guitare - Arr. for Guitar by S...
94 bpm • D Maj • 01:48 • -24.15db
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Francis Kleynjans
Tristesse
94 bpm • B min • 02:40 • -19.19db
18% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Quique Sinesi
Sonidos de aquel dia (Sounds from That D...
99 bpm • D Maj • 03:52 • -31.54db
11% Popularity • 38% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Antonio Lauro
Ana Florencia
94 bpm • E Maj • 01:47 • -28.25db
16% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
16% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • A Maj • 03:17 • -32.19db
14% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
14% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Isaías Sávio
Batucada
99 bpm • E Maj • 03:02 • -23.04db
11% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
29% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze la Harpa en la M...
93 bpm • D Maj • 01:54 • -19.27db
11% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
11% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 4 (Yacamb...
98 bpm • D Maj • 02:55 • -28.98db
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
16% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
16% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires: No. 3, San Telmo
99 bpm • E min • 03:00 • -13.79db
26% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
26% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Heitor Villa-Lobos
Preludes, W419: No. 4, Lento
100 bpm • A min • 03:29 • -26.11db
7% Popularity • 44% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
7% Popularity • 44% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.16 Andante
100 bpm • F Maj • 03:28 • -25.68db
8% Popularity • 59% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
8% Popularity • 59% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Alonso Mudarra
Fantasia X
100 bpm • D Maj • 01:51 • -32db
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 1
92 bpm • D Maj • 01:12 • -26.28db
31% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
31% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Romanza sin palabras No.20, Op. 53: No. ...
92 bpm • D Maj • 02:46 • -16.11db
8% Popularity • 40% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Carlos Bonell
Torroba: Madroños
100 bpm • E Maj • 03:01 • -22db
14% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
92 bpm • D Maj • 01:38 • -24.67db
23% Popularity • 40% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
23% Popularity • 40% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Instrumental genius
Whispers in Strings
92 bpm • D min • 01:01 • -23.52db
27% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
27% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
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Claude Debussy
Preludes, Book 1: No. 8. La fille aux ch...
92 bpm • G Maj • 02:33 • -36db
42% Popularity • 29% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
42% Popularity • 29% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: II. Rondo (arr....
92 bpm • D min • 01:25 • -19.35db
33% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
92 bpm • D min • 02:25 • -45.41db
9% Popularity • 32% Danceability • 0% Energy • 5% Liveness
89% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 0% Energy • 5% Liveness
89% Instrumentalness • 14% Positiveness
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Isaac Albéniz
Rumores de la Caleta
101 bpm • C Maj • 03:20 • -18.47db
18% Popularity • 39% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
18% Popularity • 39% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
92 bpm • F Maj • 02:50 • -27.26db
4% Popularity • 41% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
4% Popularity • 41% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Georges Bizet
Carmen Suite: III. Seguidilla (Arr. W. K...
101 bpm • G Maj • 01:45 • -28.15db
12% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
12% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Heitor Villa-Lobos
Suite populaire Brésilienne, W020: III....
101 bpm • E min • 04:29 • -22db
14% Popularity • 52% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
14% Popularity • 52% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Maximo Diego Pujol
5 Preludios: No. 3, Tristango en Vos
91 bpm • E min • 03:02 • -25db
16% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
16% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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Anonymous
Catalonian Song
91 bpm • D Maj • 02:16 • -26.91db
10% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
10% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: II. Tempo di...
91 bpm • A min • 04:03 • -27.55db
21% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
21% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Joaquín Turina
Hommage a Tarrega: II. Soleares
91 bpm • D Maj • 02:20 • -19.33db
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Marcus Paus
Weserübung (9. april 2020)
101 bpm • A Maj • 03:16 • -24.48db
12% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Manuel de Falla
El sombrero de 3 picos (The 3-Cornered H...
91 bpm • D Maj • 01:58 • -22.91db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Johann Kaspar Mertz
Deutsche Weise (German Air)
101 bpm • F Maj • 04:19 • -31.71db
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor. A...
101 bpm • D Maj • 04:46 • -25.16db
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Jean-Philippe Rameau
Les cyclopes, RCT 3/8 (Arr. Grizard for ...
101 bpm • E min • 03:48 • -19.27db
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
► Preview
Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
10% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
![Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 3] cover art](https://i.scdn.co/image/ab67616d00001e0217ad14bc174fe64ed186084b)
Jascha Heifetz
Sea Murmurs (After. M. Castelnuovo-Tedes...
102 bpm • C# Maj • 01:31 • -32.22db
2% Popularity • 19% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 16% Positiveness
2% Popularity • 19% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 16% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Poul Ruders
Psalmodies Suite: IV. Exit for One
102 bpm • G min • 02:49 • -21.47db
9% Popularity • 69% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
9% Popularity • 69% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Abel Carlevaro
Milonga oriental
91 bpm • E min • 02:08 • -27db
23% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
23% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Ángel Barrios
Homenaje a Andalucía: II. Boliche (Bole...
91 bpm • E Maj • 03:08 • -20.49db
16% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
16% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
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Leo Brouwer
El decameron negro: La huida de los aman...
90 bpm • F# min • 04:47 • -29db
12% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
12% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Sergio Assad
Aquarelle: II. Valseana
102 bpm • D Maj • 02:55 • -33.94db
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Antonio Lauro
El Marabino
102 bpm • A Maj • 01:18 • -27.48db
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
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Jaime Bosch
Brimborion, Op. 11: Romance sans paroles
90 bpm • G Maj • 04:45 • -18.99db
17% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Isaac Albéniz
Preludio
90 bpm • E Maj • 01:40 • -18.53db
14% Popularity • 30% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 30% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 2 in C Major: Sch...
90 bpm • E min • 01:07 • -28db
29% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
29% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Philip Hemmo
Danza Mora
90 bpm • B Maj • 03:29 • -21.92db
14% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
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Regino Sáinz de la Maza
Canciones Castellanas
90 bpm • A min • 05:20 • -19db
34% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
34% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
103 bpm • A min • 02:44 • -26db
15% Popularity • 41% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
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Victor Villadangos
Tucututa
90 bpm • G min • 02:58 • -30.35db
29% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
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Julio Cesár Oliva
Imágenes de Yucatán: II. Paseo Montejo
90 bpm • G Maj • 05:11 • -32.76db
11% Popularity • 30% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Jorge Morel
Little Rhapsody
103 bpm • E min • 05:26 • -24.86db
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Antonio Lauro
Triptico: 3. La Negra
90 bpm • G Maj • 01:49 • -27.69db
29% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
29% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: El Vito
103 bpm • A min • 01:43 • -21.41db
17% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
17% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
► Preview
Niccolò Paganini
Grand Sonata in A Major, MS 3: Romanza
90 bpm • A min • 04:09 • -27.66db
6% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
6% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Dionisio Aguado
3 Rondo Brillants, Op. 2: No. 2. Andante...
90 bpm • A min • 09:19 • -26db
15% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
15% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
103 bpm • C Maj • 01:53 • -26.63db
6% Popularity • 30% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
6% Popularity • 30% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Federico Mompou
Mompou: Suite Compostelana: Canción (ex...
90 bpm • A min • 03:02 • -25.98db
10% Popularity • 40% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
10% Popularity • 40% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
103 bpm • E min • 02:44 • -27.45db
9% Popularity • 20% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Antón García Abril
Sonata del Portico: I. Allegro
89 bpm • E min • 05:16 • -20.79db
9% Popularity • 26% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Ricardo Cobo
Muerte del angel - Tango (arr. R. Cobo):...
89 bpm • A min • 04:14 • -24.51db
24% Popularity • 31% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
24% Popularity • 31% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
► Preview
Carles Trepat
Bolero
103 bpm • A min • 01:56 • -22.89db
17% Popularity • 44% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
17% Popularity • 44% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Bret Williams
That Book About the Fig Tree
103 bpm • E Maj • 03:12 • -25.1db
22% Popularity • 42% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
22% Popularity • 42% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Joaquin Clerch
Estudio de trémolo
89 bpm • A min • 02:51 • -28.34db
14% Popularity • 18% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
14% Popularity • 18% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Sergio Assad
Cradle Song
89 bpm • D Maj • 03:43 • -21.28db
19% Popularity • 35% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
19% Popularity • 35% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
